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awatt

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Posts posted by awatt

  1. "Hope I die before I get old"

     

    I'm slightly nervous about this because it may confirm my worst fears--one of the greatest bands in rock should have retired long, long ago. But maybe they have another rock opera in them. Tommy? One of the best musical creations ever, next to Quadraphenia. Do you remember the mini-opera, A Quick One While He's Away? Brilliance.

     

    My name is Ivor, and I'm an engine driver...

    You're all forgiven!

     

    :worship

     

     

    In its entirety:

     

     

     

    [i. Her Man's Been Gone]

     

    Her man's been gone

    For nearly a year

    He was due home yesterday

    But he ain't here

     

    Her man's been gone

    For nigh on a year

    He was due home yesterday

    But he ain't here

     

    [iI. Crying Town]

     

    Down your street your crying is a well-known sound

    Your street is very well known, right here in town

    Your town is very famous for the little girl

    Whose cries can be heard all around the world

     

    [iII. We Have A Remedy]

     

    Fa la la la la la

    Fa la la la la

    Fa la la la la la

    Fa la la la la

     

    We have a remedy

    You'll appreciate

    No need to be so sad

    He's only late

     

    We'll bring you flowers and things

    Help pass your time

    We'll give him eagle's wings

    Then he can fly to you

     

    Fa la la la la la

    Fa la la la la

    Fa la la la la la

    Fa la la la la

    Fa la la la la la

    Fa la la la la la

     

    We have a remedy

    Fa la la la la la la

    We have a remedy

    Fa la la la la la la

    We have a remedy

    Fa la la la la la la

    We have a remedy

    Fa la la la la la la

     

    [spoken]

    We have a remedy.

    We have!

     

    Little girl, why don't you stop your crying?

    I'm gonna make you feel all right

     

    [iV. Ivor The Engine Driver]

     

    My name is Ivor

    I'm an engine driver

     

    I know him well

    I know why you feel blue

    Just 'cause he's late

    Don't mean he'll never get through

     

    He told me he loves you

    He ain't no liar, I ain't either

    So let's have a smile for an old engine driver

    So let's have a smile for an old engine driver

     

    Please take a sweet

    Come take a walk with me

    We'll sort it out

    Back at my place, maybe

     

    It'll come right

    You ain't no fool, I ain't either

    So why not be nice to an old engine driver?

    Better be nice to an old engine driver

    Better be nice to an old engine driver

     

    [V. Soon Be Home]

     

    We'll soon be home

    We'll soon be home

    We'll soon

    We'll soon, soon, soon be home

     

    We'll soon be home

    We'll soon be home

    We'll soon

    We'll soon, soon, soon be home

     

    Come on, old horse

     

    Soon be home

    Soon be home

    Soon

    We'll soon, soon, soon be home

     

    We'll soon

    We'll soon, soon, soon be home

     

    We'll soon be home

    Soon be home ...

     

    [VI. You Are Forgiven]

     

    Dang, dang, dang, dang, dang, dang, dang, dang, dang

     

    Cello, cello, cello, cello, cello, cello

    Cello, cello, cello, cello, cello, cello

    Cello, cello, cello, cello, cello, cello

    Cello, cello, cello, cello, cello, cello

     

    I can't believe it

    Do my eyes deceive me?

    Am I back in your arms?

    Away from all harm?

     

    It's like a dream to be with you again

    Can't believe that I'm with you again

     

    I missed you and I must admit

    I kissed a few and once did sit

    On Ivor the Engine Driver's lap

    And later with him, had a nap

     

    You are forgiven, you are forgiven, you are forgiven ... [ad lib]

     

    You are forgiven

  2. Steve Earle :cheers

     

    A rehabilitated junkie? The gal who got me into Wilco in the first place is always pushing me to listen to Earle, and now Gram Parsons. What is it with drugs and alt country rock? (I know, another thread is all over this topic).

     

    :cheers

  3. Thanks to whoever mentioned the KCRW live performance which is easily accessible on the web. JT gives a little background on the song then does a great version. Could this be a song from Civil War era? Doesn't matter, I love it and wish the solo version were back on Roadcase (not that I don't like Duluth show....).

     

    :cheers

  4. I loved the Morrison song. Beautiful lyrics.

     

    Back to the gutter....

     

     

     

    Well, they'll stone ya when you're trying to be so good,

    They'll stone ya just a-like they said they would.

    They'll stone ya when you're tryin' to go home.

    Then they'll stone ya when you're there all alone.

    But I would not feel so all alone,

    Everybody must get stoned.

     

    Well, they'll stone ya when you're walkin' 'long the street.

    They'll stone ya when you're tryin' to keep your seat.

    They'll stone ya when you're walkin' on the floor.

    They'll stone ya when you're walkin' to the door.

    But I would not feel so all alone,

    Everybody must get stoned.

     

    They'll stone ya when you're at the breakfast table.

    They'll stone ya when you are young and able.

    They'll stone ya when you're tryin' to make a buck.

    They'll stone ya and then they'll say, "good luck."

    Tell ya what, I would not feel so all alone,

    Everybody must get stoned.

     

    Well, they'll stone you and say that it's the end.

    Then they'll stone you and then they'll come back again.

    They'll stone you when you're riding in your car.

    They'll stone you when you're playing your guitar.

    Yes, but I would not feel so all alone,

    Everybody must get stoned.

     

    Well, they'll stone you when you walk all alone.

    They'll stone you when you are walking home.

    They'll stone you and then say you are brave.

    They'll stone you when you are set down in your grave.

    But I would not feel so all alone,

    Everybody must get stoned.

  5. First heard this from ric von schmidt. he lives in cambridge.

    Rics a blues guitar player.

    I met him one day on the green pastures of the harvard university.

     

    Baby let me follow you down

    Baby let me follow you down

    Well Ill do anything in this godalmighty world

    If you just let me follow you down.

     

    Can I come home with you

    Baby can I come home with you?

    Yes Ill do anything in this godalmighty world

    If you just let me come home with you.

     

    Baby let me follow you down

    Baby let me follow you down

    Well Ill do anything in this godalmighty world

    If you just let me follow you down.

     

    Yes Ill do anything in this godalmighty world

    If you just let me follow you down.

  6. Love AGIB. Essential to AWATT.

     

    Neil Young-like guitar on opening, ALTWYS rocks. :rock

    Hell is Chrome became a favorite after seeing it live. :o

    Spiders...a masterpiece :thumbup

    Muzzle and Hummingbird are lovely and some of JT's best lyrics :music

    Handshake, Wishful, and Company from the very first listen struck me as the best series of songs strung together since Abbey Road, and first two live transport to another freakin' plane :w00t

    I'm a Wheel took a while but have come to enjoy its rambunctiousness :P

    Theologians is particularly valued in my small world of study of religion :pirate

    Less Than You Think I have to skip because it makes my head spin :barf

    The Late Greats is one of the best ending songs for any album :cheers

     

    Listen to it everyday.

     

    :music

  7. I'd give my [fill in the blank] to see any damn show, even if it did have a short setlist and some technical difficulties!!! You're all lucky to be there.

     

    Thanks for the report which does ease the pain somewhat of not being there.....

     

    Now if they'd put the rest of the Duluth show up on Roadcase!

     

    :cheers

  8. Richard Pryor (catching fire)

    Dan Akroyd (Fred Garvin)

    Eddie Murphy (hey Norton)

    John Cleese (funny walks)

    Bob Saget (Aristocrats)

     

    Honorable mention: Sarah Silverman (want to be sensitive to gender imbalance)

     

    :rotfl

  9. Ring! Ring! It's 7:00 A.M.!

    Move y'self to go again

    Cold water in the face

    Brings you back to this awful place

    Knuckle merchants and you bankers, too

    Must get up an' learn those rules

    Weather man and the crazy chief

    One says sun and one says sleet

    A.M., the F.M. the P.M. too

    Churning out that boogaloo

    Gets you up and gets you out

    But how long can you keep it up?

    Gimme Honda, Gimme Sony

    So cheap and real phony

    Hong Kong dollars and Indian cents

    English pounds and Eskimo pence

     

    You lot! What?

    Don't stop! Give it all you got!

    You lot! What?

    Don't stop! Yeah!

     

    Working for a rise, better my station

    Take my baby to sophistication

    She's seen the ads, she thinks it's nice

    Better work hard - I seen the price

    Never mind that it's time for the bus

    We got to work - an' you're one of us

    Clocks go slow in a place of work

    Minutes drag and the hours jerk

     

    "When can I tell 'em wot I do?

    In a second, maaan...oright Chuck!"

     

    Wave bub-bub-bub-bye to the boss

    It's our profit, it's his loss

    But anyway lunch bells ring

    Take one hour and do your thanng!

    Cheeesboiger!

     

    What do we have for entertainment?

    Cops kickin' Gypsies on the pavement

    Now the news - snap to attention!

    The lunar landing of the dentist convention

    Italian mobster shoots a lobster

    Seafood restaurant gets out of hand

    A car in the fridge

    Or a fridge in the car?

    Like cowboys do - in T.V. land

     

    You lot! What? Don't stop. Huh?

     

    So get back to work an' sweat some more

    The sun will sink an' we'll get out the door

    It's no good for man to work in cages

    Hits the town, he drinks his wages

    You're frettin', you're sweatin'

    But did you notice you ain't gettin'?

    Don't you ever stop long enough to start?

    To take your car outta that gear

    Don't you ever stop long enough to start?

    To get your car outta that gear

    Karlo Marx and Fredrich Engels

    Came to the checkout at the 7-11

    Marx was skint - but he had sense

    Engels lent him the necessary pence

     

    What have we got? Yeh-o, magnificence!!

     

    Luther King and Mahatma Gandhi

    Went to the park to check on the game

    But they was murdered by the other team

    Who went on to win 50-nil

    You can be true, you can be false

    You be given the same reward

    Socrates and Milhous Nixon

    Both went the same way - through the kitchen

    Plato the Greek or Rin Tin Tin

    Who's more famous to the billion millions?

    News Flash: Vacuum Cleaner Sucks Up Budgie

    Oooohh...bub-bye

     

    Magnificence!!

     

    FUCKING LONG, INNIT?

     

    :beer :beer :beer :beer

  10. That's my day job, about 8 months a year (though I have all of next year off to write).

     

    Was it the cherry commentary that raised your suspicions? You should hear my lectures! :blush

     

    But about the original post--would you really describe it as a religious experience? That's intriguing and I wonder how many others would use religious language to convey the concert, or listening, experience with Wilco. I sure felt it in Asheville and Denver--nothing over the top, really, but something quite out of the ordinary and spiritual as well as simple musical pleasure. In my own history, the only other time I felt like drawing on religion to capture a concert experience was seeing the Boss in the early 80s (indeed, one of the papers I wrote in college that led me to believe a life in academia could be fulfilling was final paper I wrote in social psychology on Springsteen shows and religion). I'm not talking about believing JT is God, or that Wilco concerts are comparable to cult-like activity at Dead shows, but rather how Tweedy himself descibed it in various interviews (and quoted for a time in a VCer's signature)... something similar to what he said in recent radio interview:

     

    Well the ideal musical experience is to forget who you are, and where you are, it

  11. 1. And the gray fountain spray of the great Milky Way would never let him die alone

     

    2. I know I would die if I could come back new

     

    3. You have to learn how to die if you want to want to be alive

     

    4. And I will always die, I will always die, I will always die so you can remember me

     

    5. I dreamed about killing you again last night and it felt alright to me

     

    Top 5 death-related Wilco lyrics.

    :brow

  12. I haven't used the "cherry" metaphor since high school (long, long ago), but isn't it "pop a cherry" or something like that? I'm not sure a virgin gets her cherry "broken", though I could be wrong since, well, as I said, long, long ago....

     

    I'll respond to the substance of this thread later this evening, after I down a few (not cherries!!).

     

    ;)

  13. He succeeded to a large degree, but eventually got left in the dust by any number of other artists.

     

    LouieB

     

    Amen, brother. This is not an album I returned to again and again. I recognize its brilliance and influence, but not something that has much more than historical value to me.

     

    B)

  14. I only know the version that's up on roadcase from Mandel Hall. Can anyone provide me with other versions as mp3? And, I hate to admit it, but I don't know the history of this one. Did Jeff write this?

     

    Thanks.

     

    :thumbup

  15. (I like the so called homeless dude look by the way, I have sported it for years...)

     

    LouieB

     

    Me too. In fact, I'm trying to emulate it in my own appearance, much to my wife's chagrin.

     

    :cheers

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