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The most earthshaking, incendiary tour happened 30 years ago. Like a phoenix Bruce Springsteen arose from the ashes of a career seemingly derailed by legal problems and record company hype backlash. He burned across the country playing epic three plus hour shows and showed that it was REAL.

 

Some music critics have stated that he SAVED rock and roll in 1978 (and have said it without irony). I don't know about that...all I know is that it was the best I Have EVER seen...even to this date.

 

Remember

 

_44198189_bruce22.jpg

 

 

Because the Night

 

Candy's Room

 

She's the one

 

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i'm a casual bruce fan. been in and out of him for the last few years. his sound is just so closely associated with bad times in the 80s for me, that it's hard to take him seriously. anyway, went down to phillips arena in atlanta last friday night and got a great ticket for $20. the show was entertaining and i can see how people just love him. the new stuff sounded so much better than that brendon obrien neutered album, magic. anyway, well worth 20 bucks, not 100 bucks though. clarence looked like he is literally on his last legs and bruce is a bit tired. hope to hear some more solo stuff from him in the future. nebraska is prolly the one i go back to most.

craig

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his sound is just so closely associated with bad times in the 80s for me, that it's hard to take him seriously.

Huh? His debut album came out in 1973. I'm not sure what you mean by this. Born in the U.S.A. definitely has a 1980's sound to it. I've seen interviews with Bruce where he said he was looking to make an album that captured the sound that was going on at the time. Other than that record, I wouldn't say he has an "80's sound." The record you specifically say you'll go back to (Nebraska) was released in the fucking 1980's ironically enough. The Springsteen albums I cherish (Greetings, Wild/Innocent, Born to Run, Darkness, The River, Nebraska, Tunnel, Tom Joad, Devils, Rising, and Magic) don't sound very "80s" to me. I find that Springsteen haters tend to focus on Born in the U.S.A. which is like saying you don't like Neil Young because you don't like Harvest. It's such a small piece (yet highly visible piece) of what the artist is all about.

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Guest Muncle Douchey

Nebraska, Greetings, Born to Run, & Darkness are four of the greatest albums ever made. especially Darkness

 

haven't heard any of his newer stuff at all though.

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He may have saved Rock & Roll, but he couldn't save John Kerry.

 

I had a chance to see Bruce at the Spectrum in 78, but I had a kinda punk attitude ("No I don't wanna see Bruce F-in' Springsteen"). Something tells me if I had gone I woulda been smirking the whole show at all the people who thought they were having a good time.

 

I definitely needed a good ass kicking back then.

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Huh? His debut album came out in 1973. I'm not sure what you mean by this. Born in the U.S.A. definitely has a 1980's sound to it. I've seen interviews with Bruce where he said he was looking to make an album that captured the sound that was going on at the time. Other than that record, I wouldn't say he has an "80's sound." The record you specifically say you'll go back to (Nebraska) was released in the fucking 1980's ironically enough. The Springsteen albums I cherish (Greetings, Wild/Innocent, Born to Run, Darkness, The River, Nebraska, Tunnel, Tom Joad, Devils, Rising, and Magic) don't sound very "80s" to me. I find that Springsteen haters tend to focus on Born in the U.S.A. which is like saying you don't like Neil Young because you don't like Harvest. It's such a small piece (yet highly visible piece) of what the artist is all about.

 

 

irony seems to be the only constant in this world :)....anyway, i just associate bad times with BITUSA, TOL, LT, HT. Those are all 80s albums to me. I was introduced to him in the 80s with those tunes being played WAY too much on the radio. now to me, the 80s are 84-92...the 70s are 1968-1983 :)

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Other than that record, I wouldn't say he has an "80's sound."

 

Coughtunneloflovecough...

 

Still, both of those albums are fucking perfect. As in, "could not be better." Solid songwriting will often overcome even the most egregious production-oriented handicap.

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1 Born to run

2 Prove it all night

3 10th. ave. freeze-out

4 For You

5 Darkness

6 Independence day

7 Factory

8 Jackson Cage

9 Out in the street

9 Two hearts

10 Promised land

11 Racing in the street

12 The River

13 Badlands

14 Thunder road

15 Yellow Rose of Texas

16 Cadillac ranch

17 Hungry heart

18 Fire

19 Candy's room

20 Because the night

21 I wanna marry you

22 Wreck on the Highway

23 Point blank

24 The ties that bind

25 Ramrod

26 You can look

27 Drive all night

28 Rosalita

29 I'm a rocker

30 Jungleland

31 Detroit Medley

 

 

November 1980 - Dallas, Tx :pirate

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1 Born to run

2 Prove it all night

3 10th. ave. freeze-out

4 For You

5 Darkness

6 Independence day

7 Factory

8 Jackson Cage

9 Out in the street

9 Two hearts

10 Promised land

11 Racing in the street

12 The River

13 Badlands

14 Thunder road

15 Yellow Rose of Texas

16 Cadillac ranch

17 Hungry heart

18 Fire

19 Candy's room

20 Because the night

21 I wanna marry you

22 Wreck on the Highway

23 Point blank

24 The ties that bind

25 Ramrod

26 You can look

27 Drive all night

28 Rosalita

29 I'm a rocker

30 Jungleland

31 Detroit Medley

 

 

November 1980 - Dallas, Tx :pirate

 

Christ, that's a life changer of a show.

 

"Rosalita" is the greatest song anyone has ever made, and "Jungleland" and "Thunder Road" are right fucking there.

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Christ, that's a life changer of a show.

 

"Rosalita" is the greatest song anyone has ever made, and "Jungleland" and "Thunder Road" are right fucking there.

 

 

Side two of The Wild, the Innocent and the E Street Shuffle is the best 20 minutes of music ever committed to vinyl. EVER. YMMV...but you'd be wrong.

 

Spanish Johnny drove in from the underworld last night

With bruised arms and broken rhythm in a beat-up old Buick

But dressed just like dynamite

He tried sellin' his heart to the hard girls over on Easy Street

But they sighed "Johnny it falls apart so easy and you know hearts these days are cheap"

And the pimps swung their axes and said "Johnny you're a cheater."

Well the pimps swung their axes and said "Johnny you're a liar"

And from out of the shadows came a young girl's voice said: "Johnny don't cry"

Puerto Rican Jane, oh won't you tell me what's your name.

I want to drive you down to the other side of town where paradise ain't so crowded, there'll be action goin' down on Shanty Lane tonight

All them golden-heeled fairies in a real bitch fight

Pull .38s and kiss the girls good night

 

Oh good night, it's alright Jane

Now let them black boys in to light the soul flame

We may find it out on the street tonight baby

Or we may walk until the daylight maybe

 

Well like a cool Romeo he made his moves, oh she looked so fine

Like a late Juliet she knew he'd never be true but then she really didn't mind

Upstairs a band was playin', the singer was singin' something about goin' home

She whispered, "Spanish Johnny, you can leave me tonight but just don't leave me alone"

 

And Johnny cried "Puerto Rican Jane, word is down the cops have found the vein"

Oh them barefoot boys left their homes for the woods

Them little barefoot street boys they say homes ain't no good

They left the corners, threw away all their switchblade knives and kissed each other good-bye

 

Johnny was sittin' on the fire escape watchin' the kids playin' down the street

He called down "Hey little heroes, summer's long but I guess it ain't very sweet around here anymore"

Janey sleeps in sheets damp with sweat, Johnny sits up alone and watches her dream on, dream on

And the sister prays for lost souls, then breaks down in the chapel after everyone's gone

 

Jane moves over to share her pillow but opens her eyes to see Johnny up and putting his clothes on

She says "Those romantic young boys

All they ever want to do is fight"

Those romantic young boys

They're callin' through the window

"Hey Spanish Johnny, you want to make a little easy money tonight?"

And Johnny whispered:

Good night, it's all tight Jane

I'll meet you tomorrow night on Lover's Lane

We may find it out on the street tonight baby

Or we may walk until the daylight maybe

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Spread out now Rosie, doctor come cut loose her mama's reins

You know playin' blindman's bluff is a little baby's game

You pick up Little Dynamite, I'm gonna pick up Little Gun

And together we're gonna go out tonight and make that highway run

You don't have to call me lieutenant Rosie and I don't want to be your son

The only lover I'm ever gonna need's your soft sweet little girl's tongue Rosie you're the one

Dynamite's in the belfry playin' with the bats

Little Gun's downtown in front of Woolworth's tryin' out his attitude on all the cats

Papa's on the corner waitin' for the bus

Mama she's home in the window waitin' up for us

She'll be there in that chair when they wrestle her upstairs

'Cause you know we ain't gonna come

I ain't here for business

I'm only here for fun

And Rosie you're the one

 

Rosalita jump a little lighter

Senorita come sit by my fire

I just want to be your love, ain't no lie

Rosalita you're my stone desire

 

Jack the Rabbit and Weak Knees Willie, you know they're gonna be there

Ah, sloppy Sue and Big Bones Billie, they'll be comin' up for air

We're gonna play some pool, skip some school, act real cool

Stay out all night, it's gonna feel all right

So Rosie come out tonight, baby come out tonight

Windows are for cheaters, chimneys for the poor

Closets are for hangers, winners use the door

So use it Rosie, that's what it's there for

 

Rosalita jump a little lighter

Senorita come sit by my fire

I just want to be your love, ain't no lie

Rosalita you're my stone desire

 

Now I know your mama she don't like me 'cause I play in a rock and roll band

And I know your daddy he don't dig me but he never did understand

Papa lowered the boom, he locked you in your room

I'm comin' to lend a hand

I'm comin' to liberate you, confiscate you, I want to be your man

Someday we'll look back on this and it will all seem funny

But now you're sad, your mama's mad

And your papa says he knows that I don't have any money

Tell him this is last chance to get his daughter in a fine romance

Because a record company, Rosie, just gave me a big advance

 

My tires were slashed and I almost crashed but the Lord had mercy

My machine she's a dud, I'm stuck in the mud somewhere in the swamps of Jersey

Hold on tight, stay up all night 'cause Rosie I'm comin' on strong

By the time we meet the morning light I will hold you in my arms

I know a pretty little place in Southern California down San Diego way

There's a little cafe' where they play guitars all night and day

You can hear them in the back room strummin'

So hold tight baby 'cause don't you know daddy's comin'

 

Rosalita jump a little lighter

Senorita come sit by my fire

I just want to be your love, ain't no lie

Rosalita you're my stone desire

~~~~~~~~~~~~~~~~~~~~~~~~~

 

Billy he's down by the railroad tracks

Sittin' low in the back seat of his Cadillac

Diamond Jackie, she's so intact

As she falls so softly beneath him

Jackie's heels are stacked

Billy's got cleats on his boots

Together they're gonna boogaloo down Broadway and come back home with the loot

It's midnight in Manhattan, this is no time to get cute

It's a mad dog's promenade

So walk tall or baby don't walk at all

 

Fish lady, oh fish lady

She baits them tenement walls

She won't take corner boys

They ain't got no money

And they're so easy

I said "Hey, baby

Won't you take my hand

Walk with me down Broadway

Well mama take my arm and move with me down Broadway"

I'm a young man, I talk it real loud

Yeah babe I walk it real proud for you

Ah so shake it away

So shake away your street life

Shake away your city life

Hook up to the train

And hook up to the night train

Hook it up

Hook up to the train

But I know that she won't take the train, no she won't take the train

Oh she won't take the train, no she won't take the train

Oh she won't take the train, no she won't take the train

Oh she won't take the train, no she won't take the train

She's afraid them tracks are gonna slow her down

And when she turns this boy'll be gone

So long, sometimes you just gotta walk on, walk on

 

Hey vibes man, hey jazz man, play me your serenade

Any deeper blue and you're playin' in your grave

Save your notes, don't spend 'em on the blues boy

Save your notes, don't spend 'em on the darlin' yearlin' sharp boy

Straight for the church note ringin', vibes man sting a trash can

Listen to your junk man

Listen to your junk man

Listen to your junk man

He's singin', he's singin', he's singin'

All dressed up in satin, walkin' past the alley

He's singin', singin', singin', singin'

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Houston, May 17, 1978

 

One of the most outstanding features of Springsteen shows of this era is the number of covers and unreleased songs he played on a regular basis

 

1. BADLANDS

2. NIGHT

3. SPIRIT IN THE NIGHT

4. DARKNESS ON THE EDGE OF TOWN

5. FOR YOU

6. THE FEVER

7. THE PROMISED LAND

8. PROVE IT ALL NIGHT

9. RACING IN THE STREET

10.THUNDER ROAD

11. JUNGLELAND

12. PARADISE BY THE C

13. FIRE

14. CANDY'S ROOM

15. ADAM RAISED A CAIN

16. NOT FADE AWAY - SHE'S THE ONE

17. GROWIN' UP

18. BACKSTREETS

19. ROSALITA

20. THE PROMISE

21. BORN TO RUN

22. BECAUSE THE NIGHT

23. QUARTER TO THREE

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a few years ago, i was driving home on a rainy night and i put on lost in the flood live off of the hammersmith cd (1975 i think) It was the first time I ever heard the song, and i was hooked to bruce instantly!!! Bruce live is intense, gotta love it :D

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I'm about 8 hours away from showtime in Charlottesville!!!! My second show of this tour and about 15th overall. I've got GA tickets, so we stand a chance of being right up front. It's done by a random lottery on this tour. The set lists from the past week or so have been stunning. Holding out hope for "the E Street Shuffle" "Kitty's Back" and anything off of Darkness. Actually I'll be stoked to hear just about anything including most all of BITUSA. Though musically, that album may be subpar, lyrically it's so freakin' dark and heavy. "Downbound Train," "Dancing In The Dark," "BITUSA." I lived through it and loved it then, and to me even if you write off all mainstream 80's music, certain albums still shine,and "BITUSA" and "Purple Rain," immediately jump out of the pack. I'll give a full and detailed report in after the show tommorow.

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