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Basically the main Chicago NPR (radio) outlet. Thanks for the link, as always, sir!

A guy I know from these here parts posted a link to this informative piece... http://www.ibtimes.com/fargo-showrunner-noah-hawley-explains-snagging-wilcos-jeff-tweedy-song-cover-2177943

I've seen like five or six shows this year and still haven't heard Big Decisions live, which is kinda funny because it was the first "single" for The Waterfall, wasn't it?

Good to know! P.S. I'm waiting for the Brazilians to riot, btw.

I guess, but damn I've never been a fan of bands announcing (and selling tickets) for shows more than a year in advance. I guess that's somewhat par for the course in most of the world, though. It's starting to get that way over here, too.

Yikes, bloody hell! I see a date at the Volkshaus in Zurich for 15 November *2016*, btw. Wtf? Hard to believe they won't do some other (earlier) Spanish dates at least around that already-announced fest, but still... Here's a link for the Zurich date, fwiw (and in German): http://www.allblues.ch/Wilco/1822

Oh no...you're my only hope! (J/k, hope you feel better soon!) Well I don't know who this "LouiieB" is, but he seems awfully cranky. B)Seriously, though, I understand what you mean about not being able to (or interested in) support every charitable thing Jeff/Wilco does. We all have to pick our battles. It'll be interesting to hear (if we ever find out) how long and what Jeff plays.

Maybe ask her to keep a setlist and/or report back?

Just wondering if anyone on here is going to make it to this? I was told that it's sold out, so I guess it's good that 826CHI is getting some $$$ out of it.

Sad news. I always loved the Phil and Quill album on Prestige. Didn't realize he had done the sax solo on Billy Joel's Just The Way You Are (or married Charlie Parker's widow, for that matter). The NYT had a good obit, written by Nate Chinen... RIP, indeed.

Atticus: VIP or prisoner? Haha. Well, in the lengthy annals of Wilco, these two nights at Stubb's might not be remembered with quite as much nostalgia as the band's previous "Evening with" ACL Festival pre-show there in 2013 not to mention a number of other memorable performances over the years, but they were still two more chapters in an enduring relationship the band has had with this venue (and this city). What Stubb's makes up for in comfort and acoustics — there is apparently no other way for the band to get to its dressing room other to cross the stage, for example — it more than make

More details to come, but for now, here was the complete setlist – as played – for the final Wilco show of 2015: More... Random Name Generator The Joke Explained You Satellite Taste The Ceiling Pickled Ginger Where Do I Begin Cold Slope> King Of You Magnetized Handshake Drugs> Art of Almost Via Chicago A Magazine Called Sunset I'm Always In Love Hummingbird Theologians I'm The Man Who Loves You Jesus, etc. Born Alone Passenger Side Airline To Heaven (with William Tyler on electric guitar) Impossible Germany The Late Greats --------------------------------- Let's Not Get Carried Away Ki

Gotta be a benefit, right?

Oh, good lord.

Just for the record, I found out Stubb's has a hard curfew of 10:30 on weeknights. So I was a bit off on my projected set times. Now figure William Tyler 7-7:30, Wilco 8-10:30. Sorry.

Opener is William Tyler; he should play from 7:30-8 and Wilco will probably be on by about 8:20 or so, if I had to guess.

So this was the surprise acoustic in-store performance at the venerable Waterloo Records, and it was cool to hear Jeff reminisce about playing one of Wilco's earliest-ever shows at Waterloo (and naming the exact date: March 18, 1995); about Uncle Tupelo recording Give Back The Key To My Heart with Doug Sahm not far away from where they were standing; and about discovering Daniel Johnston through Waterloo in the early 1990s and buying all of Johnston's cassettes, which Jeff said he still has. All in all, it was a pretty generous and intimate 35-minute performance before about 275 or so who ha

OK, that makes more sense then. And yeah, that's probably what happened with SW when the weather rolled in. Thanks for the knowledge!

Forgot to add that it seemed like the crowd really came alive after Art Of Almost, giving the band an extended, loud ovation. Often you see that after Impossible Germany, but as with that song, Jeff pointed toward Nels to receive the bulk of the applause.

I couldn't attend, but just crossposting the setlist from Wilcoworld/Wilco Facebook so this one doesn't get lost in the shuffle. Noteworthy if only for the fact that this might be the first non-acoustic show instance in which Star Wars hasn't been played in its entirety and straight through to start the set. Can anyone verify the accuracy of this setlist? (Also, I assume California Stars wasn't done hootenanny style but maybe it was.) 01 - More... 02 - Random Name Generator 03 - The Joke Explained 04 - I Am Trying to Break Your Heart 05 - Art Of Almost 06 - Pickled Ginger 07 - Hummingbird

A momentous night in New Orleans for Wilco, which christened the newly restored — and pretty gorgeous, I must say — Orpheum Theater with its first (rock) concert in a decade. And quite a concert it was, with a pretty boisterous crowd for a Monday night. Beyond the reopening of the Orpheum, this was — if I'm not mistaken (and somewhat amazingly) — the band's first indoor headlining show in New Orleans since a memorable two-night run at Tipitina's in 2008. So after stormy weather had cut short its Jazz Fest set earlier this year and with the energy of a new album in the air, a sell-out crowd

Wow, nice!

No official affiliation with the band (sigh...just kidding). Just a guy who tries to make it to as many shows as I can, while I can. As far as this show goes, I've been trying to come up with some sort of recap but struggling a bit because I really had very little sense of the rest of the crowd. I can describe the show from my perspective, which was felt very intimate (or as intimate as a large concert hall with two balconies can be), but I'm not sure if that will provide a very accurate depiction of how it was to a majority of the audience. At any rate, one thing that affected the sonic as

Si, señor.

I believe the porcelain cat was procured in LA, actually, just before the start of the West Coast tour last month. By Nels and Yuka. I liked how Jeff petted it during the end of (I think) Hummingbird. What I think was procured at the thrift store across the street from the Loft was the painting that is the cover art of SW.