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Dude

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Posts posted by Dude

  1. Load the car and write the note

    Grab your bag and grab your coat

    Tell the ones that need to know

    We are headed north

     

    One foot in and one foot back

    But it don't pay to live like that

    So I cut the ties and I jumped the tracks

    For never to return

     

    Ah Brooklyn Brooklyn take me in

    Are you aware the shape I'm in

    My hands they shake, my head it spins

    Ah Brooklyn Brooklyn take me in

     

    When at first I learned to speak

    I used all my words to fight

    With him and her and you and me

    Oh but it's just a waste of time

    Yeah it's such a waste of time

     

    That woman she's got eyes that shine

    Like a pair of stolen polished dimes

    She asked to dance I said it's fine

    I'll see you in the morning time

     

    Ah Brooklyn Brooklyn take me in

    Are you aware the shape I'm in

    My hands they shake, my head it spins

    Ah Brooklyn Brooklyn take me in

     

    Three words that became hard to say

    I and love and you

    What you were then, I am today

    Look at the things I do

     

    Ah Brooklyn Brooklyn take me in

    Are you aware the shape I'm in

    My hands they shake my head it spins

    Ah Brooklyn Brooklyn take me in

     

    Dumbed down and numbed by time and age

    Your dreams to catch the world, the cage

    The highway sets the traveler's stage

    All exits look the same

     

    Three words that became hard to say

    I and love and you

    I and love and you

    I and love and you

  2. you are a character. I'm only vaguely familiar with the VU's stuff and not so much Lou. Good joke. On a side note, what's wrong with recording on a 4 - track? I think that's what Ween used for their first couple of records... granted i wouldn't put any of thier first couple of records on a list of this sort anyways. I guess i get your point. I also think the joke might be on me... but whatever, it always makes me happy to make people smile.

     

    Nah, not you specifically, just me being a general smartass. Welcome to VC. :cheers

     

    In all seriousness, a lot of the albums already mentioned would be pretty high on my list. I don't have much further to add other than small bursts of stupidity. :stunned

  3. thanks for getting us back on track, Dude. Have a caucasian on me.

    :stunned It was a bit of a joke nomination. MMM was actually recorded on a 4-track in Lou's apartment, which probably disqualifies it for that alone, not even getting into what's on the record itself.

  4.  

     

    Sure was. I was turning 14 that year, my friends and I saw it several times on the cinema screen. So I guess you could say I was one of the first Rusties, haha (and maybe one of the youngest). We were doing a lot of "recreationals" in those days, but the Cow Palace shows on film left a lasting impression on me...especially the performances of Thrasher, Like A Hurricane, Powderfinger, and Cortez. Still one of my all time favorite concert films.

     

    I wonder how all the goofiness with the Road Eyes / Jawas would have come off with a few more recreationals. They are a bit silly sober.

  5. And I totally agree that Crazy Heart was worthy of a nomination. I've seen it twice already and though the story is not overly complex and could be anyone's story, it's that very fact that makes it an amazing story. It's real, and aside from the fallen-star aspect, it could be the story of anyone with a substance abuse problem, and those who want to love them.

     

    Amen. I could easily watch that movie again. And what a soundtrack, huh?

     

    http://www.youtube.com/watch?v=NIJTU9iY2iA

  6. He does not look well; I feel for the guy, and wish him well. He had the same facial injuries in his last mug shot, IIRC - I wonder if it is drug-use-related injury? I mean, related to drug use outside of getting clocked by a cop.

     

    I wondered that myself, like he's shooting into the bridge of his nose or something. Not healthy looking.

  7. Chapman's obsession with Catcher was more vague, and the connection seemed more troubling to me. Where Manson just seemed nutso, Chapman was quiet, composed. The book seemed dangerous.

     

    I was just responding to this. A lot of people (not even you, SS, more people in the media) have suggested Catcher was dangerous due to the connections between killers or attempted killers. Apparently you yourself bought into that hype a bit too much prior to reading Catcher, and that's a shame. Obviously the actual novel has about as much to do with killing celebs as Helter Skelter has to do with starting a race war.

     

    I think it's yet another reason a guy like Salinger withdrew into his shell.

  8. Not that I've seen any of the nominated best pics, but I saw Crazy Heart and while I enjoyed it for the music and the performances, the story itself was very conventional. Dude is amazing. Bobby D drops by about 3/4th into the picture as The Bartender With All The Answers. Wraps up way too tidy.

     

    See, I thought the film could have gone in a million different cliched directions but didn't, like:

     

     

    Dude dying at the end from alcohol poisoning or a drunken car wreck, Dude showing up at Maggie Gyllenhall's door and a New Guy creeps up behind her and he's like "Honey, who's at the door?", Maggie takes Dude back, Dude finds his son and gets some closure. None of that happened. The movie basically didn't wrap anything up, other than Dude doing a bit better financially and having a nice platonic friendship with the Special Ladyfriend. But beyond that, it didn't feel forced or like it was trying to manipulate me emotionally. It just was.

     

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