MrMilk
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Posts posted by MrMilk
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i've ordered through JB hifi, but still waiting
Thanks Froggie, I managed to pick up a copy today (4CD) at Red Eye Records... hope you're having some luck too
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Any aussie VCers who have managed to track down a copy of AMF? Can't seem to find it in Sydney
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It's working now, thanks!
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Recording of this is up.
Thanks for recording and posting. The WAV folder seems to be missing tracks 31 to 34 - is it just me? (Shows up on the mp3 folder.)
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Hi all,
Haven't bought the Complete Sessions yet and already own Vols 1 and 2.
When this was first announced, it seemed that only Vol 2 was remastered (which is... odd...) but since its release I've read in various places (most notably Billy Bragg's website) that both Vols 1 and 2 are remastered.
Does anyone have the final word on this?
Thanks
Mike
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I can't seem to see the online videos from here in Australia, so would definitely be interested in hearing about a download etc. Thanks!!!
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Hey guys, I was there last nite, awesome nite. Really diverse setlist, it's the 5th time I've seen them and I think I counted 11 songs that I'd never heard them play before!
Anyways, to answer some questions:
Yes they did play Kicking TV (holy shit)
Yes they did play Laminated Cat in an electrified way (holy shit)
Yes they did play Outtasite straight after I Got You (holy shit)
Yes they did play the Being There version of Sunken Treasure (holy shit)
Once I get my brain together and finish a day of work urgh I'll report back on more
Mike
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I implore you to check out the new Camera Obscura album *swoons*
And WTA is/was a bit of a disappointment. Not terrible, but Wilco can definitely do better
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Haha yes I'm sure we've all written these thoughts before, but heck we love this band so why not go back into the rabbit hole?
Like many I feel that Sky Blue Sky is a memento of the time. It reminds me of my experiences of mid-2007, and I think the album's wistful feel really helps to make that connection. I'm not sure if for example Summerteeth (with its blaring keyboards) was my soundtrack in that time that I would be able to make the same connection. (Although I think Summerteeth is great.) SBS really is what it is and reflects a moment (for Jeff, the band and the listener). Where YHF (still my fave probably) is an incredible album of tunes meshed with bizarre sounds, I think SBS is an album of tunes meshed with feelings. But maybe my feelings about the records also reflect what was happening to me when the records came out.
I do think that SBS the album is a little up and down:
Classics: YAMF, Impossible Germany
Near-Classics: Seeds, OnOnOn
Good: Hate It Here, Either Way, What Light, Walken, Please Be Patient
Meh: SBS, Leave Me Like
Stinkers: Shake It Off
- I always hated Shake It Off (it's a serious momentum killer on the record and in concert).
- SBS the song never did it for me either, just seems really lightweight. It's even worse that it's sandwiched between the heavyweights Germany and Seeds.
- Hate It Here has incredible energy live but for me hasn't aged very well. I loved it when the record first came out but now it seems too cheesy.
- I also loved Seeds when the record first came out and thought that it was the best song on the record. But it too hasn't aged as well for me. I still think it's a near-classic but I think it's a rung below YAMF and Impossible Germany perhaps because structurally it's pretty generic (Verse Verse Breakdown Verse Breakdown). Having said that it is still an amazing song and the breakdowns are probably the best moments on the record.
- YAMF and Impossible Germany are just fucking off the hook. When you hear those songs you know that this Jeff and the band have still "got it".
- OnOnOn surprised me. I heard some early bootlegs and I was pretty underwhelmed. I was nigh-on devastated that it was the last song on the record - I feel you really have to put one of your best songs in that position. I was sad to think that OnOnOn was shaping up to be one of their best songs. However, the performance on record is very moving, particularly in the instrumental break. I had the fortune of seeing them play this song live in Amsterdam and it was even more powerful. Live John sings in unison with Jeff in the last verse and it just sends shivers up your spine.
- Rest of the album is pretty much "good" or "meh".
So overall I think it's a good album with some classics on there. I don't think we should complain too much
And a new record and DVD to come out in the space of 6 months. That's fantastic!
Mike
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Given the webcast, does anyone still want my melbourne recording?
I would very much appreciate a FLAC copy of your recording!
Cheers
Mike
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I'm tryin' to get over a girl so right now Tweedy's love/lost love lyrics are hitting me hardest:
"I've got reservations about so many things, but not about you."
"Embracing the situation
Is our only chance to be free
I
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All I can say for now is that the show was definitely taped...
You'll have to be a bit more patient.
Samuel
At the risk of flogging a very dead horse, is there any chance of this appearing?
Cheers
Mike
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Thank you thank you thank you thank you
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All I can say for now is that the show was definitely taped...
You'll have to be a bit more patient.
Samuel
That's the best news I've heard all day.
Thanks, can't wait to hear it
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I'm one of the fans who's not been floored by SBS. I'm continuing to listen to it quite a bit, and there are individual tracks/moments that definitely strike me as genius, but the whole of it has yet to really connect. I don't agree with those who critique it as "safe" or, as I think Pitchfork put it, "dad rock," though I think I can see where that perception comes from -- SBS is plenty experimental structurally, but fairly straightforward sonically. That is, songs like "You Are My Face" and "Impossible Germany" have tons of Wilco idiosycracies, but it's all in the chord progressions, countermelodies, rhythms, etc. We're used to hearing this experimentation more in the arrangement and production, I'd say -- "Misunderstood" and "Via Chicago" being two examples that jump immediately to mind, both being fairly straightforward as far as songwriting but offering mindblowingly unexpected and thrilling takes in how those songs are delivered. What makes YHF such a deeply affecting album for me isn't just the quality of Jeff's songwriting but the unique and moving way that the three chords of "IATTBYH" are constructed to expand and wander and build...
Anyway, SBS seems to do almost exactly the opposite. The band has put as much detail and effort into the tracks as ever, but now that's all focused within the songs themselves, and the delivery of those songs is what I think strikes some people as Eagle-esque, or whatever. I think personally I am still trying to get my brain around this new Wilco sound, but that doesn't mean SBS won't grow on me, and I certainly give Tweedy and company credit for continuing to play in new territory record after record.
That is the most insightful analysis of SBS that I've read. Thank you.
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I love the guitar sound in that short instrumental break after "I know you have no home".
It was amazing to hear it live in Amsterdam; made me grin.
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I did indeed hit a Wifi drought, Dunja.
But have no fear, the setlist from last night's final club show on the Euro tour was as follows:
Either Way
You Are My Face
IATTBYH
Handshake Drugs
War on War (w/A Shot in the Arm false start)
Impossible Germany
Sky Blue Sky
At Least That's What You Said
A Shot in the Arm
Side With The Seeds
Via Chicago
Shake It Off
Jesus, etc.
Walken
I'm The Man Who Loves You
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On and On and On
Pot Kettle Black
Poor Places>
Spiders (Kidsmoke)
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Misunderstood
The Late Greats
I'm A Wheel
Thanks for confirming the setlist, but i'm 100% certain they played Hummingbird after I'm The Man Who Loves You, pre-encore.
Loved the Jeff dance, although it wasn't as flamboyant as I've seen it on vids floating around the internet...
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Wow last night was amazing, just unbelievably good.
First time i've ever seen them live... they just kept going and going and taking me to new planes of existence. Wow.
I can't write too much because unfortunately I have an exam to do in three hours (!)... but here's a rough setlist. I remember the first few and the last songs, and the rest are a jumble. But I'm 99% certain i've written down all 23 songs.
Hopefully there's a boot of this gig...
Either Way
You Are My Face
I am trying to break your heart
Handshake Drugs
... memory blur...
I'm the man who loves you
Hummingbird
--encore break--
On and On and On
Pot Kettle Black (HOLY FUCK)
Poor Places
Spiders
--Encore break--
Misunderstood
Late Greats
I'm A Wheel
The other songs were:
War on War
Sky Blue Sky
Via Chicago
Shake It Off
Impossible Germany
Shot in the Arm
Jesus, etc.
Walken
Side with the Seeds
At least that's what you said
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Hey
This is a pretty good Australian music news site. If you read some of the news posts the writing can be really cynical at times, which is great!
Oh and here's the link for the video interview. I've watched half so far and it's quite extensive, and the interviewer is knowledgeable. Glenn also says he's looking forward to playing songs like YAMF, Side with the Seeds and Either Way.
Cheers
Mike
http://www.undercover.com.au/Video.aspx?ch...p;clipid=881854
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Most of the versions I've heard with that go
"She lifted up her shirt
At the battle of the bands
He twirled his sticks
She helped him to his van..."
I thought it was "She hopped into his van" ...
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Does anyone know which show this recording comes from?
Cheers
Mike
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Hey guys,
Does anyone know which gigs are featured on I Am Trying To Break Your Heart?
I'm fairly certain the Tweedy solo stuff is from Great American Music Hall, San Fran 8 March 2001.
And I've narrowed down the Wilco post-Jay stuff to The Fillmore, San Fran 2 or 3 December 2001.
Any help would be appreciated.
Cheers
Mike
Wilco - 19th November 2016, London, England (O2 Brixton Academy)
in After The Show
Posted
Needless to say, it was a great night. Great write ups too, thanks for sharing.
Does anyone know if this show was taped? Would love to find a recording...