JT Phone Interview in NZ Herald

[Albert Tatlock]

Not long until Wilco experience the Blackness again, as Jed Thian would say.

 

If JT wants to continue with producing, I think he could do a great job with Emmylou.

 

http://www.nzherald.co.nz/entertainment/news/article.cfm?c_id=1501119&objectid=10873138

 

Fourth time's a charm

By Lydia Jenkin

3:07 PM Saturday Mar 23, 2013

 

Wilco are still musically curious and engaged with what other musicians are doing. Photo / Supplied

There aren't many international acts who like New Zealand so much that they'll return to perform here almost every year, but American alt-rockers Wilco have long been including Auckland on their tour schedule - their trip in April will make it four times in the past six years.

 

"That's pretty good, isn't it," frontman Jeff Tweedy cheekily notes down the phone from their studio in Chicago. "No, we're very excited to come back, we always look forward to being in New Zealand, it's one of our favourite places. I really enjoy walking in the Auckland Botanic Gardens."

 

When they last performed here in 2010, they played a memorable show at the Civic, having just released their seventh studio album Wilco (the album) - which was partially worked up at Neil Finn's Roundhead Studios. Three years later, they've released their eighth album The Whole Love and performed something like 150 shows in support.

 

It was an album that once again proved the group are still capable of incandescent inventiveness, ranging from the flaming art pop of Art of Almost to gentler, reflective One Sunday Morning, with all sorts of rock experimentation in between, anchored by Tweedy's emotive vocals. Eight albums in, there's no sign of any creative plateau, or playing it safe - although Tweedy's not exactly sure how they've avoided such challenges.

 

"I guess there are people out there who might argue that we have plateaued at some point," he laughs, "but I think we've just kept moving forward.

 

"We're always either making records or touring - and both of those activities involve us being present in the moment and present in our creativity. Otherwise I think maybe we're just lucky that we're all still very musically curious and still really inspired and engaged in listening to other people's music, and that's pretty sustaining. And I guess in some ways it's probably helped that we've never been enormous. We've never had huge massive hit records and that can really change people's perceptions."

 

While the entire band have a multitude of side projects which they work on (when time allows), Tweedy has been particularly busy of late, working as a producer on the latest album by Low and also for Mavis Staples, who'll be supporting them on this Australasian tour.

 

"I think it's becoming one of my favourite things in the world to do. I haven't done much producing. I've made a lot of records in my life, but being able to apply that experience to someone else's vision and help them relax and taking responsibility for helping them realise that vision is extremely gratifying.

 

"And at the end of the day, there's also a really liberating aspect to it, because I know I'm not going to bear the brunt of the slings and arrows," he chuckles.

 

They might seem like quite different artists, but it was the same thing that drew him to working with both.

 

"They're both the real deal, and very singular and unique in what they do. You can't get Mavis Staples' music anywhere else and I don't think you really hear anything else that sounds like Low - and I think they're both artists where, if you just put a microphone in front of them and get out of the way, it's gonna sound awesome."

 

Tweedy was also involved in the celebrations of Woody Guthrie's 100th birthday, having recorded two albums' worth of previously unreleased Guthrie songs in collaboration with Billy Bragg back in the late 90s, which were re-released last year. The songs have been part of the Wilco fabric for a decade, but the fact that they were rediscovered and given a new outlet remains particularly inspiring for Tweedy.

 

"It was a privilege to be part of that and to be welcomed into that family, and to be trusted with that legacy. I think that's ultimately what a songwriter is looking for, is for their songs to live on and achieve some sort of immortality, and he definitely has that.

 

"And as a songwriter myself, I love the idea that I could write a song that could become something different and a part of someone else's life."

 

As if they weren't busy enough, the band have also been planning their fourth Solid Sound festival, to be held in June. Not content with playing the usual festival circuit, the band decided to create and curate their own festival, which is held at the Museum of Contemporary Art in Massachusetts and its extensive grounds.

 

"We all do a lot of things outside of Wilco and we always thought it would be fun if we could all play a festival together, but there aren't any festivals that we've ever heard of that would book all of our diverse side projects. So we just thought of it as a way to present the bigger picture, in terms of a Wilco philosophy or something like that, just a broader way to present the band and what the band likes and what we're about.

 

"We have a lot of people in our crew who are artists and a lot of friends who create things, and we also invite bands that we admire. It's been an amazing blast. We get to daydream about what we want to create and then do it."

 

Though, sadly, they can't bring the three-day festival to New Zealand, you can expect to see more than a fair glimpse of that creative vision in their April show - and Tweedy promises not only will the set list be different from last time they were in town, it'll be different from any other date on their Australian tour, too.

 

"I guess over the years we've become more confident about mixing up the set. The repertoire has always been big, but I think we can pull out more of those songs with confidence now, playing 80 to 150 shows per year, so we could play anything. Each audience is a new collaboration."

 

 

Lowdown

 

Who: Left-field American rockers Wilco

 

Albums: A.M. (1995), Being There (1996), Summerteeth (1999), Yankee Hotel Foxtrot (2002), A Ghost is Born (2004), Sky Blue Sky (2007), Wilco (the album) (2009), The Whole Love (2011).

 

Where and when: Wellington Town Hall, Friday April 5, Auckland Town Hall, Saturday April 6, supported by Mavis Staples.Alt-rockers Wilco's latest tour will make it four visits to New Zealand in six years - and they're not sick of us yet.

 

[-seven]

I agree with you about Emmylou. That could be great.

 

Also, one small error. The article says this year is the 4th Solid Sound but we all know its the 3rd. They skipped last year.

[Albert Tatlock]

Also, one small error. The article says this year is the 4th Solid Sound but we all know its the 3rd. They skipped last year.

 

Indeed - as detailed here with a few words from his nibs:-

 

http://www.boston.com/travel/new-england/2013/03/23/solid-sound-wilco-festival-returns-mass-moca-for-third-time/gM30S2JRp7sGviOzzjG0oL/story.html

 

 

Solid Sound

Wilco’s festival returns to Mass MoCA for a third time

 

By John Winters

Globe correspondent /

March 16, 2013

 

NORTH ADAMS — Summertime in the Berkshires has much to offer, especially for those looking to relax in the bucolic surroundings and take in some music or dance, enjoy a little theater, or visit a top museum. Indeed, these hills are alive with dozens of offerings for the arts-inclined traveler.

Since 2010 there’s been a new kid on the block. The Solid Sound Festival, curated and anchored by the band Wilco, returns to the Massachusetts Museum of Contemporary Art for a third time June 21-23 after a one-year hiatus. Roughly two dozen acts will take part this year. Meanwhile, the museum will be home to several exhibits.

Despite all that’s on tap, Solid Sound feels more intimate than most big-name music events, and that’s fine with Wilco front man Jeff Tweedy.

“The festivals that we’ve liked the most over the years have been sort of destination festivals,” he said. “It’s always been tougher for us to integrate ourselves into bigger festivals.”

That led to the band creating its own. A high priority was the right location.

“I can’t imagine a place more inspiring than Mass MoCA,” Tweedy said. “To me, it really became something other than your everyday festival when we got to use this space.”

Wilco is a Chicago-based band that plays a mix of Americana and alternative rock. Its management offices and record label are located in Easthampton. When the idea to host a festival first arose, the Berkshires seemed like a great choice, especially after the members of Wilco enjoyed playing Tanglewood in 2008.

“I had been to Mass MoCA a few times, and I thought it was someplace we should look at,” said Wilco manager Tony Margherita. “It’s visually appealing and [museum director] Joe Thompson was extremely open to the idea.”

Solid Sound spreads out across the industrial expanse of the museum’s ample space, with a mix of art, music, hands-on activities, and all sorts of creative fun. It’s a good mix, Thompson said.

“There’s something about being able to see new art and step outside and hear new music,” he said. “There’s a fluidity to the weekend, and a kind of permeability in the way people move” between the two.

He also said fans of contemporary art won’t be disappointed. “The galleries will be chockablock with lots of new art,” he said.

As with many festivals, the Solid Sound experience is about immersion. Fans spend anywhere from one to three days on site, moving from gallery to gallery, or bopping outside to hear one of the bands, which this year includes two sets by Wilco, as well as performances by Neko Case, Yo La Tengo, and The Dream Syndicate. Meanwhile, North Adams will make available part of its downtown area for camping, and $80 round-trip bus transportation is available to the festival from New York and Boston.

The mix of art and music in such a funky space makes Solid Sound a festival with a unique aesthetic. Tweedy said his band fits right in.

“I guess the guiding philosophy is the same as Wilco’s: to celebrate people making stuff, doing things, and being creative,” Tweedy said. “It’s nice to be able to present this three-dimensional picture of how we feel about making music and living.”