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bböp

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About bböp

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    Mr. Cheeztastic
  • Birthday 08/30/1977

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  1. I’m pretty sure Jeff said this was “Charlie,” a theme composed by Georges Delerue from the Truffaut film Shoot The Piano Player. Well, he didn’t say all that; he said it was “Shoot The Piano Player: Charlie.” But anyway... And thanks for not mentioning that I got sent to my room for saying “C” word. (Not that one.)
  2. Fwiw, it looks like there are multiple versions of this show floating around. At least one, maybe two, different audience recordings and then the capture of what was broadcast on WXRT radio back in the day (which wasn't the complete show). The latter seems to be the one that has been widely bootlegged, like just about every radio session by a noteworthy band. Anyway, I'm hoping that since this is the "official" release of this show (with Jeff and Jay's authorization, presumably) that they were able to obtain the complete WXRT recording — I'm assuming off the soundboard — and get it mastered for vinyl. Incidentally, I had been wondering if this was the final Uncle Tupelo show at Lounge Ax and indeed it was. The band would play its final shows at Mississippi Nights in St. Louis just over a month later. Anyway, this show that's coming out looks like it was the third night of a three-night stand, with support from The Handsome Family. Some more info on the run, including a scan of the setlist from this final Lounge Ax show, here (note: this site also notes the multiple recordings of this show).
  3. bböp

    Wilcovered

    I actually haven’t cracked my copy of the vinyl yet, though the warpage is a little disconcerting. But yeah, there was a two-page spread in the magazine with blurbs from Jeff and/or the contributors, so they probably just reproduced that...
  4. Thanks for not mentioning my failure to identify this one...haha. It was a fairly obscure one, but I own it. Lol.
  5. That Royal Oak show they just released today was, in my opinion, the best show of that year. It was a one-off and the band was on fire that night. Fwiw.
  6. Yeah, I had forgotten in the moment that he played "Ian Dury" a handful of times way back in '95. Oops...and thanks for the correction, Donna. Anyway, it appears maybe only four times, though? I found this interesting little post that the Glorious Noise site did about it just over a decade ago now. I remember somebody tried to request it at one of the Vic shows once a while back — or maybe just inquired about it — and Jeff didn't seem too interested in playing it then. Guess pandemic times are good for something! And unfortunately, no further word on that mystery song near the end of the show last night yet. It sounded too composed to my ears as well to be just an improv, off-the-cuff tune, but I've obviously been wrong many times before.
  7. bböp

    Wilcovered

    Did I miss you at Laurie's? Anyway, I love this project! Classic rock artists would be interesting, but I most enjoyed some of the tracks by younger artists that either attempted a deeper cut, tried to do something different with an arrangement or at least put their own stamp on whatever song they chose. That Parquet Courts mashup, for example...I'm not sure if I like it or if it went overboard, but I admire them for trying something different. I think Jeff has half-jokingly said he liked this project because it showed that at least some younger musicians/bands still like him/Wilco, and I'm not sure he would get — or even need/want — that from the "classic rock" contingent? But who knows? Speaking of Wilcovered, I happened to catch this cool cover of Love Is Everywhere (Beware) the other day on a KCRW session by a Dutch artist that I hadn't heard of before, Nana Adjoa. Check it out at the end of her short set, if you're so inclined...
  8. Jew Matt and Oona in the corner are everything.
  9. Thanks, guys! To quote a line from That Thing You Do!, you are my biggest fan(s). (And it was also great to see some familiar faces in person at the actual show, even if they were behind masks. 😷😷😷) And it’s good to be back on here, even if VC looks different on my phone now! Did this new layout just start today?
  10. Well, it's been a minute since I've been on here — and certainly since I've written one of these — so please forgive the rustiness in advance. Anyway, I'm sure that most everybody who would probably even care about these thoughts either watched the show for themselves via live stream or was there in person so obviously it will be interesting to hear some different perspectives. After months and months of spending virtual evenings with the Tweedy family via The Tweedy Show on Instagram and getting to hear just about all of the songs that would eventually comprise Jeff's forthcoming “solo” record Love Is The King, it was a pleasure to finally be able to see some of those new songs performed live on stage for the first time, and with the backing of a full band to boot. (And not to fear, nearly all of the significant characters — including Basil — from The Tweedy Show were in attendance, either on stage or in the front row!) Even if the setting wasn't the warm, cozy environs of the Tweedys' living room but instead a chilly evening at a drive-in movie theater out in the distant reaches of Chicagoland with all of the requisite elements of pandemic life — mandatory face coverings, social distancing and other limitations in the name of safety — I think it's safe to say that just about everyone who made it out to the McHenry Outdoor Theatre was glad to, as Jeff said, leave their troubles behind for a couple of hours and bask in the power of live music again. I know I was. Not even the very sad news about the passing of Justice Ruth Bader Ginsburg, which broke just before show time, could entirely dim the show's glow. Since it was the start of Rosh Hashanah, it wasn't surprising to see the evening begin with Mi Sheibarach, a Jewish prayer for healing adapted into song by Debbie Friedman that has become a fixture on The Tweedy Show with Sammy Tweedy singing the lead vocal and accompanied by Jeff and Spencer Tweedy on guitar and backing vocals, respectively. Especially in light of Ginsburg's death, I thought it was an especially poignant way to start. From there, the full Tweedy band emerged with Spencer on drums, James Elkington on electric guitar and pedal steel, Liam Kazar on bass and backing vocals and Liam's older sister, Sima Cunningham of Ohmme, on backing vocals along with Sammy. The sextet ran through a few tunes from Jeff's earlier solo albums Warm and Sukierae before getting to the first LITK song, the lilting love song Guess Again. By the end of the night, the group would perform over half the record; to me, the twangy Opaline and the show-closing Save It For Me were particular standouts, with Jeff commenting about the latter that it was the "most meaningful" to him right now because it was the first song that he wrote with Spencer and Sammy during the quarantine and making the album had helped them all get through those tough times. Another highlight, for me at least, was the band's performance of Pops Staples' Friendship during the cover-laden final third of the show. Of course, the message of the song is touching in and of itself but also the arrangement of the song with Sammy taking the first verse, Spencer the second and Sima the third kind of reminded me a bit of The Weight in that it allowed them to each get their own moment in the vocal spotlight. So what was it like to actually attend the show? I think that might depend pretty significantly on your vantage point within the parking lot. There were four tiers of tickets sold, from VIP tickets in the first two rows to "back lot" tickets at, well, the very back. This was my first time at a drive-in concert so I don't really have a point of comparison and I wasn't able to check out the view from way back, but I can't imagine it was very good even with two giant video screens flanking the stage. Someone else will have to chime in with their take. I will say that even in the very front there was a sizable gap between the stage and the first row of the audience — probably at least 30 feet. So you can definitely insert a Too Far Apart joke here because, even at the front, it felt like there was a lack of real connection between band and crowd due to the sheer distance between them. (I think Jeff even made a brief comment/joke about feeling less of a connection than usual and how "the cars aren't giving me a lot" and then calling himself "pathetic" for asking for some validation from the assembled autos). And being outside, socially distanced, in such a relatively big open-air space really prevented any real crowd roar that made you feel like you were part of a larger whole the way you might inside a club or theater. I definitely missed that element of the live music experience. After the band would finish a song, you would hear what Jeff might call "a smattering" of applause or whatever, but it wasn't quite the same for me. On the positive side, I thought the sound quality was pretty excellent throughout. From where I was, the venue's PA system was nice and powerful — again, I can't say for sure that was true further back in the lot — and actually the distance we all had to stand back from the stage almost certainly helped us hear everything better. Elkington's guitar (and pedal steel), I felt, really stood out in the mix and definitely enhanced many of the songs. You knew at the very least that the sheer novelty of the drive-in show concept would result in some funny stage banter, and Jeff didn't disappoint in that regard. I didn't jot down any particular zinger in its entirety — I said I was rusty! — but he did joke early on about how we were going to "have a honkalong" at some point and "separate the Subarus out." "I don't know why," Jeff said of the Subarus. "Just because I'm assuming there are too many out there." Later he remarked about how he had had a daydream about orchestrating a honking part of a song before deciding that would be a stupid idea. Instead, he discouraged people from using their horns during the show to display enthusiasm — until the end when they should "just go fucking nuts." If this was the last time we'll get to see and hear Jeff perform live in 2020, then to use one of his favorite expressions, it certainly could have been worse. After so many months without live music, the fact that we even got this nearly two-hour show deserves a measure of gratitude. Was it everything I could have asked for in a concert? Probably not. Was it more than acceptable, especially when graded on the pandemic curve? For sure. Was it exactly what I needed right now, heading into an uncertain future? Most definitely. Here was the complete setlist, as played (all songs with core Tweedy band of Jeff Tweedy on acoustic guitar and vocals, James Elkington on electric and pedal steel guitar, Liam Kazar on bass and backing vocals and Spencer Tweedy on drums and backing vocals, unless otherwise noted): Mi Sheibarach^ [Debbie Friedman] Bombs Above* Some Birds* New Moon* Guess Again* Family Ghost Bad Day Lately Flowering Summer Noon# Gwendolyn* Opaline* Evergreen* Don't Forget Having Been Is No Way To Be Guaranteed Low Key@ I Know What It's Like* Natural Disaster* Love Like A Wire [Diane Izzo] Let's Go Rain* The Old Country Waltz* [Neil Young] The Losing End (When You're On)* [Neil Young] Friendship$ [Pops Staples] I Wanna Be Your Mama Again* [sir Douglas Quintet] Give Back The Key To My Heart* [Doug Sahm] You Are Not Alone* California Stars* Save It For Me* ^ — Sammy Tweedy on lead vocals, Spencer Tweedy on backing vocals * — Sima Cunningham and Sammy Tweedy on backing vocals # — Sammy Tweedy on backing vocals @ — Sima Cunningham on backing vocals $ — Sammy Tweedy, Spencer Tweedy and Sima Cunningham on vocals
  11. Yeah, guess they finally had to scrap the rest of the run. Thankfully I made it back to Chicago and can now just look forward to a couple weeks of record sorting or something, since everything else here seems to be cancelled too.
  12. Just got a message from the Missoula promoter (Logjam Presents) that the Wilma show is now postponed. WTF? Doesn’t seem like the band has acknowledged this yet, at least on their social media. Hmm...
  13. The official word just came down, at least via Twitter (and linked to the same message on Wilcoworld, except the one about the Calgary, Missoula and SLC shows still currently scheduled to go on): Wilco's upcoming tour dates in Seattle, Vancouver, Portland, Las Vegas and California are postponed. Every effort is being made to reschedule dates later in the year and we'll be in touch with more information shortly. Stay tuned to wilcoworld.net for updates. Take care of each other and stay safe. Calgary, Missoula and SLC shows are currently scheduled to go on. https://twitter.com/wilco/status/1238171145238646786?s=21 https://twitter.com/wilco/status/1238171181817253888?s=21 https://twitter.com/wilco/status/1238172191583342592?s=21
  14. Through the end of March, anyway. Seems like they’re gonna try to get the next three in, then reschedule the rest and/or see if LA/Vegas can be salvaged. That’s probably about all they can do. Hopefully some sort of official word is forthcoming ASAP.
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