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Posts posted by u2roolz
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Bono & Don Knots on stage
(file photo not found
) Damn you AP
I agree. Not sure why Bono has the bug for Black Eyed Peas. My spidey sense is tingling: maybe Fergie and Bono get along more than friendly.
Luckily, I saw Snow Patrol with U2 in September. I really hoped for Muse but next time.
I guess I'd like to look at Fergie too instead of the dudes from Snow Patrol & Muse. Although, she is nothing great. But I'm reminded of her hot scenes from Planet Terror. I'm torn like Natalie Imbruglia.
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This has been an amazing release. I luckily got to hear some of these songs on their 2003/04/08 tour/s.
It's good for people who don't want to plop down the money for their albums pre-Green.
39 songs. That's pretty amazing. 2.5 hours.
Itty Bitty Complaint - Drive, I'm Gonna DJ & Cuyahoga were all featured on their other Live cd.
I'd replace them with Life & How To Live It (which they played a lot), Departure and Ignoreland. Not 100% sure if they did
those songs in Dublin during these rehearsals.
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That reminds me I have to run out and buy this today before it goes up in price tomorrow.
I picked up R.E.M.'s Live At The Olympia 1st on Tuesday. Which is quite amazing. Got to give the boys from Athens all the credit in the world for going back into their catalog on every tour and pulling out gems. U2 should take note. Although, on their Vertigo tour they did pull out a lot from Boy and Gloria from October. This tour we got The Unforgettable Fire and Ultraviolet (both of which are amazing and in my upper echelon of U2 tunes) but every hit came with it. blah blah blah
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I just watched this early Monday morning at 130 and I couldn't take it off. My 1st time in about 4 years. I only wanted to put it on for a little bit. I'm doing my Top Ten Films of the Decade and this is definitely going on there.
(check out topic in Tongue-Tied Lightning).
For a good laugh, there's a resident asshole know-it-all who posts on IMDB that he knows everything about this film. I think his user name is Scott-Purcell.
Edit: Oops. That isn't the last movie that I saw. I went back a page on here and read about Rachel Getting Married which I quite liked. I'll go into it more if I'm brought before a judge and jury.
The last movie I saw was Margot At The Wedding. See how that reminded me?
I've been fascinated by Noah Baumbach. I remember renting 1995's Kicking & Screaming (not the one with Will Ferrell), but I can't quite remember anything about it. Then he did Mr. Jealousy & Highball (both of which I haven't seen). Then 8 years later he came back with The Squid & The Whale which I think is his best film. It's a sad biting look at divorce and the divide it brings into a family. Margot At The Wedding was pretty damn good. It was great to see Nicole Kidman in a role like Margot who basically shows up to her sister's wedding (played by Jennifer Jason Leigh) and fills her with guilt about her fiancee played by a very well cast & toned down Jack Black. Oh, and back to Noah he spent some time in between there writing The Life Aquatic with friend Wes Anderson. And they also wrote The Fantastic Mr. Fox. I guess I find him fascinating because he hasn't done too much that's "popular" like his colleague Wes Anderson and some in the press regard him as one of the best American filmmakers. I think to me someone like Richard Linklater is a much better storyteller and filmmaker. I've seen all of his films.
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Aretha Franklin
Baby I Love You
Chain Of Fools (with Annie Lennox)
New York New York
Think (with Lenny Kravitz)
Respect
Jeff Beck (the order of this set is out of order. Please be advised to follow with caution.
)
People Get Ready (with Sting)
Let Me Love You Baby (with Buddy Guy)
Drown In My Tears
A Day In The Life
Foxy Lady (with BIlly Gibbons)
Metallica
One
For Whom The Bell Tolls
Turn The Page
Sweet Jane (with Lou Reed)
White LIght/White Heat (with Lou Reed)
Iron Man (with Ozzy)
Paranoid (with Ozzy)
You Really Got Me (with Ray Davies)
All Day And All Of The Night (with Ray Davies)
Stone Cold Crazy
Enter Sandman
U2
Vertigo-Rock N Roll High School (snippet)
Magnificent
Because The Night (with Patti Smith & Bruce Springsteen * done twice due to "missed cues from Patti)
I Still Haven't Found What I'm Looking For (with Bruce)
Mysterious Ways/Where Is The Love (with Black Eyed Peas)/One
Gimme Shelter (with Mick Jagger & Black Eyed Peas or at least Fergie)
Stuck In A Moment You Can't Get Out Of (with Mick * I was reminded that Mick and his daughter recorded a version of this with U2 in 2000 but was never used or really mentioned again.)
Beautiful Day
That's it. I was not at the show I just checked it now to see what happened and figured I'd share like the kind person who did so for 1st night.
Edit: Thanks Sir Stewart for finding that blog. I'll add more to Jeff Beck's set. I assume the U2gigs guy on the spot was in the bathroom waiting for Bono. Not in a sexual way.
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Hey Folks,
I did this at my Facebook account. I asked people to post their Top 10 or how ever many films as the best of the decade.
I know it gets tough to whittle it down to 10 but obviously it could be one per year. Or do what you want. Get crazy with it. Do it by genre etc.
http://www.the-numbers.com/movies/index.php#YearIndex is a good website to go to to get lists of movies by year for refreshers.
With only 2 months left I'm not sure anything is coming out that would break into one's Top Anything. I could be proven wrong though.
So I'll get back to this soon. I'm doing a "very good - amazing" list by year for now and then will break it down to less films.
Thanks,
Kristofor
PS I'm really curious to see what people list. I always feel like I missed a really amazing film due to time or location (like living an hour away from a big city and canceling netflix to save money.)
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http://twitter.com/u2gigs is tweeting the setlist live. For those of you that may be looking for that sort of thing.
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I just received my Entertainment Weekly in the mail and noticed that there was an article called Want To Start A Fight? Just tell someone what you think of Spike Jonze's movie Where The Wild Things Are.
LOL.
Unfortunately, the article isn't online yet. The author is Mark Harris.
www.ew.com
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The word at the U2 message boards is that U2 will be joined by a "60s icon". Then there's footage of them rehearsing Gimme Shelter on their 360 stage from 2 days ago. Makes sense.
Also, should be interesting tonight since the other 3 "main acts" listed on the home page are Eric Clapton, Metallica & Aretha Franklin
Wow.
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My he hasn't changed one bit.
(sorry Michael)
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Hello,
I think I am somewhere split down the middle for this film. To me it feels like a film that once you see how it unfolds so unconventionally, in a sense, that maybe the 2nd time you see it it will be better to digest. I should point out that I got my Bachelor's in Film and I always praised the work of Spike Jonze. Even if he did 2 films before this and before that a bunch of commercials. Interestingly enough one of my old film professors confessed that Spike got his start in the business due to his families' big bank account. Ok, that really doesn't matter but in some ways it shows that he's been put in his position due to financial luck. It may also explain why a studio would back a film so financially risky. An $80 million film adaptation of a children's book that may not make its money back if it frightens its main demographic. (as of right now it's made $56 million according to Box Office Mojo)
The script - While looking back to Being John Malkovich and Adaptation, I began to realize that maybe Jonze was only as good as the material he was given to work with. You could argue that Charlie Kaufman's scripts really made those films shine. While not overly visual as Wild Things, I give him a lot of credit for pulling off those 2. On this film he worked with Dave Eggers and I read that he wold make up/rewrite the script on the spot before shooting. That's not completely a bad thing since some directors can rely on improvising from talented actors. For me this script worked only in certain scenes and in those scenes I felt like I got the gist of what I should be getting. The 15-20 minute scene of the Wild Things playing with Max bored me and then later on he just packs his shit and leaves quick to end the movie abruptly.
What's on the screen - Jonze works again with his Director of Photography from his 2 previous films (lance acord) and really captures the most beautiful images of his 3 films. It tops a room full of Malkovich's. Sadly, for me on first viewing this wasn't enough for me to like the film overall.
The Trailer - Someone mentioned something on here about the music in it made the film seem "indie". I don't know about you, but I cringed when I heard The Arcade Fire's Wake Up being used in the trailers. As if the source material and Spike Jonze wasn't enough, the studios threw the emo and hipster crowd a hip bone by tagging on Wake Up.
Yes, "indie" films cost $80 million to make under the Warner Bros. Studio. I guess we should start calling "indie" films alternative.
"Not Getting A Film Vs. Can A Film Be Ok?" -(on IMDB) A lot of people are bashing those who "didn't get" the film and people are fighting back saying "fuck you it wasn't good to begin with...not a question of not getting it." Is this a hipster battlefield to avoid? Saying you liked it to be cool or smarter than a 5th grader? Saying you didn't like it to be brave thinking that the film is really overhyped and not as good as it thinks it is? One topic title included "Where The Emo Things Are". LOL. Admittedly, I used to be the type of bloke who would boast that I got a certain film, but I'd have the decency to talk it out with someone who it wasn't clear with. I didn't do it to be cool, I did it to prove that film can be a very unique experience where images and dialog could mean something different to each person. I'd stress that what "I" got out of the film shouldn't matter as much as what "you" got out of it. And I want to know what you got out of it to see things from a different point of view.
Half assed final analysis - I'm a feeling a bit under the weather, so I'm not 100% with it to make complete sense. A lack of sunlight from living in your parents' basement can be detrimental to ones' health.
I really respect this film for being bold in its approach in both a visual and storytelling standpoint. That being said I really need to see this again to find a better critique of it for myself. The problem is I don't feel like sitting through it again. And this is coming from a guy who will watch a David Lynch movie more than once, even if it causes temporary insanity. : ) I remember reading that Lynch was supposed to do a cartoon recently.
Wes Anderson and The Fantastic Mr. Fox - Another "hipster" directing a kids movie. Like the Wild Things trailer, this one uses a Rolling Stones song. But the stop-motion animation looks amazing. It looks both cute and disturbing that it looks like an Anderson movie trailer of years past. The white title cards for the actor's names.
The Future for Spike Jonze - Well, after Adaptation he mentioned that Kaufman was writing a "horror" script unlike anything before it and it was supposed to be next for both of them. Let's hope that it comes out.
Thanks,
Kristofor
PS I hope I didn't offend anyone. I'm not usually bitter about this type of stuff. I'll use my old film school excuse: I'd be much better to talk it out with you folks in person instead of typing it.
PPS I don't really live in my parent's basement. That was supposed to be a cliched joke. When I went to see Jay Leno while in Vegas in 04 I was in the front row. He went around asking people what they did. Of course when he got to me I told him that I was in film school. To which he replied "so you plan on living in your parent's basement for the rest of your life."
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I would love to see a Ted Leo & Wilco bill.
This happened in April 2006 at Brown University. Triple Bill along with OK Go (I'm not sure if they have an exclamation point after the "Go"?
)
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Wilco &
Talking Heads (reunited)
Pixies
Genesis (pre Gabriel exit)
The Flaming Lips
Wycked Sceptre
A Symphony Orchestra
Built To Spill
Pavement
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I knew this reeked of publicity stunt and on CNN of all places little Falcon ratted out his parents on live television.
Beautiful!
Although, I am very frustrated by these "parents" that try to make money by using their children as tools to achieve fame etc.
They & Jon & Kate make Ari Gold and a pimp look like Mr. Rogers.
Heck, throw them all away in a prison and throw the key away. These "parents" are insane and narcissistic.
Kristofor
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Hey All,
I was out at my local Uno in Nashua, NH 2 Wednesdays in a row between 11p.m. EST & 1a.m.
I heard @12:30a.m. last week What Light which was amazing because some song before that got the bartender to turn the sound up.
Tonight to my surprise @12:30 they played Airline To Heaven.
Kristofor
I'm 100% sure it is satellite radio.
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Hey folks,
So I was listening to my boot from Gillette Night 1 and I noticed that Bono snippetted/tagged Far, Far Away again in the intro to Beautiful Day.
But he changed it to fit the Boston location.
"An Irish boy (obviously not in WIlco's song
) kissing right on the T train
Irish boy in Massachusetts I want to hold you in my arms and sway"
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http://www.sendspace.com/file/tx9qqp
Here's an audio link I put up so folks can hear the snippet/tag.
Thanks to Prof Peabody for indexing it as a standalone track.
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Since my best friend was at this show and he is an electrical engineer and somehow illiterate when it comes to torrents, I downloaded this show today.
Very nicely, the taper Prof Peabody, indexed the snippet/tag of Far, Far Away as a stand alone track. I put it up on sendspace for those that want to hear it.
It's actually much clearer quality than that video. So much more clearer that you can make out a bit more lyrics from the tune.
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Hey Folks,
Well, I listened to the 1st U2 Chicago show live over the internet as it happened. Someone calls from the show and it shows up on some website called
Mikes1000. Sound isn't the best, but you can make out each song.
So, as mentioned, before Beautiful Day Bono sang part of Far Far Away. And he did it on both nights. When I listened live on Saturday night I almost shit my pants than I forgot about it because it didn't get listed on the U2 fansites. But they just updated it now and I'm glad that I wasn't imagining things.
My best friend and his brother went to the show. I don't think they caught it. I texted them though to test their memory. My best friend remembers it now.
That is all.
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Hmm...I didn't even notice that. I'll check it out now.
I guess it does make sense..."out and about" lol..
Thanks
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Hey Folks,
Well, I listened to the show live over the internet as it happened. Someone calls from the show and it shows up on some website called
Mikes1000. Sound isn't the best, but you can make out each song.
So before Beautiful Day Bono sang part of Far Far Away. And he did it on both nights. When I listened live on Saturday night I almost shit my pants than I forgot about it because it didn't get listed on the U2 fansites. But they just updated it now and I'm glad that I wasn't imagining things.
My best friend and his brother went to the show. I don't think they caught it. I texted them though to test their memory.
That is all.
Kristofor
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Captain Fantastic & The Brown Dirt Cowboy.
I'd be most interested for the title track which I think they would kill, Meal Ticket which would rock, and the epic We All Fall In Love Sometimes (which kind of reminds me of Everlasting)/Curtains finale.
I do like the choices being thrown around.
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The Man was also used in trailers and in the film Observe & Report.
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Since the last thing I went to bed was was post in this forum, I ended up dreaming about it. In 2 different scenarios.
Here's what transpired:
1) The Wilco tour bus pulls up to wherever you are and it's only you. Jeff comes out decked in a priest's robe and does a slow motion walk off the bus much like Gwyneth Paltrow meeting Luke Wilson in The Royal Tenenbaums. Only thing is it's your song playing in your head as he walks toward you and not Nico. Jeff slowly hands you your cd back with your one song on it and starts moving his mouth in a way that means "Oh my God that was amazing!", but keep in mind no words come out. He slowly does the sign of the cross on your cd and touches your nose in a playful manner than he walks back to the tour bus.
2) You hand Jeff the cd and he says that he wants to go put it on right now on the tour bus. To your amazement he really does. He runs up the tour bus steps and he vanishes while you wait outside. You hear your music playing inside the tour bus. You are filled with happiness. Than you begin to hear heaving noises and all sorts of bodily functions. It lasts for 2.5 minutes. You get upset and devastated. You think "wow, what nerve?" Once your song stops a nice roadie comes off the tour bus and hands you your cd back. You ask "where's Jeff?" He tells you "sorry man..the guys had burritos before the show and they couldn't wait to finish Spiders and run off stage to hit the toilets." You feel relieved much like Nels or Pat or Mikael did just moments ago.
Your Top Films Of This Decade 2000-2009
in Tongue-Tied Lightning
Posted
I already have my mind made on one specific list: The Best Martin Scorsese Film of this Decade.
The Suspects:
2002's Gangs Of New York
2004's The Aviator
2005's No Direction Home
2006's The Departed
2008's Shine A Light
The Aviator closely beats out The Departed but not by too much in my book. One of the "downfalls" of The Departed is on the repeat viewings. Granted this proved to be one of the most shocking somewhat satisfying endings ever. But once you've seen it you tend to pay attention to all that precedes it. This is all amazing stuff to keep you completely in the story, but we all know how it's going to end. Maybe it's best a film to watch after a couple of years with plot amnesia.
I really think Leonardo DiCaprio's best performance came in The Aviator. For this reason it sets it higher than The Departed. While I don't like comparing things like this, it is fun to see how one judges one's films of a director against their other works. The supporting cast all put in fine work : Cate Blanchett, Kate Beckinsale, Alec Baldwin, Alan Alda, & Jude Law.
The other single reason that I put this above is the cinematography. Scosese and Robert Richardson did something that really set the film apart and above other historical biopics. They fooled around with the color palette. For the 1st hour or so the scenes have the colors red and cyan blue, leaving out the color green completely. This was done by Scorsese to give the film the look of the old bipack color films & multicolor system (which was owned by Howard Hughes) which left the same effect. Once you get past the 1935 point of the story, the look of the film takes on the saturated old three strip technicolor look. Seeing this in the theater really blew me away. It took me to a time that I could never get to, unless if I rented an old movie from netflix.
Edit: Here's a page I found that has a lot of beautiful stills from The Aviator. With examples of both processes I mentioned. I also failed to mention that those processes were done by computer and not film stock.
My link