versechorusjvh

my 2 cents - i think nels is what jeff was looking for in the first place - he ended up with jay somehow and that resulted in some great stuff in the summerteeth / yhf era due to jay's multi-instrumentalist / (self-imposed?) producer role, but in the end, the songs were the songs and would have been the same songs regardless of how much mellotron went over top of them. its interesting to speculate what summerteeth and yhf would have sounded like without jay - and i think jay is great - but ultimately, i think it is for the better that jay is not a part of wilco, but i look forward to what he

oh, there it is. i kept trying to find it in the 'multimedia' section. silly me

am i just inept, or is there no way to download the jeff tweedy spot on that show?

if anybody wants to trade for a waffles.fm or what.cd invite, i have invites to: -stmusic.org -supertorrents.org -hulu (new tv-in-your-browser site) beta

i'm not sure. there's a tiny little blurb in the wilco book about it. i might as well look it up real quick: (there's a pic of the 3 ernie ball pedals that say 'mix, time, and feedback' on them respectively) Matt Zivich (Wilco stage tech): "These three things control time. Mix will give you a mixture of dryness to delayed sound. Time of delay can be varied, from short to long. Feedback is the length of time delay after the fact, until complete decay. This is one of my resistive network designs-they don't make sounds, like most people think; they actually just extend control over othe

yeah... the stage is just that -- meant for stage use... which is why it has so many features packed into one unit. really, any gear question can be answered by another question - what do you want to do with it? i have an electro 61 and i love it... it's tiny, portable, versatile, and incredibly capable... nord's philosophy is much in line with what jorgensen (sp?) says in the wilco book - would you rather have something that is built like a swiss army knife - kind of good at a lot of things - or built for one specific purpose, and really good at that. everybody that i talked to that r

i am so jealous of you... well, you could always drop more cash on 3 ernie ball volume pedals and use them to control mix, time, and feedback like tweedy does that'd be awesome

yeah, i found it on half.com a while back and it is of no help whatsoever. you're better off just learning the tunes by ear - it'll be better for you in the long run as a musician anyways. it was really obviously transcribed by a piano player who has no interest in wilco whatsoever, and all you get are chord shapes, no tab. i thought it would be helpful to learn some of jay / mikael / pat's tasty keys parts, but it is really a crappy book. my 0.02 USD.

i don't see why it wouldn't sound authentic... the inside looks exactly the same from what i can tell

i actually went the same way - from tube screamer and blues drive to full-drive II... i kept my blues driver, however, its the keeley mod and i just can't bring myself to part with it... but yeah, what a great pedal, so many great sounds, and so versatile, with the different modes and stuff. my only beef would be the drastic level changes when switching from the 'vintage' and 'FM' modes to the 'comp-cut' mode... unless i'm not understanding something correctly. the sustain in the vintage mode is to die for though.