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hardwood floor

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Posts posted by hardwood floor

  1. Of the original list I saw REM in '83 at Irvine Auditorium at Penn. Let's Active opened. I also saw Miles Davis around '81. Far from his legendary period. I didn't see U2 until '84, saw them twice that year, they did a mini-tour of theaters (saw them at the Tower) and then a full tour of arenas (Spectrum).

     

    My first concert was Elvis Costello in April of '79 on the Armed Forces tour. Saw Zappa not long after that.

     

    I saw the original Replacements lineup at Houston Hall at Penn on the Tim tour. Saw them twice again later after Bob Stinson was fired (and died).

     

    Saw Husker Du and the Minutemen (2 different shows)in '85 at a venue in Philly ("The Opera House") that I'd swear was an abandoned warehouse. Billy Bragg was supposed to open for the Minutemen but the rumor was he'd been deported that afternoon.

     

    pretty cool stuff ... i remember penn having some amazing shows back then but i never made it to any of 'em - don't think they really promoted them off campus. now they have world cafe and they still have tons of great bands playing on campus.

     

    hey, where was that opera house? i don't remember that venue

  2. I listened to Half Smiles & Off to Business last night just to kind of try and get a better feel for what's missing these days and I think ya know Todd Tobias is an amazing technician and he can play a lot of instruments proficiently, but there's no fucking SOUL in these songs. It's been Tobias'ed out.

     

    Bob desperately misses Doug & I guess that's why he's trying again with Tommy Keene, but Doug's playing gave Bob's songs life, and they have very little of that now.

  3. Yeah, Gratification is a good track.

     

    But saying this is the best thing he's done since From a Compound Eye is damning with faint praise because the guy has been on a downward spiral since FaCE, which I thought was every bit as good as B000, Alien Lanes or Under the Bushes. (although I do like Keene Brothers but haven't found it particularly enduring)

     

    These songs are hollow and boring, watered-down Bob Pollard product. There's no spark. There's nothing musically adventurous about them. I mean, listen to Christian Animation Torch Carriers or Storm Vibrations from UTaC and compare them to these dull-edged flat-lined tracks. Listen to the depth on something like Fiction Man and these tracks are just claustrophibic in comparison. The magic is gone. The musical depth and muscle and sense of dynamic range that separated Bob's songs and GBV songs from the masses are gone. The effortless melodic gift that we heard on 50 records from Forever Since Breakfast through FaCE has been replaced by pile after pile of faceless songs that wouldn't have been good enough for Motel of Fools.

     

    In my opinion, this is just a bad record. Another bad record from Bob. He's able to crank up one or two great songs per record - miles under the skin on coast to coast, for example ... pattern girl on sgt. disco ... etc. But I guess his days of filling records with brilliance like he did for two decades are over

  4. interesting thread, i'm enjoying reading the responses

     

    guided by voices -- friend plopped vampire on titus in the car on a road trip and that was it, it was over. everything i'd always looked for in pop music. weird, mystifying, goofy and explosively melodic

     

    yes -- we were 15, bored with music on the radio, at my friend's house, and then roundabout came on. we just blasted it. whoa -- they were actual musical with guitar, keys and bass all winding around each other but making sense, all in a tight pop package. very cool. still dig 'em

     

    replacements -- i'd been avoiding them because all my hip friends dug 'em. that's the way it worked back then. i figured they had to suck since everybody i knew was freaking out about the replacements. one night i secretly plopped on tim. on the bus? holy shit. life-changing

     

    uncle tupelo -- same friend as gbv above but this time at his house. hey, check out this record still feel gone. gun. holy fucking christ. i couldn't believe how great it was. my friend is like, just wait, the other guy's songs are even better. looking for a way out comes on. good lord.

  5. a little role reversal? slushy moves from bass to guitar and narduccy from guitar to bass? nice to see keene back in the mix too

     

    i'll always go see pollard, but holy crap his last few records are just awful

     

    coast to coast carpet of love? standard gargoyle decisions? superman was a rocker? off to business?

     

    there are maybe a combined three good songs on them combined

     

    i keep buying them though since this guy had an unparalleled 50-album run of genius from sandbox up through from a compound eye.

     

    don't think he can write a good song anymore though. these records just keep getting more and more musically boring.

     

    i'm told the next record - the boston spaceships one - is the worst thing he's ever done.

     

    sad

     

     

     

     

     

    BOSTON SPACESHIPS

    2008 TOUR

     

    Robert Pollard : vocals

    Chris Slusarenko : guitar

    John Moen : drums

     

    plus Tommy Keene : guitar

    Jason Narducy : bass

     

    Thu 9/25 Cincinnati OH - Midpoint Music Festival

    Fri 9/26 Cleveland OH - Grog Shop

    Sat 9/27 Washington DC - Black Cat

    Mon 9/29 Philadelphia PA - Johnny Brendas

    Tue 9/30 Boston MA - Paradise

    Wed 10/1 New York City - Highline Ballroom

    Fri 10/3 Ann Arbor MI - Blind Pig

    Sat 10/4 Dayton OH - Dayton Music Festival

    Mon 10/6 Chicago IL - Double Door

    Tue 10/7 St Paul MN - Turf Club

    Thu 10/9 Champaing IL - Higher Ground

    Fri 10/10 St Louis MO - Bluebird

    Sat 10/11 Memphis TN - Hi Tone

    Tue 10/14 Austin TX- Parish

    Wed 10/15Dallas TX - The Loft

    Fri 10/17 Atlanta GA - The Earl

    Sat 10/18 Nashville TN- Mercy Lounge

     

    :rock

  6. took me a while to realize it, but i think The Search may be as good as any of 'em

     

    & I love Straightaways, Trace & okehmah

     

    and if i had to pick one Uncle Tupelo record for such a list, it would be Still Feel Gone & not Anodyne

     

    love 'em both, but Still Feel Gone is iconic ... Anodyne is just a great record

  7. A quick run through the site shows vintage performances for sale by artists including the Alarm, Fleetwood Mac, the Kinks, Billy Joel, Iggy Pop, James Taylor, Linda Ronstadt, Lou Reed, Mott the Hoople, Poco, Steve Miller, the Tubes, Uriah Heep, Warren Zevon and many others.

     

    Uriah Heep brought the sledgehammer of rock on a nightly basis

     

    i love this band

  8. That's because they're the best rock and roll band ever.

     

    Last Waltz, I could do without it. Yes, "Caravan" is great. The inclusion of Neil Diamond is a travesty. There's some great performances, the majority of the guest spots are snoozers. Its 50/50 for me.

     

    i actually dig the Neil Diamond song more than the Van Morrison stuff

     

    come dry your eyes

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