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Songs Lyrics As Poetry


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Here's the link:

 

http://www.npr.org/blogs/monitormix/2009/07/drowned_in_sound.html

 

It's Friday, so let's talk about poetry. Actually, let's discuss the fact that lyrics rarely, if ever, look good on paper, without the aid of music and melody. There are, of course, exceptions: Jeff Tweedy, Bob Dylan, Joni Mitchell and Patti Smith, to name just a few. But most lyrics don't have the same meaning taken out of context. Sure, you can put the words on a card or in a letter, scribble them on the pages of a notebook or even get them tattooed on your body, but the lyrics' original power likely came from the marriage between them and the way they were sung. Personally, I feel like great lyrics can't exist outside of a great tune.

Here's a side note for you: In a high-school creative-writing class I tried to pass off a Soundgarden song as one of my own poems. Yep, the song was on the album Badmotorfinger. I'm just going to put that fact out there. Apologies to Chris Cornell, and to my teacher.

Then there are lyrics that, when sung, sound contextually acceptable, but when you really examine what is being said, you can't even believe they even exist.

For an example, I'll go out on a limb here with a band you probably weren't expecting to think about today. Remember Color Me Badd and its song "I Wanna Sex You Up"? Well, that song's lyrics are barely fathomable once you really start thinking about them.

From "I Wanna Sex You Up:"

 

 

Let me take off all your clothes.

Disconnect the phone so nobody knows.

Let me light a candle,

So that we can make it better.

Makin' love until we drown.

 

The first four lines we can ignore, despite them being trite. It's the last line that is amazing: "Makin' love until we drown." Huh? Are they in the ocean, a pool, a vat of wine? Do they have an excessive sweat problem? Are there so many fluids involved in their lovemaking that they need a life vest? We'll never know. Or, if you do know, and you are married to or hooked up with someone from CMB, please share!

Sorry to put that song and image in your head. Actually, I'm not. Enjoy the weekend.

And please share your thoughts about lyrics as poetry, bad lyrics and lyrics that shock or embarrass you once you're forced to examine what they really mean.

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Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

In the morning, laughing happy fish heads

In the evening, floating in the soup

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

Ask a fish head anything you want to

They won't answer, they cant talk

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

I took a fish head out to see a movie,

Didn't have to pay to get it in

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

They can't play baseball, they don't wear sweaters

They're not good dancers, they don't play drums

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

Rolly Polly fish heads are never seen drinking cappuccino in

Italian restaurants with Oriental women.

Yeeaahh

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

Yum!

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yumm!

 

Fish heads, fish heads, rolly polly fish heads

Fish heads, fish heads, eat them up

Yummmm!

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Makin' love until we drown.

 

 

 

First of all, I had quite happily forgotten about color me bad, and i didn't need to be reminded of them. so shame on you.

 

secondly, though there are plenty of reasons not to like them, one unfathomable line isn't one of them. If you can explain to me definitively what "jewels and binoculars hang from the head of the mule" refers to, please do. I have a few ideas, but i'm not really satisfied with them. Which is great, because it keeps me thinking. And no, of course i wouldn't put "makin' love until we drown" in the same category, but let's be egalitarian: the concept that something can be open to interpretation applies to both.

 

Furthemore, when making love there does occur an exchange of bodily fluids. Fluids are what you drown in. so, i don't think this one example is all that unfathomable.

 

Finally, this is a good topic to discuss and will check out this link when i get the chance and keep an eye on this thread. But please enough of color me bad.

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One of my favorite songs.

And, the lyrics are certainly better than anything Jim Morrison penned:

 

The silent night has turned to a night of fear

With windows howling wind into your ear

You listen to the spirits far behind

These things you hear are too much for your mind

 

The bell strikes and your spine chills like the grave

The chill that turns your blood from red to grey

You know that with these things you see and hear

The silent night has turned to a night of fear

 

Image on your bedroom wall

Shadows marching in the hall

Just about to flip your mind

Just about to trip your mind

Just about to flip your mind

Just about to trip your mind

 

The green and purple lights affect your sight

Your mother cannot comfort you tonight

Your brain calls out for help thats never there

The silent night has turned to a night of fear

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lyrics should be lyrics. some lyrics work as poetry. most don't. but that's not the point. lyrics are only a part of the equation, where as poetry is the equation.

 

Exactly what I was going to say. There can be great song lyrics that don't look great on paper, because without the context of the music, they lose too much. There can be great poetry that would be terrible as song lyrics. The two things are different. In general, however, musicians tend to be musicians, not writers. It is the rare song indeed that is really well-written, poetry or not poetry.

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To be,

A bee, a moth.

Four wings spread for the soft last touch

Of glory sun,

Remembering blood plums and lips and lemons -

One hundred different suns

In a hundred different heavens.

Spied from a rowboat -

Stroke, nought is spoken,

Before you know it, the spell is broken,

You might wonder where you are,

Floating on the reservoir.

I have counted the notes

We landed here not many years ago

And it was not a pretty song that we composed:

 

La, la, la, the early bird he knows,

You hang from the cherry bough

When you're lichen yourself, and leave -

The cold cold scent of stone and mulch,

The great stone wall to stave the rush,

To think that peace might be too much,

Waiting for that giant touch...

 

The lake... the fir-fringed lake -

Placid and ample, birded, breezed and dappled

Through the mountain break,

Through the mountain break,

A moment take, a moment, a moment...

 

You might wonder where you are,

Perched up on the reservoir,

Adolf in the white hotel,

All this time we've been in hell,

You might wonder where you are,

Perched above the reservoir,

Luis of the lake retire,

Before they set the lake on fire

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I know this is sacrilege, but many of Dylan and Tweedy's lyrics work better on paper then in song form. Funny how words can work both ways.

Hmmm, yes and no. While lots of Tweedy's stuff, especially YHF era, has literary value (damn, did i just say that?) he often relies on repetition. Could you imagine reading a transcript of every single "maybe all i need is a shot in the arm," or heaven forbid, "nothin?" Mr. Zimmerman is not the type to rely on repetition like this. I've read that around the time of John Wesley Harding he made a conscious decision not to waste a word: every line sung should move the song forward. "Shot in the Arm" and "Misunderstood" work as songs, and parts of them may work on the page, condensed and tightened versions, but not in their entirety.

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