Gobias Industries

do you know how Cline plays the slide lines? especially for the one really odd bridge part.

i know he tunes his guitar for that GGDGGD

i have been wanting a slide, and i am unsure of what to get. i was considering Dunlop Pyrex after reading a Sonny Landreth GP article, but that's about all the slide i know.

thanks for the help.

i would definitely agree that tuning is ten times as fast, especially when you have near-perfect pitch, or even a tuner for that matter.

i'm just curious if anyone knows how Thurston and Lee set up their rig. i know they pimp out their jags and jazzmasters with humbuckers and stuff, but i was just curious to know what effects they plugged into, etc.

You have to play both B and B7 to fit the melody correctly (especially during "tap my glass and nod my chin")...and it sounds twice as good.

there's passing, non-chordal tones for a reason...

i'm pretty sure he just does an upward scale after the chords as a fill:

----------
----------
----------
----------
-1-2-4-5-7
----------
----------

you can go onto the G string but it doesn't sound like he goes to an open string to me.

i do play in my scrunched room, which could be the issue. i play through a Fender Pro Junior, anyways. i may try stuffing my casino with kleenex, sounds like a good idea, except the stealing the kleenex from my parents part.

if you're looking for a little something something, The Good Part also works...

"let's just get to the good part

come on skip ahead"

skip foreplay? what in the world?!?

Seagull "Mosiac"

with a SD Woody plugged into a crappy Peavey Rage (i only use this for the eq to make sure the "balanced B" doesn't get too happy, so i turn down the mids and highs to get a Tweedy-ish sound that he gets from his J-45s).

Epiphone Casino

Fender Telecaster (MIM)

plugged into a Fender Pro Junior. i really only use a BD-2 Blues Driver or an DS-1 Distortion (i hardly use the DS-1 anyways). though, i can get a better sounding distortion (how i like it) out of my amp by turning it up and letting the sngle-coils/P90s and the amp to do the heavy lifting. i really only use distortion if i need the highs to come out less harsh as they tend to do if i turn the amp up.

i thought 330s were full-hollow, but then again i could be wrong.

Tweedy got a fancy '66 Barney Kessel from hiw wife for Christmas, so he uses that now. he's also been known in the older days to play Casinos, but i haven't seen him use one since the YHF tours (correct me if i'm wrong).

i actually have a casino and am consistenly encountering these problems too, interestingly enough.

I'm not sure if it'll work with an artcore but Pete Townsend stuffed his Ric hollowbody with kleenex and got the sustained feedback one would expect from a Les Paul.

how full?

which theologians riff? lol

i haven't been able to give a proper ear to loose fur yet so i'm perplexed

I'm going away where you will look for me

Where I'm going you cannot come

No one's ever gonna take my life from me

I lay it down

A ghost is born

A ghost is born.

i don't think the bridge is right. i'll go check out the video.

well, you could just tune the D up to an F and all your third issues would be solved. of course, you end up with 3 sets of parallel fifths. unless that's what you're looking for.

www.myspace.com/poortranslators.

everything on there is acutally me. it's mestyle music. if it makes sense.

Cutting down the sustain on an electric and making it feel like an acoustic is for wussies.

 

does that make jeff tweedy a wussy?

Pecan Pie.

A capo is the way the Highest Being tells people that bar chords suck. It's either go with the capo for open chords or reduce yourself to clunking root-fifth-octaves. And only punkass emo kids use root-fifth-octaves. So...

I would know. Bar chords did in my old band =\

older Fender Pro Junior models. i have one, and its brilliant.

and if it's good enough for nels cline's recordings, then it's certainly one of the better amps.

For this song, I play it like this:

 

e|-2

b|-3

g|-0

d|-0

a|-2

e|-0

 

Notice that fretting the A on the second fret adds a B note to the D chord, thus a D/B.

However, leaving the G open makes that a Gmaj7.

Of course, everyone loves maj7 chords. Who could hate the maj7 chord? I sure can't.

I can kinda get the chords, but I'm getting lost in the small areas.

anyone have the full chords and lyrics to this tune?

i'll just do She's A Jar.

i'll try She's A Jar or Summer Teeth, depending on if i get a harmonica set soon...i'll update later down the road.

i know the most of it is G Bm C.

the gumbopages tab has the "bridge" chords, but i am doubting their accuracy at this moment.

does anyknow know these chords?

thanks in advance.

i'll do Acuff-Rose for this one...

well, for airline to heaven, it helps to do Open D and Capo 2. it eliminates the need to fret the E chord, leaving your hand for the crazy riffing Jeff does. probably not the tuning Jeff uses, but it helps.