Reflectedinthemoon

Wait another 5 years and that's totally vintage!

I thought we could start a thread on the rogues gallery of vintage amps. You know the type: little underdog brands, beat up and dusty, weird circuits, crazy looks, serious mojo, devoted cult followings, and increasing value on the collecting market. A lot of them were cheap back in the day, some of them were not. A lot sound fantastic! Let's talk about them! This was my first vintage amp: It's a 1960 Valco-made Supro Super 1606. That's right, the same amp that Tweedy used for AGIB's insane lead tones. It has one knob (that's also the on/off switch), and achieves nastiness pretty quickly (

And there's that Morley A/B switch... I don't recall him ever having one of those before. Then again, I don't recall seeing how exactly he split is signal between two amps before, either.

Hey everybody! I feel like there is a lot of attention given to Nels and his pedals (rightly so!), but often not a whole lot given to Mr. Tweedy's fx rig (unrightly so!). Personally, I like Jeff's playing and tones even more than Nels', and am constantly searching for more info on his setup. I found this picture of JT's more-recent pedal-board (I think it's from the Whole Love Tour), but I'm not sure), and thought we could play a round of Name-That-Pedal!

A pic of my aforementioned pedal rig: ALSO! A recent acquisition: 1960 Supro Super 1606 I believe a certain Mr. Tweedy has one of these babies, and used it extensively on A Ghost Is Born. It sounds amazing. Basically in mint coniditon except for that little wear on the corner there. It has the ORIGINAL TUBES from 1960, and they sound strangely incredible.

I like it a lot. The feedback switch is especially awesome.

Yes, yes I do. But hey, I use it all regularly! That counts for something... Right? Right? I can quit any time I want...

Obviously there are some strong influences on my rig other than Wilco, but they are pretty much the main guiding light. I have a lot of things that can get me into both Jeff's and Nels' sonic territory: Electric Guitars: Fender Jazzmaster (Elvis Costello signature model w/ Mastery Bridge) Gibson ES-335 Satin Finish Reissue Gibson Les Paul Classic Fender MIM Telecaster Jerry Jones Neptune 12-string Schecter Ultra-III Acoustic Guitars: Gibson Advanced Jumbo Reissue (w/ LR Baggs M1 pickup) Gibson Songwriter Deluxe Cutaway Effects: Boss GE-7 Graphic Equalizer Eventide Pitchfactor (with E

I have only played it through my PA, which may definitely be the problem. Sometimes the simplest (and seemingly most obvious) answer is the best. Thanks!

Hey everyone, The recent postings about acoustic pickups prompted me to ask y'all for some advice regarding an LR Baggs M1A I have installed in my beautiful Gibson Advanced Jumbo reissue. Basically, I LOVE LOVE LOVE the tonal quality of the pickup and the overall sound about 80% of the time. I really want to stick with it. But sometimes when I strum too hard (even without a pick) I get some pretty serious chunky distortion. This distortion is present with all the strings pretty much, but especially so with the lower-pitched ones. I've tried adjusting the poles a little, actually going

i would also love a PM. Bought the vinyl yesterday at my favorite local(ish) record store, the great Sound Garden of Baltimore, MD! Thanks in advance!

this is really sad. although i do not have any of his solo material, and found his personality (at least onscreen) grating, i recognize the huge impact he had on my favorite music from my favorite band. RIP Jay.

I've now listened to the whole thing, and I have to say that I really love it. I will wait a while to see if any of the excitement and affection washes away, but somehow i doubt it will. I think everyone's made good points, and I can see where y'all are coming from, even if I don't agree with you. To me, this album seems simultaneously a culmination and incorporation of their career so far, and also kinda unlike anything they've ever achieved before. There's a real respect for and exhibition of tonal nuance throughout the whole thing (see: One Wing, which was, in my opinion, a lesser song

im sorry, but i'm too excited to read through all these 3 pages to see if im repeating anything. so i apologize if i am. I am currently at Bull Black Nova. And I am in love with this record already. Did anyone else kinda expect this to be SBS II? Not that i don't like SBS... but i think its pretty much agreed to not be Wilco's finest effort. Early previews led me to assume in that direction, but I am so glad that everything I've read so far has pretty much been off-base. Every move they've made so far on this record has been wonderful. I look forward to digesting is even more in we

THANK YOU MULTIPLE PEOPLE WHO SENT ME LINKS! downloading now...