random painted highway

I won't post the rankings, but let's just say that Damn, after 15 years, A.M. is still the little album that could!

If they're going to do a self-title, I hope this means that either

a ) they've changed their name to 'Crush The Cities'

b ) there's a picture of cities being crushed for the cover, so it can be called the "crush the cities lp".

"Impossible Germany" Thin Lizzy Guitargasm! Especially the second phrase.

The piano accompaniment in "Pink Moon".

The Same Lineup that Made the Last Album (For The First Time)

What do we listen to if Obama loses?

If Obama wins... "The Golden Age" by TV On The Radio

If Obama loses... "The Golden Age" by Beck

Ambulance Blues.

Heart of Gold.

Ambulance Blues.

On the subject of so called "freak outs", when I listen to aGiB, it seems there's just as many freak outs as on SBS. It's like some Wilco fans are afraid of guitar solos or something.

I'd chalk that up to a humbleness, in that Tweedy found his inner-freak-out on aGiB, and then they add Nels Cline, and they can manage to hold back on the freakouts on SBS.

Kick Nels Cline out for a start and we might see some results...

Discuss...

Ok, so I guess I'm the 40th person or so to have an indignant reaction to this statement, so here we go.

I don't think it's coincidence that Nels Cline co-wrote YAMF, probably one of the top five Wilco songs of all time, IMHO.

april is the only album from this year that i've listened to.

The same here. "April" pretty much takes over the "Sea Change" niche for me.

Yes, "One Wing" does sound like SBS; Specifically, Impossible Germany.

Specifically, a kick-ass version of "Impossible Germany"

IMHO.

The lead singers for Fleet Foxes, Boh, and MMJ need to form a side project called the "Jim James Singers" and tour together. I'd pay at least $1,000 to see it.

Just check Pitchfork's "200 Greatest Songs of the Sixties." Plenty of gems to be found.

I don't know, but apparently, Arlo Guthrie has donated to the Ron Paul campaign.

Watching Ron Paul owning everything at the Ames Straw Poll.

Something involving Glenn, Nels and Grizzly Bear....

Holy hell! After reading that, "YAMF" has become all the more amazing! Tweedy dumbing down his lyrics, indeed.

Didn't he say that they have some improvisational jams they've been sitting on?

Also, the *very* early 2005 rumors mentioned them listening to a lot of Fela Kuti.

I think a lot of songs on YHF are overrated... I don't get why SBS is called mellow and boring when you got snoozers like 'Kamera', 'Radio Cure', 'Poor Places', and 'Ashes'.

While perhaps not the best, I think the solo in Either Way is great in how it serve as both a passionate release from the bridge, yet provides a great buildup for 'maybe the sun will shiiiiiiiine...'

I think Sky Blue Sky is wonderful because there are so many instances on the album (Walken, Sky Blue Sky, Patient With Me, and the bridge of "Either Way") where you have some very complex stuff theory-wise, but it's pulled off like its 1-4-5-4. "Shake it Off" is also hella difficult, but I think they forgot about the accessibility part with that one, so that doesn't count.

I'm pretty sure I tried to like Grizzly Bear, but fell asleep during the first song I heard.

 

Maybe it's worth another shot...

'Yellow House' is definitely one of those "give it about fifty listens" albums... the first few skimmings, it was the most awful stuff I ever heard. It's a very intricate, rewarding album, but then again, I don't condone esoteric, inaccessible albums that have to be listened fifty times either.

Either Way

Sky Blue Sky

Side With the Seeds

Shake It Off

Please Be Patient With Me

Hate It Here

Leave Me (Like You Found Me)

Walken

On And On And On

oh, be nice!

Was kind of dissapointed. Not a bad book, but certainly didn't go out with a bang, either.

Wow; that's awesome that Tweedy likes Grizzly Bear. I don't know... "Yellow House" has something very special to it. Just as evocative as AGiB.

Musically, it's pretty much a showcase for everyone to shine.

Tweedy's lyricism is the best it's ever been, and his vocals in the middle section have a whole new sense of range and clarity after the cigarette drawl-whisper of AGiB and YHF. John's harmonies are gorgeous; Nels' solo is the shit, while Pat's fills and Mike's comping is delicious. Glenn, Mike, and Pat's parts are pretty difficult, but like most everything else on the album, come off as deceptively casual.

"Our voices lift so easily, a gift given accidentally, when we're not sure we're not alone" is, I think, one of Tweedy's best lines in recent times.