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Atticus

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Posts posted by Atticus

  1. In one of the recent interviews with Jeff Tweedy, it got mentioned that Jeff had a deep seated hatred of words that begin with the letter K, and that Wilco had been trying to phase out such songs as Kamera, pot Kettle black, and the band is only allowed to refer to that 11 minute song as Spiders, not Kidsmoke, and they certainly can't say that its Krautrock. He also hinted he might be altering some songs titles to help him out in this regard, including the old favorite Queenpin, and the fast tempoed Punching Television

     

     

    a smart ass after my own heart....

     

    preach on, brother Oblivious.

  2. I am a self-admitted neophyte when it comes to the world of computers/internet/software/torrents, etc., and am still learning, but in the past week or so I've downloaded some torrents concerts and am just blown away. what a great way to spend the evening--sit back, press play, and zone off to a concert that I never would have had a chance to enjoy but for some generous trader, who took the time not only to record the show but to go through the work of assembling a great torrents file. This fan appreciates it in spades.

     

    Thanks,

     

    Neil

     

    :worship

  3.  

     

    true... I do need to snag that one, I was just hoping for the direct-from-soundboard version as well. I'm getting spoiled with all this torrents nonsense. In one week (time since I figured out how to download/convert etc.) I've gone from having only some crappy cds (that sound like they've been burned 3000 times) of some old shows to having some glistening vibrant full concerts, with the flacs on an external for safekeeping. I sleep better at night. ;)

  4. The problem of course is Wilco doesn't have a lot of uptempo new songs and have a pretty anemic sounding rhythm section which normally helps keep an audience excited (something to do with sound dynamics and the body's response to loud noise and especially low frequency sound). So as Wilco has gone towards subtlety their audience has changed along with them and now most seem to be the sort who like to sit at shows. File this under you've made your bed now you have to lie in it, etc.

     

     

    :no

    :ermm

    :unsure

  5. my God what a beautiful rendition of that song...

     

    and the funny thing is that I heard it live via webcast. ah, the internet...

     

    anyone going to torrent the whole webcast? I would if I knew how the hell to do it or had the $80 capture software, etc...

     

    :)

  6. I really don't understand the references to Impossible Germany as a "jam band" song. I think it's a wonderful song. Although I must admit, as I was sitting on the patio last night, playing along with it on the headphones, I kept wanting to hear pat with a subdued hammond organ. Not trying to be so arrogant as to tell the band how to make the song, but, well, that would make the song better... :P :P :P

  7. This is useful in the strange, screwy world of AWATT I live in, a musical universe that is limited but not limited to only JT related music (UT, GS, LS, etc.) I've been wondering about what else fits, beyond Neil and Gram and Jayhawks. I'll check out some of these other bands (confession: never heard of Bright Eyes).

     

    :cheers

     

     

    so you're into earthy uncompromising cathartic bands?

     

    ;)

  8. well, I for one am feeling so angst-ridden, self-conscious, rambunctious and summery :ermm , as a result of repeated exposure to wilco's music, that I'm not sure I could amply respond.

  9. I did a VC search and didn't see this posted before, so I thought I'd throw it out. Following are some items listed on www.allmusic.com for wilco. Talk amongst yourselves...

     

    Influenced By:

     

    Gram Parsons

    Big Star

    The Replacements

    The Beach Boys

    Neil Young

    The Flying Burrito Brothers

     

     

    Similar Artists

     

    The Jayhawks

    Son Volt

    The Rockingbirds

    The Blood Oranges

    Tim O'Reagan

    Antlerand

    The Little Ones

    The Chrysler

    Decibully

    Salim Nourallah

    Matt Mays

    The Damnwells

    Milwaukee

    NoahJohn

    The Peter Bruntnell Combination

    Granfaloon Bus

    Rich McCulley

    Starch Martins

    The Possibilities

    Joel Plaskett

    Cub Country

     

    Followers

     

    You Am I

    moe.

    Gingersol

    Honeydogs

    Herring Boys

    Tim Easton

    The Cash Brothers

    Limbeck

    Shoot Lucy

    Fightmaster

    Pie Eyed Pete

    Riviera

    Vicious Vicious

    Nightmare of You

    The Class of '98

    The Rewinds

    Hymns

     

    Styles:

     

    Alternative Pop/ Rock

    Alternative Country-Rock

    Adult Alternative Pop/ Rock

    Experimental Rock

    Indie Rock

     

    Moods:

     

    Uncompromising

    Angst-Ridden

    Yearning

    Intimate

    Wistful

    Reflective

    Self-Conscious

    Searching

    Bittersweet

    Cathartic

    Hypnotic

    Complex

    Earnest

    Summery

    Earthy

    Rousing

    Rambunctious

    Enigmatic

    Soothing

    Party/ Celebratory

     

    Biography:

     

    Wilco rose from the ashes of the seminal roots rockers Uncle Tupelo, who disbanded in 1994. While Jay Farrar, one of the group's two singer/songwriters, went on to form the band Son Volt, his ex-partner Jeff Tweedy established Wilco along with the remaining members of Tupelo's final incarnation, which included drummer Ken Coomer as well as part-time bandmates John Stirratt (bass) and Max Johnston (mandolin, banjo, fiddle, and lap steel). Guitarist Jay Bennett rounded out the group, which in 1995 issued their debut album, A.M., a collection of spry country-rock tunes that followed the course established in Tweedy's earlier work. Wilco's sophomore effort, 1996's two-disc set Being There, marked a radical transformation in the group's sound; while remaining steeped in the style that earned Tweedy his reputation, the songs took unexpected detours into psychedelia, power pop, and soul, complete with orchestral touches and R&B horn flourishes. Shortly after the release of Being There, which most critics judged to be among the year's best releases, Johnston left the group to play with his sister, singer Michelle Shocked, and was replaced by guitarist Bob Egan of the band Freakwater. At the same time, while remaining full-time members of Wilco, Stirratt, Bennett, and Coomer also began performing together in the pop side project Courtesy Move. In 1998, Wilco collaborated with singer/songwriter Billy Bragg on Mermaid Avenue, a collection of performances based on unreleased material originally written by Woody Guthrie.

     

    Their stunningly lush third album, Summerteeth, followed in 1999 and met with critical acclaim but only average sales, initiating tensions with their label, Warner Bros. 2000 saw the release of Mermaid Avenue, Vol. 2, which featured more selections from the band's collaborations with Bragg on Woody Guthrie's unfinished songs. Following this release, longtime drummer Ken Coomer decided to amicably leave the band and was replaced by the Chicago-based Glenn Kotche. The band then focused on recording their fourth album, Yankee Hotel Foxtrot, which ultimately led to the departure of guitarist Jay Bennett, and further tensions with their label. Unwilling to change the album to make it more "commercially viable," Wilco bought the finished studio tapes from Warner/Reprise for a reported $50,000 and left the label altogether. Leaked tracks from the album surfaced on the Internet in late 2001, and the stripped-down lineup of Tweedy, Kotche, Stirratt, and multi-instrumentalist Leroy Bach embarked on a small tour to support

  10. Listened to the whole album again... Following are some random thoughts (and too many smilies) re same

     

    First off, I have to confess that even though many if not all of my favorite artists have been guilty of this sin, I have a severe allergy to the fade-out as the ending to a song. I've always made the analogy that ending a song by fading out the volume is like ending a book by making the font gradually smaller until it's illegible (and I also almost always wonder

  11. Putting album in car disc changer this morning. Going to give this another try. From what I'm hearing on hear I should ignore the stereo half of the cd (the one I have has the original tunes and then repeats in stereo)

     

     

    :dancing

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