FaintingGoat

Hard to go wrong at just $120. You already know that it's not high-end, but so what, if you're not a collector or pro guitarist it could be worth the risk. This way if you decide an electric hollowbody guitar is not for you, then you're not out a lot of coin. If you decide it is for you, this guitar will help you understand what's important to have (or not have) in a higher end guitar, and your next purchase will be better. I have to second the earlier suggestion for a Harmony Rocket. I owned one for years but gave it to a friend who was in need of a player. Wish I still had it.

That would be a cool guitar! I just sent you a private message.

I ordered mine using one of the dealers listed on the Nash website. I don't think he takes orders through the website/phone anymore. The authorized dealer will order it just as you want it; type of pick ups, neck shape, etc.

Pretty cool list. I would have liked to have seen some other personal favorites included, such as Quadrophenia, Concert for George, Queen's Tribute to Freddie Mercury, Loud Quiet Loud, We Jam Econo (previously mentioned), and, of course, This is Spinal Tap.

Very cool! I'd like to do that type of project someday soon. Please post pics when you get a chance.

Not old Fender parts, but they are licensed by Fender. At least that's what I understand from the website. I've had this guitar now for almost two weeks and I'm still just as pleased with it. It feels broken in and fits like a glove.

They're pretty easy to apply. First, research how the logos were cut during that era, then do the same with yours. Be sure the headstock is clean. Soak the decal in water for at least thirty seconds, then slide onto the headstock. Don't slide it off then apply, instead, slide from the backsheet directly on to the headstock itself and position it to your liking. Use a cloth and pat the decal to remove air bubbles. Good luck with your project. If you ever sell it, be sure to disclose that it's not a real Fender.

This was $1695 before tax, but I've seen some go for slightly less on eBay.

$20 on eBay. I removed the Nash logo when it arrived.

Back in March I had mentioned on this forum that I had ordered a guitar from Nash Guitars. At the time folks were split on this manufacturer, although the discussion had more to do with the "aged" effect than the company itself. Nash does make guitars that haven't been put through the aging process, but since those are the most popular models people tend to equate those lines with the company. My guitars are all in excellent condition, and because I gig a lot I'm always nervous about them. This guitar solves that problem. The Nash I ordered back in March arrived last week and I couldn't be

I'll give the third vote for Craigslist. Answer a few ads and go on some auditons. The audition alone will give you good experience and help you build a network of other musicians. I'd suggest you post a "band forming" ad. Be straightforward with your level of musicianship but also emphasize that you're wanting to grow and learn more about your chosen instrument. If you're dedicated and committed to learning there's a good chance you'll hook up with musicians that may be more talented than you. This is a bonus because you'll have mentors you can learn from and you'll have a stronger band. My

I'm no expert on amps, but I have a similar amp (Fender DeVille 2x12) that when used for long stretches would give a burning smell the first few years I had it, then it simply went away. I was interested in your mention of the amp rattling when you played a "C". The same thing happens with mine when I play an "A". It's been my main player for four years but only noticed it lately and it's driving me nuts.

I know exactly what you mean. I've always been a Fender/Gibson/Rickenbacker guy. About ten years ago I picked up a NOS '93 CU24 10 Top (Annapolis). I'd seen PRS guitars before but wasn't that bothered. However, that CU24 was incredible. For days after I played it at the store I couldn't get it out of my mind--I had to have that guitar (I still have it). Now I'm up to 4 PRS (CU22, CU24, McCarty, Hollowbody), but still love my other guitars. In fact, I think that PRS has had a positive effect on Gibson--it seems like their quality improved once PRS started chipping away at their marketshare. I s

I know this isn't Wilco related, but I got this new guitar yesterday and wanted to share it with you. I know there are other gearheads out there like me that might appreciate it. PRS Custom 22 Artist Series:

I tuned in and as usual, Larry was painful to watch. You'd think in that amount of time he could squeeze in one thoughtful question. For example, he asked Ringo, "So do you practice playing the drums?" WTF?

So here's how I did: 1. CONTROL COSTS! Results: $2950 - Materials and labor $ 400 - Carpet, pad, and installation $ 480 - Second hand 400w PA w/stands and monitors $ 300 - 96 SqFt Auralex Sound Foam $ 80 - 4 Wall mounted guitar hangers $ 60 - Paint ______________ $4,270 Total My goal was to keep it under $5,000 so I met that one. 2. Build a self-contained room inside the garage - a room within a room with no common walls. Results: Achieved, although the rehearsal room shares the same floor as the garage. However, I installed a pad and carpet on top of it. Also

Okay, the project is just about done. I still need to put some more Auralex studio foam, but it's to the point we could load the equipment in and try to dial in our sound. The following photos include several of my guitars, generally only a few will be there when the band rehearses. Here's a view from the entrance. There's two feet of Auralex foam along the walls just below the ceiling: If you're curious about the drums, he uses a maple Ludwig kit with Zildjian cymbals. This is the bass corner: Here's my corner: A closer look at the amps/effects: Just another view 'c

There's still a lot of work to be done, but I wanted to update you on my progress. I really appreciate all the posted comments and direct e-mails. In this shot you can see that the door has been installed, the exhaust from the fan is directed toward an existing vent (I had originally intended to poke a hole through the roof). You might also notice some supporting beams going from the roof to the existing rafters. This shot is similar to the last, but the door is open. From this angle you can see the recessed lighting, fan, and concrete slab. On Monday I'll have a pad and commercial grad

(Edited to correct the studio design link) Good point, and during the design phase I shared this concern. I wasn't opposed to having a floating floor, but my ceiling height was limited because I still need clearance to open and close the garage door. I started having visions of a raised floor, low ceiling, and hunched over musicians! As it ends up, the ceiling is low but at 7' 6" will be functional. I recessed the lights and fan so they won't get in the way. Fortunately, another Via Chicago member with the ID "Rufer" directed me to a great site on studio design. It's at: John Sayers Stud

This could be an issue. I figured there would be a trade-off, but I'm hoping the benefit of the fan will outweigh sound that escapes. If the hole lets out too much sound and we're too loud for the neighborhood, I may end up re-engineering this part. I'll let you know.

Phase 3: Sheetrock! I should note that between framing and sheetrocking that electrical work was also completed, but that makes for boring photos. But if you're interested, here are the details. There are sixteen outlets, two recessed 70w lights, and a ventilation fan. The fan is controlled by a switch on the wall and the exhaust goes through the garage's ceiling. On to the sheetrock. Here's the view from the driveway: Here's the inside of the studio, the camera can't really capture the whole space: This next shot gives you the sense of the "room within a room" concept. Above t

Phase 2: Framing the Room There's a 1/2" gap between the side of the garage wall and the rehearsal room. In these photos you can see the frame and insulation (Johns Manville insulation and soundproofing material). The view from the driveway: The view coming out of the kitchen into the garage: View walking into the studio:

A few weeks ago I posted a new topic asking how to soundproof a room. Through responses on the board and people e-mailing me directly, I started a project to build a rehearsal room in my garage. Essentially it's a room within a room. It's still under construction, but I'm documenting the process and wanted to share it with you in case you have any suggestions or just happen to be interested. Here are my objectives: 1. CONTROL COSTS! 2. Build a self-contained room inside the garage--a room within a room with no common walls. 3. It's just a two car garage, I'd still like to park one car inside

Let's also not forget that (quote from Harmony Central): "The Sixth Circuit ruled that an injunction should never have been issued by the lower court. The court observed that Gibson conceded that only "an idiot" would ever confuse a PRS Singlecut

That's a really cool idea. I'll document the process and post photos every so often for anyone who's interested. It's good for me too, because I can get more suggestions from everyone here.