nurfherder

Maybe because they're always getting press about how they're supposedly lesbian lovers and not about their musicianship. BTW: that was a good pun about tattoos.

One of my favorite books of all time:

I honestly doubt I could do that. I've forgotten half the books I've read over the years.

Will we be keeping these even after the Christmasy time? I for one vote we do!

It's on the Chelsea Walls soundtrack.

When did Charlotte Church get HOT? I remember her as a pristine, chubby choir girl.

I want the 12th and final book to come out so I can finally put this god-awful series to rest. I'm a glutton for punishment sometimes...

Well, I could, but in the spirit of the season I'm not going to be an ass.

I just play it as Dm the whole time.

Those are some strange-ass chords. Thanks for posting them, I'll try the song out later sometime.

How would one play Aaug, A6 and A6/F#? Those chords with / always throw me.

I was convinced long before this thread started that she was a RSGF. I'd particularly like if she were MY RSGF, as I'm now single and like her music.

She's particularly geeky-hot in the one with ukelele. Girls in glasses are cute!

Those don't seem to be very good pictures of her, unfortunately. The ones from the CD booklets make her eseem extra-hot, but these look kind of bland to me.

My favourite Shakespeare play. Love all the off-shoots like 'Rosencrantz and Guildenstern Are Dead!' and the various retellings. My alias as a college DJ was Rosencrantz even.

I'd kiss her and the jacket wouldn't even be required.

I don't know much about 80s politics, let alone clandestine Republican politics from that time, so this is an interesting read. Only about 60 pages into it so far.

I play with capo on 4. Also, I play E during the bridge (I don't get the connection, etc) instead of Em.

It's slightly easier if you use a bar for the A, but yes, it is quite hard.

It doesn't actually. The concept is the same, however. For the 'Walkdown the low E string (4th to 2nd fret)' based on the A-chord you would play e -- 0 B -- 2 G -- 2 D -- 2 A -- 0 E -- 4 then same except for E -- 3 same, E -- 2 For the 'Walkdown the A string (4th to 2nd fret)' on the D-chord you'd play e -- 2 B -- 3 G -- 2 D -- 0 A -- 4 E -- x then same, A -- 3 same, A -- 2 Once you know the concept you can apply it to all the different chords and make it sound all fancy-like.

I'll diagram the chords, maybe that would help. G-chord e -- 3 B -- 3 G -- 0 D -- 0 A -- 2 E -- 3 walkdown G to F# e -- 3 B -- 3 G -- 0 D -- 0 A -- 2 (or 0, depending on how you want to play it) E -- 2 G to E e -- 3 B -- 3 G -- 0 D -- 0 A -- 2 (or 0 still) E -- 0 E-chord e -- 0 B -- 0 G -- 1 D -- 2 A -- 2 E -- 0 Hope that helps.

For me it's the lyrics that makes the music not repetative. Also, I know with some 3 chord songs (Breakfast at Tiffany's by Deep Blue Something, for example) the band changes the order of the chords from verse to chorus.