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c53x12

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Posts posted by c53x12

  1. I wonder how long it will be before the good ol' corporate firewall starts blocking YouTube. It can only be a matter of time.

     

    Today I discovered that they've blocked classmates.com. Not that I go in there a lot, but I got an email today that my 25th H.S. anniversary is coming up. :upset

  2. I listened to some commentary this morning on NPR that argued repeatedly that WWIII is already upon us, and has been for about 5-10 years.

     

    Who gets to make the official call of when it's a world war?

     

    Semi-related: I was reading a historical novel set in WW2 a while back, and in it, one of the characters described the conflict as "World War II." Did people fighting in WW2 actually call it that, or did that name only come about later on? I could wiki this, but I'm more interested in the opinions here.

  3. What I want to know is why the radio edit of A Shot in the Arm is labeled as In a Future Age Alternate Take when you put the cd in itunes.

    Because CDDB is full of inaccuracies.

  4. When I hear this line, I think of the two other slang connotations of cherry -- one is virginal (pop the cherry), another is like a pristine classic car (dude, that '32 Ford is cherry). Sweet, virginal, untouched, pristine, they all kind of go together.

  5. Late to this party -- a coworker just loaned this issue to me and I found the Tweedy write-up:

     

    "We made it, so it's ours to destroy," Jeff Tweedy once said. He was referring to Wilco's Yankee Hotel Foxtrot--where the Chicago band reconstructed the songwriter's folk psyche amidst anthemic chaos--but he could be speaking of his career. Emerging from the imploding alt.country of Uncle Tupelo, Tweedy--aided by his iconic weathered, cracking voice--has drawn on deep-rooted Americana while continuously evolving with his musical surroundings. His lyrics match his music, often rhyming word-game surreality ("all these telescopic poems") with pure ache ("it's good to be alone"). Over the years, he's established a vast, moody catalog of introspective rockers ("Pot Kettle Black," "Shot In The Arm") and heartbroken, abstract ballads ("She's A Jar," "Ashes of American Flags"). Since Tweedy hit his stride four albums ago on Being There, he hasn't faltered, and with new songs like "Maybe the Sun Will Shine Today" and "Walken" debuting on Wilco's spring tour, plus the hyper-catchy stream-of-consciousness flow of "The Ruling Class" (From his Loose Fur side project), it appears his prime is far from over.

     

    I was disappointed to see that the editor's didn't list Jay Farrar or Son Volt, but the readers' list put them at #69.

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