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Right, that's what I meant...Bataclan. Still can't believe that we were there and what would eventually happen there.

Ah yes, the pogoing Frenchman! Oy. Had forgotten about the courtesy of your donated stub, however. That was from the sadly ill-fated Elysee Montmartre, no? What times we had...

I hope to pay a visit to see this exhibition in person some day…perhaps I can even make a donation?

This is what I’ve been saying!

First off, this is going to be kind of a difficult recap for me to write because of some, ahem, shenanigans that were going on throughout most of the show. I fully admit to being a bit distracted — in the best possible way — so thankfully there wasn't much banter at all to chronicle. Anyway, I'm not going to elaborate, but if you know, you know... This was going to probably be a slightly weird show no matter how you cut it. First off, the band was booked as part of a three-day festival in a minor-league stadium near the outpost of Rockford, IL, between the feel-good 90s vibes of th

Thanks for the report. Just few tiny corrections for you... First off, Love Like A Wire [Diane Izzo]. Also, you forgot World Away as the second song. And the band fully left the stage after Let's Go Rain, so the last three songs (including Don't Let Me Down and Give Back The Key To My Heart — no 'Me' ) were a true encore.

More like bronze...

Did I just get rickrolled?

I was getting nervous, and not because of the "threat" of an Uncle Tupelo deep cut!

Now this isn’t the sort of discussion I expected when I started this thread!

Funny, if true — and I know you knew that straight off! Can't fathom why two separate groups called (nearly) the same thing would record the same song...too many hallucinogens, perhaps.

Oh, Mike Curb. I see those records all the time! Eh, let's not and say we did?

I think maybe those days are over, if they ever were, but maybe not these?

Just for you, mate.

Not sure whether this little recap is kosher, since this benefit show was technically sort of semi-secret, but since there was a professional-looking photographer walking around and people were taking photos and videos with their phones that will probably wind up on social media, I guess I'm going to assume the hosts won't mind a little bit of commentary after the fact... Basically through a series of happy coincidences and helpful people, I got lucky to be able to attend this lovely Sunday afternoon concert by Jeff and Spencer that raised money for a local radio station in southwe

If I'm not mistaken, you Canadians aren't even letting us regular folk from south of the border in yet (unless you're related to a Canadian or have some vital purpose, I guess)...

Lol, I just saw this. Maybe I'll get around to it...someday!

I am extremely out of practice at show recaps and, who knows if anyone even checks good ol' VC anymore, but this was certainly a very pleasant way to spend a late spring/early summer evening. Beautiful weather, especially once the sun retired for the evening; a crowd with a lot of familiar faces; and a slightly reconfigured band whose members were clearly enjoying making music with one other and for a real live audience — all combined for a show that felt almost normal again. Whatever that is. Of course there still being a global pandemic, it wasn't totally normal. After all, we w

I’m pretty sure Jeff said this was “Charlie,” a theme composed by Georges Delerue from the Truffaut film Shoot The Piano Player. Well, he didn’t say all that; he said it was “Shoot The Piano Player: Charlie.” But anyway... And thanks for not mentioning that I got sent to my room for saying “C” word. (Not that one.)

Fwiw, it looks like there are multiple versions of this show floating around. At least one, maybe two, different audience recordings and then the capture of what was broadcast on WXRT radio back in the day (which wasn't the complete show). The latter seems to be the one that has been widely bootlegged, like just about every radio session by a noteworthy band. Anyway, I'm hoping that since this is the "official" release of this show (with Jeff and Jay's authorization, presumably) that they were able to obtain the complete WXRT recording — I'm assuming off the soundboard — and get it mastered fo

I actually haven’t cracked my copy of the vinyl yet, though the warpage is a little disconcerting. But yeah, there was a two-page spread in the magazine with blurbs from Jeff and/or the contributors, so they probably just reproduced that...

Thanks for not mentioning my failure to identify this one...haha. It was a fairly obscure one, but I own it. Lol.

That Royal Oak show they just released today was, in my opinion, the best show of that year. It was a one-off and the band was on fire that night. Fwiw.

Yeah, I had forgotten in the moment that he played "Ian Dury" a handful of times way back in '95. Oops...and thanks for the correction, Donna. Anyway, it appears maybe only four times, though? I found this interesting little post that the Glorious Noise site did about it just over a decade ago now. I remember somebody tried to request it at one of the Vic shows once a while back — or maybe just inquired about it — and Jeff didn't seem too interested in playing it then. Guess pandemic times are good for something! And unfortunately, no further word on that mystery song near the end

Did I miss you at Laurie's? Anyway, I love this project! Classic rock artists would be interesting, but I most enjoyed some of the tracks by younger artists that either attempted a deeper cut, tried to do something different with an arrangement or at least put their own stamp on whatever song they chose. That Parquet Courts mashup, for example...I'm not sure if I like it or if it went overboard, but I admire them for trying something different. I think Jeff has half-jokingly said he liked this project because it showed that at least some younger musicians/bands still like him/Wilco, and I'm no