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There's a good piece about this in a recent New Yorker magazine.  To me it's flawless - I don't think there's a bad note on it.  

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If you're a fan of Leo Kottke and the like, check this one out. Very similar to the late Michael Hedges who made some waves in the late 80s and early 90s. Lots of acoustic fretboarding and percussive playing.

 

Yasmin Williams: Urban Driftwood Album Review | Pitchfork

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