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beadsman

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Posts posted by beadsman

  1. What did Thompson call it? "St. Joseph's Baby Acid" or something like that.

     

    P.J. O'Rourke. Though he wrote that a decade before anyone figured out proper conditions for mdma consumption.

    Simon Pegg's tv series 'Spaced' (Season 1, Episode 06) got it roight. Brits neck beans like they're Chiclets.

    Americans--cultural children of the Puritans who left England and moved to the States--are too uptight to get it right.

  2. yeah I was trying to think of when it was too in FF. I was just saying its hard to say drugs were a key ingrediant in those great records when they were and are capable of making great music w/o the drug usage.

     

    Word. I tend to fall on the side of the debate that some music could never have been made/perfect games thrown w.out the kicking open the doors of perception that certain substances allow. And yet it's likely a diminishing returns thing. Wayne Coyne claims to have done acid but one time--really how many times do you need to do acid?---and yet his music and live show evince a familiarity with the experience. John Lennon, I recently heard, did acid over 1000 times in his lifetime. which (i) seems impossible (ii) explains Yoko.

     

    The avatar image is a piss-take on the recently unveiled 2012 Summer Olympics Logo:

     

    _43005619_london_new_pink_203.gif

     

     

    aka, Marvin the Paranoid Android Goes Down. Or maybe Lisa Simpson.

  3. yeah, I think he was quitting or had quit durring Yoshimi too. not positive tho

     

    I can't remember when Wayne Coyne said he confronted Steven Drozd about it in Fearless Freaks. I think it was after they finished up Yoshimi in upstate New York but before they started touring for it. Yoshimi sounds the most drug induced of their recent records. Kot's book kinda suggests that, up to that point in time, Tweedy never made a record substance-free. Maybe Bill Hicks was right.

  4. Dude, did you not see that part in IATTBYH where they were at Wendy's and the dude only had $6?!!?!?!?!? They probably now (I hope) make more money that I do - 41K USD per annum - but they ain't the Rolling Stones, that's for sure.

     

    Wasn't there some drug use involved back then? Steven "Elliott" Smith ran through $1500 a day to get his fix of whatever he was on. Same for the Flaming Lips dude. Tweedy, Smith and Drozd made some amazing records while on all those substances. Just beautiful.

  5. They don't owe any of their fans shit.

     

    Without fans a band is nothing. They end up on Bloodshot or New West, playing for free beer, schwag weed and clumsy gropes with 4th tier, sandy vagina groupies in stinky tour vans. :ohwell

  6. Hey, sorry, I do not. I do have a blog, *link deleted -- do not post it again* if you wanna peep that out.

     

    What the ? I wondered what the hell was going on. Now how's Fat Boy supposed to peer into my innermost, ah, nevermind.

  7. Pitchfork brings it with the subhead:

     

    Like a Volkswagen, Wilco is reliable, family friendly, beloved by middle-aged folks

    They're so indier than thou.

     

    Guess that explains these milksop commercials that only a soccer mom could love--VW's trying to step up to the next purchasing power weight class.

    Instead of throwing in a Trek bike with every new VW, they'll throw in a car seat and a 'Baby I'm Bored, *yawn*, we should've bought an Audi' sign.

  8. It's a shot in the dark, but I'll guess those 25 year olds were 25 years old.

     

    Let me know if I win!

     

    The only way to know for certain is to round up all the suspiciously young looking Wilco fans, cut them in half and count their rings.

     

    WILCO = the Fuzzy Zoeller of band product endorsers.

     

    Chop. Chop. Chop.

  9. The only bothersome thing about Wilco songs in VW commercials....why VW? Volkswagen's U.S. market is twentysomethings fresh out of college. Ain't too many 25 year-olds at Wilco shows, out buying Wilco records, decorating their cubes/pubes with Tweedy's visage. Sky Blue Sky songs would be a bit more appropriate in Buick or Saab or Audi or Cadillac commercials. Those VW spots are like shaquille o'neal free throws--ugly and unnatural and painful to watch.

     

    I look forward to seeing them over and over all Summer long.

  10. For starters, Pitchfork gave Yankee Hotel Foxtrot a 10.0 rating - I'd imagine that got a lot of people into their music myself included. And listen, I know hipsters can be loathsomely annoying, but your snobbery is pathetic.

     

    I thought that worked both ways--it definitely helped Tweedy and co shift records--but giving YHF (an album that had been around since July the previous year) a perfect 10.0 on its "official" release day was a tipping point for Pitchfork in terms of rising above the Dusted Glorious Noise and becoming most popular/highly trafficked (if not the best) of the music web-zines.

     

    Giving 'A Ghost is Born' a mediocre rating was probably a bit of backlash by the PFork crew against Wilco. imo/fwiw/ymwv: 'A Ghost Is Born' has better individual songs and is, in many ways, um, a deeper listening experience / richer "work of art" (yikes) than YHF. YHF is as perfect an album as I've heard in a long ass time.

     

    I always thought it kinda indicative of their hit or miss|mostly pointing out the obvious approach that Pfork didn't get around to the White Stripes til 'White Blood Cells'--something that originally was the first paragraph of the review of White Blood Cells (PFork complained about SFTRI not sending them review copies of the Stripes first 2 albums, so how could they know?), but has since been edited out for posterity, oddly enough (ain't the internets great)?

     

    Pitchfork and Wilco are complimentary institutions now. I'd miss either of em if they were no more.

  11. The Hideout Block party one year I turned around and Tweedy, Bennett, Edward Burch and Leroy Bach were on stage. They played mostly Bach/Burch songs, but I thought I remembered via Chicago done with Jeff on vocals, Jay on drums and then later Tweedy on drums for a song or two.

     

    http://www.wilcobase.com/event.php?event_key=634 doesn't list via Chicago? I swear they played a hazy, lazy Summer afternoon in Chicago version of it with Jeff on vocals and 'lectric guitar, Burch on keys, Leroy on bass, Jay on drums.

     

    There weren't that many people there as it was an earlier afternoon set. IIRC.

     

    I also recall an excited Leroy wanting to continue to play as it was going pretty well and Jay Bennett in a sorta curt manner saying "just play the set."

  12. Put the t-tops in the trunk, take the comb out of your back pocket and put it in the center console with change, cigarettes, lighter and gum, spike your big gulp with some whiskey, drive the circuit from McDonald's to the Quik-Mart

    on the other side of town with this blasting from your tape deck:

    thefags.jpg

  13. The guy takes some chances--the extended voice overs on Fevers and Mirrors and I remember when he played Empty Bottle with the all-female, all dressed in white backing band, like a negative Robert Palmer video--they don't always work out that well.

    Wide It's Morning, fuck yeah. Lifted...Soil. Both great albums. He has a few side projects, and some contributions on other albums worth checking out, eg. Arab Strap 'Monday at the Hug and Pint'.

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