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ImpossibleAlabama

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  1. Had a chance to talk to one of the video guys after the show. They're the same guys that did Sunken Treasure. He said they were filming five shows for a DVD called "With Six There's Wilco" or "With Six You Have Wilco" or something like that. I believe they were Nashville, the two New Orleans shows, Houston, and Tulsa. Saw six cameras at one point.

     

    Show was outstanding, maybe the best Wilco show I've ever seen. I requested Lonely 1, so it kind of sucks to learn it was slated for the last song, but the second half of the show was so upbeat and high-energy that Lonely 1 would have felt out of place, would have been a bit of a downer, even. Oh well--maybe next time.

     

     

    The Mobile, AL show was also filmed. There were at least 3 cameras in the pit area and at least one more in the balcony, those are the ones I saw anyways.

  2. This is a review from the local paper, the Mobile Press-Register:

     

    "To judge from Wilco's appearance at the Mobile Civic Center Theatre on Monday evening, rock music does have a future. And it will be loud.

     

    That may be an oversimplification. But Wilco did prove a couple of significant points.

     

    The first is that a band known more for wowing critics than for winning over a lucrative mainstream following can draw a respectable crowd in Mobile on a stormy weeknight. Word from the Civic Center was that about 1,600 patrons had turned out -- some 300 short of a sellout, but nothing to sneeze at.

     

     

    The second was that the band could confront its audience with some challenging music and get away with it. In fact, as it churned through songs featuring dramatic shifts in volume, sometimes dissonant arrangements and occasional blasts of outright industrial racket, it was applauded at every turn.

     

    Certainly Wilco is famous enough -- it played Mobile two nights after a plum showcase on "Saturday Night Live" -- that most of the audience knew what they were in for.

     

    But from the opening song, "You Are My Face," it was clear that the live show was going to sharpen the songs, amp up the contrasts, rather than rounding off the edges of the studio versions.

     

    And the crowd seemed not only to expect audacity, but to welcome it. They wanted, and got, music packed with contrasts.

     

    Bandleader Jeff Tweedy's songs are rarely just pretty, but they usually have pretty passages. And so for every blast of noise there was a tender verse or a haunting melody around the corner; for every chamber-pop complexity of arrangement, there was a tasty segment of two- or three-guitar fireworks.

     

    "Side With the Seeds," for example, paid off with a passage where Tweedy and lead guitarist Nels Cline delivered some instrumental harmonies that the Allman Brothers would have been pleased to call their own, and as if that wasn't enough, Cline got to blaze away solo on the song's coda.

     

    (Cline had won much of the audience over before Wilco even took the stage: He had helped opening act John Doe finish up his set with a furious rendition of the Rolling Stones' "Gimme Shelter.")

     

    Tweedy, who has at times been uncomfortable with the role of frontman, was a man of few words through the first half of the show, but they were amiable words.

     

    He mentioned that this was the band's first time in Mobile, and -- with perhaps a teasing touch of skepticism -- referred to the city as "the home of Mardi Gras."

     

    "I like that everybody said 'hi' to me when I was walking around today," he said.

     

    All in all, the rapport between band and audience seemed warm and rewarding for both parties, perhaps never more so that during "Muzzle of Bees" when Tweedy pointed to the crowd while singing the line, "Half of it's you, half is me."

     

    On the one side, an audience willing to reward a band for making challenging music. On the other, a band not too proud to scatter in crowd-pleasing fare like "California Stars," an adaptation of Woody Guthrie lyrics from the band's 1998 album "Mermaid Avenue."

     

    Being a critical darling, as Wilco certainly is, can be a two-edged sword. But if a band can spend half a decade stubbornly going its own way only to arrive with a crowd, it must be doing something right. "

  3. :rotfl That's funny stuff.

     

    I don't believe this show sold out. Were their a lot of empty seats, or was it close to capacity?

     

     

    Capacity was 1900 (or so). I read this morning they were 300 short of a sell-out. You really couldn't tell this was the case though. The balcony may have been less than full, but the floor level was very near capacity. I was surprised, Mobile very, very rarely gets decent shows. The majority of shows here are crap rock (Nickelback and their ilk). The last decent show was Ryan Adams at the Saenger Theater, and that turned out horribly. An overall terrible crowd, who talked heavily the whole time and didn't take to kindly to Ryan's brand of sarcasm.

     

    I really hope last night's show helps put the word out that's it's possible to draw a good, respectful crowd in Mobile.

  4. well, i thought someone might post a setlist, ;-)

     

    Here's what they played that I remember (in no particular order)

     

    Airline to heaven

    California Stars

    Box Full of letters

    Pick up the change (Jeff said he wanted to lower expectations for the rest of the set by playing this song)

    Passenger side

    Monday

    Outtasite (Outta Mind)

    Kingpin

    Muzzle of Bees

    Hummingbird

    Handshake Drugs

    Wishful thinking

    Theologians

    You are my face

    Impossible Germany (once again, absolutely incredible solo by Nels)

    Side with the seeds

    Hate it Here

    Walken

    What Light

    Via Chicago

    A Shot in the Arm

    War on War

    Jesus Etc.

    Heavy Metal Drummer

    I'm the man who loves you

    Pot Kettle Black

    I Am Trying To Break Your Heart

    Magazine called Sunset

     

    maybe more word will come in from this show. there were people from all over Alabama, Florida, Mississippi, among others. there was also a really inebriated guy there from Michigan who, by the end of the set, was dancing like Patrick Dempsey in Can't Buy Me Love. He was going around singing lyrics directly in the faces of complete strangers, i assume in case they forgot them.

  5. This was a great show. Just got in. The band must have played nearly 2 1/2 hours. I'm sure someone else will post a setlist later.

     

    Mobile is notorious for lack of enthusiasm for shows and sometimes rowdy crowds. Tonight could not have been further from that. The crowd was great, a good portion of the audience stood for most of the show and were very enthused for the entire catalogue spanning setlist that was played. It sounds cliche, but the band was on fire. Nels performed one of his greatest solos yet for Impossible Germany (standing ovation).

     

    The banter was at a minimum, but the band more than made up for it by tearing through song after song.

     

    This was Wilco's first time in Mobile, but I'm hoping the reception and participation of the crowd will warrant a later date.

     

    The Total Pro's were around and in fine form, and the camera crew was spread about nicely, I'm sure they came away with some great footage.

     

    John Doe was better than I anticipated (no disrespect to John Doe, just not that familiar w/ his catalogue) They did a Joni Mitchell cover and Nels came out for "Gimme Shelter"

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