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I know, right? I’m gonna have to go back to driving that Lyft (also, for nothing)!

Oops, just realized I sort of never finished my recap on this one. I was kind of dragging at that point!

Guess we’ll just have to agree to disagree. And maybe we’re just looking for different things out of a Wilco show. But I promise you, I wouldn’t ever pine for the days they played the Chicago Theatre. It’s fine, like I’ve said. Tolerable even. But I don’t see a show there ever leaving me with a transcendent feeling... If they started playing the United Center, I would probably think twice about going and just use that money to travel somewhere to see them in a more fitting venue. And fwiw, I don’t think they will ever become a bonafide arena act because I think Jeff understands at some level

Hey man, same here. No worries on being out of it, just always good to put a face to a handle (as it were). Thanks for summing up what I realize I was getting at in terms of there being something missing. There’s little comparison between the atmosphere of the shows at the Chicago Theatre and at the Palace in St. Paul, which is why I suspect a lot of the regular Wilco travelers opted for the latter this time around. Not that I’m upset about going to a show 15 minutes from my home or seeing folks like Robyn Hitchcock (and presumably Sharon Van Etten) collaborate with Wilco, but the vibe at the

Sure, I’ve witnessed way worse crowds too. Didn’t mean to suggest otherwise. But to be honest, the audiences both nights have been — to use Jeff’s phrase — “dullsville.” I actually thought the crowd got better during the second half of last night’s show, but it still was just OK. It was typical Chicago Theatre, which maybe is just the typical Wilco crowd nowadays. I would give credit for standing throughout, but basically unless you’re in the pit there, you have little choice once the folks in front of you get up. If you have any hope of seeing, that is.

Doth I protest too much? Maybe so, but I’ve been to a lot of shows at that venue over the years and I’ve definitely observed a pattern of audiences that are, at best, pretty clueless and/or apathetic and at worst, downright rude. I’m not saying this crowd was even close to the worst I’ve seen there. But the constant stream of people chattering behind me through the show was kinda brutal. Like I wrote yesterday, the Chicago Theatre is generally tolerable depending on where you’re sitting and who’s sitting around you. But it’s never gonna be a great venue for Wilco, and I don’t think that’s too

Look, I get why Wilco has chosen to play the Chicago Theatre for the last couple editions of its hometown Winterlude residency. It’s an iconic venue in the heart of the city, more or less the right size and has a good-sounding PA system. But honestly, does any room in town consistently draw a lamer or more clueless audience? As evidence, consider some of the things people did and said on the second night of Winterlude 2019: *Someone in the front row repeatedly took selfies with their back to the stage, much to Jeff’s consternation. “Are you done taking selfies?” he asked the person prior t

A very kind friend came through with last-minute opportunity to attend the band's pop-up performance this afternoon at the Chicago Athletic Association hotel downtown, which was part of the Songkick Live series and I believe was filmed for future release, so who was I to refuse? The actual performance was about half an hour and then Jeff stuck around for an at-times amusing Q&A with local improv legend T.J. Jagodowski for another 20-25 minutes. Among the audience questions was a request for Deeper Down to be played at the show tonight and Jeff saying there was no way in hell that was goi

Lordy lordy, if you’re dependent on these middle-of-the-night blatherings, God help ye. (Happy to help with the char sometime, though.)

Sir, yes sir. Resolved to stick only to Banter Corner from here on out.

I can just see the soon-to-be JamBase headline now, likely based on this report and/or other social media: Wilco bust out Beatles, Soft Boys covers with Robyn Hitchcock on first night of Chicago residency. Am I right? More on that later, of course, but since I’m kind of having an existential crisis as the year — and the decade — rapidly draw to a close, I wanted to first say that it occurred to me tonight while taking in Night 1 of another Wilco Winterlude in Chicago that the band really has become something greater than the sum of its parts. A little over 25 years into its career, Wilco has

It was kinda similar to the Oxford Pennant pop-up at Solid Sound, if you went to that. They had plenty of pennants and banners (including a Winterlude specific one), as well as T-shirts (different designs from the band is selling, I believe...more pennant-y) as well as a small corner of Jeff’s guitars (nothing super pricey...almost everything under $1,000). Also, the boxes of the OTJ vinyl, a small stack of old Chicago show posters plus a special Winterlude poster (11x17, I think), a couple of neon Wilco signs and pins and patches and stuff. There was also an embroidery station. Basically a W

Grabbed one for ya, knotgreen! There was no limit to how many you could buy (at $30 a pop). They were also selling discounted deluxe editions for $300. Wonder how many of those are still sitting around... Anyway, for anyone interested, it seems like there will be plenty of the Chicago edition OTJs to go around. But then again, I did get there early — fwiw, they opened the shop a little early — and business seemed to be picking up by the time I left.

If I can buy more than one, I’ll try to grab one for you...

Feels like this thread needs a little reviving, so I’ll post about the news that surfaced today about Jeff playing the “This Land Is Your Land” 80th anniversary concert benefitting Tulsa’s Woody Guthrie Center. The show, which also features Haley Heynderickx, Gangstagrass, John Fullbright and Branjae, will take place at Town Hall in New York City on Feb. 23.

I rarely post in here but Outta Mind (Outta Sight) (aka the Sesame Street version) just came on in this Whole Foods I’m in, so what the hey. Seasonally appropriate! #sleighbells

Haha, I wish I could say that one was intentional...

At least she spelled Glenn right...

It's been a pretty long three months of touring in advance and support of Ode To Joy, and I'd say Wilco and its always-stellar crew have more than earned a couple weeks of rest before getting back to it next month. Finishing up another successful three-night run in St. Paul, the band sent the faithful off to eat turkey (or what have you) with another solid set that generally reflected the show it has been presenting these past months while also adding a few nuggets to make it unique. On a personal note, it's a bit hard to believe starting this tour off in Trondheim, Norway in early September

While it's undoubtedly a bit pretentious to quote oneself, I looked back at what I wrote following the second night of Wilco's three-night, pre-hiatus run at the Palace Theatre just over two years ago and found this: "I think Wilco has gotten pretty good at presenting a certain show over the years and then varying things just enough to reward people who attend multiple ones without making anyone who might only attend one feel like they missed out." Now I'm not going to say I was prescient, but that's probably just as good a description for this current three-night run at the Palace. Especial

As Jeff said shortly before the end of the first of three shows at St. Paul's relatively intimate Palace Theatre, if there's any place that feels like home that isn't actually Wilco's home, it would have to be the Twin Cities. The band has been playing in the area almost since it has been a band, which would come up during the show, and there is a reason it chose to go into a long hiatus two years ago with another three-night run at the Palace. And in sincerely thanking the nearly sold-out crowd on Night 1 — the show was considered to be almost instantly sold out, though a sign put up at the

Did you ever get it out? Do tell. Anyway, I finally posted my full recap above and I'm sure only you and a couple others will care at this point (but the disco ball mention stayed in!)

Bluewolf? Yeah, breaker one-nine...this here's the Rubber Duck. You got a copy on me Pig Pen, c'mon? Mercy sakes alive, looks like we've got us a...well, never mind.

Normally I'm not that big a subscriber to the notion that expectations should be much higher for the final show of a given stretch of touring than any other on that particular run — the last show of an album cycle or era is a different story — and I suppose that was especially true when I saw where this set of Ode To Joy tour dates initially seemed to be wrapping up. The Orpheum Theater in Omaha, Neb., where Wilco had played once before more than 12 years ago, just seemed like sort of a random place to conclude a run. Of course, this weekend's three-show residency in St. Paul, Minn., later g

Wtf is up with the Seattle restriction on only people from surrounding states being allowed to buy presale tix?!? Why is Seattle so weird with stuff about concerts (we all had to sit down on the floor before a show there once...never seen it before or since)?!?