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people are leaving

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  1. I agree with you on that. I feel no real need to understand films like Mulholland Drive or Inland Empire. I just like to experience them as you would a piece of art or photo. Lynch is an artist first and foremost.

     

    The first two hours of Mulholland Drive is classic Lynchian and near perfect. The last twenty minutes or so is when all the confusion sets in. I don't know what the hell was going on with Inland Empire.

  2. see, i heard the new son volt, and i really think that the critics are gonna bash this one.

     

    not like critics matter and shit, but you know. i think that wilco won already.

     

    Actually, it's we the listener who wins.

  3. Dynamite

     

    When the levee goes the heart breaks away

    The mind holds back

    Just loose dirt in pouring rain

    The truth is not free

    And everyone must pay the price

     

    There were diamonds

    There was gold in your eyes

    Now just silence and broken words on the side

    The journey is never done and the way is long

     

    This love is like celebrating

    4th of July with dynamite

    4th of July with dynamite

     

    There is no right way

    Only the way that keeps your mind free

    Every moment to count

    In the living judgment day

     

    Life to live shall not be a burden

    Carried on shoulders, the long mystic trial

    Dreams leave the dust

    No blues are coming down this time

     

     

    Down to the Wire

     

    Wake up to the Biddle Street blues

    Can

  4. I still have an affinity for his work with Oliver Nelson in the early '60's, and The Breaking Point.

    On a side-note, I did have the opportunity to see a sold-out performance in London in early '95. Unfortunately this was during the period he was having some serious lip issues. It was kinda sad actually, people were leaving 15-20 minutes into his set. I distinctly remember him mumbling under his breath, "Show's not over, must be for you"

     

    Sad

     

    RIP Mr Hubbard

  5. I like this album quite a bit, but this is my biggest problem with these guys. They need to lay off the 'verb.

     

     

    Hey Moe,

    I definitely adhere to the less is more philosophy in the way records are made. These days I tend to prefer less outboard gear, more space, and absolutely no Auto-tune. I concur that using too much reverb tends to make things sound cheesy and demo-ish. With these guys it somehow works for me in a big way.

  6. I'm as jaded as they come, but seriously, the Fleet Foxes live show is unf**kwithable. Even if you think their records are just "ok" , do yourself a favor and see them in person. They will not disappoint and they WILL win you over. At the Doug Fir show mentioned below, for the encore all of Blitzen Trapper came on stage armed with instruments and they all performed "Blue Ridge Mountains".

    It really was something.

     

    Mon. June 30th

    The debut long player from Seattle's Fleet Foxes has slowly been making its way up the ranks as a serious contender for record of the year. After last weeks tear inducing or should I say "beard" inducing performance at San Francisco's Bottom of The Hill they may have done just that. Absolutely amazing is what comes to mind and when I think about it, I haven't had a chance to say that for quite some time. Strong compositions, tight four-part harmonies soaking in reverb and a group of players as seamless as I've seen in years. Stay tuned cuz these Fleet Foxes are onto something. See you in Portland at the Doug Fir on July 25th.

  7. I just put together a collection of the following songs for a friend.. I can put up the link later on tonight if you're interested. Also, 'Electro-Shock' is best presented in its entirety.

     

    Mr E's Beautiful Blues

    Flyswatter

    Fresh Feeling

    Love of The Loveless

    Rock Hard Times

    Saturday Morning

    I Like Birds

    It's A Motherfucker

    Souljacker Part 1

    Novocaine For The Soul

    Trouble With Dreams

    I'm Going To Stop Pretending That I Didn't Break Your Heart

    Dirty Girl

    Last Stop (This Town)

    (Hey Man) Now You're Really Livin'

    Railroad Man

    Things The Grandchildren Should Know

  8. I had a dream about this re-release last night. I was listening to the LP in a mansion with my friend Robert (RIP). It was cool. I hadn't dreamed of him in a while. So thanks for this thread.

     

    I could be completely way off base here, but was your friend Robert a member of the forum POSTCARD many years ago. I recall he was a drummer from the Boston area and a big Jazz fan.

  9. I second ALL the Nick Drake & early Dylan >> would like to add :

     

    fairport convention - liege & leaf

    scud mountain boys - massachusetts

    leonard cohen

    gram parsons

    get/gilberto/jobim

    judee sill

    bill fay

    jackson frank

    fleet foxes

    joni mitchell - any of the early records

    elliott smith - either/or

    david sylvian - secrets of the beehive

    joe henry - scar

    sigur ros : ( )

    richard buckner - devotion & doubt

    gillian welch/david rawlings

    ida - will you find me

    beck - sea change

    iron & wine - the creek drank the cradle

     

    I'm trying to stay clear of all the jazz selections, but here are a couple -

     

    get/gilberto/jobim

     

    john coltrane & johnny hartman

  10. one could certainly argue that artists such as Gram Parsons and/or Sweetheart of the Rodeo-era Byrds or even Dylan (with Nashville Skyline) started alternative country, but i think you have to make a timeline somewhere.

    If you absolutely need to make a timeline, one could go back a couple of years : The Basement Tapes.

  11. Alt.country is something that started around the turn of the 90s I would say, the rest is country rock. Sorry old man.... :lol all of us remember these albums from our youth, but they weren't called alt.country they were something else, along with Commander Cody and NRPS, etc.

    LouieB

    You're correct Louie.

    Back in the day it was called good songwriting.

     

    Alt-country - Y'alternative - Cowpunk - Insurgent Country - Rootsrock - Americana

    = none of these mean a thing to me

     

    Just to elucidate I never endorsed NRPS :cheers

  12. Seriously. Uncle Tupelo birthed alt-country from its loins. All the Uncle Tupelo albums should be on there. Half of those on the list barely qualify, if at all.

     

    1. Uncle Tupelo - Anodyne

    2. Uncle Tupelo - March 16-20, 1992

    3. Uncle Tupelo - Still Feel Gone

    4. Uncle Tupelo - No Depression

    5. Son Volt - Trace

    6. The Jayhawks - Hollywood Town Hall

    7. Wilco - Being There

     

    Then you can fill it out however else you like, that's what the core should look like, in my opinion. Also, if you use this

     

     

    to justify an alt-country record, then doesn't Dylan's Blood on the Tracks deserve the top spot?

    It would, yes...and countless others. It read as some arbitrary starting point w/Anodyne.

     

    Where's :

     

    The Byrds - Sweetheart of the Rodeo

    Dylan - Basement Tapes

    Dylan - Blood On The Tracks

    Flying Buritto Bros - Gilded Palace of Sin

    Gram - GP/Grievous Angel

    Dillard & Clark - The Fantastic Expedition of

    blah

    blah

    blah

    blah

  13. Based on the starting point of ahem, Anodyne......in no particular order :

     

    01. son volt - trace

    02. blue mountain - dog days

    03. scud mountain boys - massachusetts

    04. richard buckner - since

    05. wilco - being there

    06. the backsliders - southern lines

    07. neko case - furnace room lullaby

    08. drive by truckers - southern rock opera

    09. magnolia electric co.- magnolia electric co

    10. jim white - no such place

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