CabinFever47

From what I hear, the C1 model is an upgrade as far as the reverb goes, though I haven't played a CC1 to confirm. I find it to be usable on mine, but I prefer using my Holy Grail reverb.

Yes, mine has dual inputs. One for the normal channel and one for the top boost channel, which has more EQ control. The only way to switch between them is through an AB or ABY switch. The top boost channel has a lot more gain and midrange on tap, so i use it most.

Speaking of the CC1, do those have onboard tremolo?

Perhaps I came off the wrong way. I would consider my rig to be somewhat Wilco inspired, but it is not intended to be an exact replication by any means. I've been through a ton of gear and was left wanting, so I decided to buy some of the stuff (pedals) that I'd seen of theirs. I had my Tele and Vox well before I knew about Sansone's guitars or Tweedy's gear, so I'd be playing those either way. I did not intend to imply that I'm the ultimate musician or that I sound like WIlco with my post.

Ultimately, as has been pointed out, the gear only does so much without the right hands. I think I do alright, but I'm not competitive like that. I do it for enjoyment and to write my own material. My music isn't based on Wilco's nor does my rig sound just like theirs.

I guess the title of this section seemed like a fun place to talk about gear. Of course practice is how to become proficient, but I thought this being a Wilco forum, people would enjoy the discussion of their tools of the trade. It seems I thought wrong. Oh well, no worries.

Happy Holidays, folks!

Hi all, I'm new here and glad I found this place.

I am wondering if there are any guitar playing fans out there that have designed their rigs based on Wilco's equipment. I understand that some equipment evolves, but that's the fun part anyways.

My personal rig is Wilcoesque with a major in Tweedyism. Here's what I play (not an exact copy)

Guitars: Gibson Les Paul Special/Fender Road Worn '50s Tele

Amp: Vox AC15C1

Pedals: TC Polytune, EHX Germanium OD, Death By Audio Interstellar Overdriver, Freakshow FX Rabbit, EHX Little Big Muff, EHX The Worm, and an EHX Holy Grail

I know that each of the guys use some form of the EHX Holy Grail reverb, Tweedy sometimes using 2 of them through a Vox AC30 and now a smaller Texiera boutique amp. I think he's using a Polytune now. Sansone uses mostly Tele's and has a Germanium OD on his board as well as a Holy Grail. Various pics from the loft and through the years have shown a DBA Interstellar OD before. Tweedy's board (as of the Dallas show) I saw had 2 Freakshow Brown Rabbits handpainted and a Holy Grail. Cline's board(s) is/are simply insane.

My intention hasn't been to replicate anyone's rigs, but figured I should try out some of what those guys use. If it's good enough for Wilco it's great for me.

I'm a little late as well, and new here, but would like to add my perceptions/experience of the Dallas show.

First off, this was my first Wilco show. Arriving at the venue, I didn't get the feeling that I was about to attend a charged, rock concert. The soon-to-be audience seemed very mild in behavior and almost gave off the feeling that we were attending a low-key acoustic set of music rather than Wilco. Nonetheless, I was excited.

Although I loved Nick Lowe, I can see how such a laid back one man acoustic opener could have kept the energy low. Maybe the opening act is what influenced their decision of starting off with OSM. One of the biggest things I noticed was in between Lowe and Wilco. The lines for alcoholic beverages were atrociously long. I'm guessing there were about 80 people in each concession line when Wilco hit the stage. From the band's perspective, it may not have been the most energy-inducing to see a half empty venue. OSM was over and then people began to file in the theater a little more.

Overall, I had a blast despite the strange vibe. I personally got excited, moved, and sung along with most of the songs. The set list was supreme in my opinion. The gems for me were Art of Almost, Capitol City, Shot in the Arm, and I'm the Man Who Loves You. The only song I sorely missed was Via Chicago. I've long wanted to hear them play that one live. I'd also have liked to have heard The Late Greats or Kingpin, but oh well. They can't play their whole catalog in one evening (though I'd happily sit through it!)

Great article. Sansone doesn't get as much attention as he deserves, in my opinion. Thanks for sharing.