Moe_Syzlak Posted April 5, 2007 Share Posted April 5, 2007 I posted this question in the Wanted tablature thread but thought perhaps it might get more attention here. I'm wondering if anyone knows exactly how the harmonized guitar effect at the end of Loose Fur's Wanted is achieved? Is it just two or more guitars or is there some effect at work? What exactly is the harmonization? Octaves? Fifths? Thanks! Quote Link to post Share on other sites
iak Posted April 6, 2007 Share Posted April 6, 2007 octave pedal Quote Link to post Share on other sites
lost highway Posted April 6, 2007 Share Posted April 6, 2007 Probably a mixture of fifths and thirds. If you know your scales and where to stick the minor and the major thirds you can make delicious guitarmonies. Quote Link to post Share on other sites
FaintingGoat Posted April 7, 2007 Share Posted April 7, 2007 Mix different intervals and make sure you have some contrasting movement (while one guitar climbs, the other descends). Most of all, experiment and trust your ear. Quote Link to post Share on other sites
TCP Posted April 7, 2007 Share Posted April 7, 2007 Generally, NOT ALWAYS, but generally, you harmonize with the 3rd and the 6th of your fundamental note. This is easy harmony but effective. Harmonizing with a fifth makes a power chord, kind of 'a mini chord', since it's a perfect interval. 2nds, have harmonics too close to the root's harmonics and therefor cause tension. Fourths can be interesting. 6s are MAGICAL. Ever noticed how the key of E minor is a lot like the key of G major? Yeah baby! ..Uh, 7ths, once again, close harmonics, bad vibes, bad vibes! Quote Link to post Share on other sites
lost highway Posted April 7, 2007 Share Posted April 7, 2007 7ths are one of the most important intervals in rock music. Obviously unless you're trying to make some real tension you don't want to put a 7th below the other guitar player's root, but the one above, or even an octave above that is awesome. I agree that 6ths are really cool, I dont use them enough in harmony cause alot of the time they get in the way of the 5th in any chord instruments, but again, take it up enough octaves and it creates the space to avoid any 2nds. Quote Link to post Share on other sites
Moe_Syzlak Posted April 7, 2007 Author Share Posted April 7, 2007 So in "Wanted" what's going on? It doesn't seem to be contrasting movement. It seems as though the "same" notes (or same riffs/patterns) are being played an octave (and perhaps a fifth) apart. Is this correct? I don't have a good recording set up to experiment with this too much. Quote Link to post Share on other sites
lost highway Posted April 7, 2007 Share Posted April 7, 2007 Ok I acutally listened to the song instead of just being bossy about guitar playing. Sounds like (i didn't have my guitar in hand) just octaves of that line. It could even be a pedal but if you listen close I think theres enough variation to assume its two guitars. But why ponder the guitarmonies of "Wanted" when clearly the most glorious are on "Wreck room"? Quote Link to post Share on other sites
Moe_Syzlak Posted April 7, 2007 Author Share Posted April 7, 2007 But why ponder the guitarmonies of "Wanted" when clearly the most glorious are on "Wreck room"?Thanks! I recently wrote a song and there is a little riff that plays during the chorus that I want to have a similar sound to the harmonies on Wanted. Quote Link to post Share on other sites
beenthere Posted April 9, 2007 Share Posted April 9, 2007 Yeah, I was wondering the same thing. I know Jeff has had a Boss PS-5 pedal in his arsenal which I assume could pull off that harmony-octave sound. It could also be a matter of technique or mixing two guitars, but I think you could also do it with a good octave/harmonizer pedal. Quote Link to post Share on other sites
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