Jump to content

Vacant Horizon

Member
  • Content Count

    3,323
  • Joined

  • Last visited

Posts posted by Vacant Horizon

  1. I hear what your saying. I remember how excited I was to see Jay's first solo tour... Son Volt had been disbanded for quite some time and there was absolutely no word of Jay whatsoever. It was like he completely disappeared off the face of the earth... Then he came to town in 2001 (I think?) with Mark Spencer in tow and I was absolutely floored. I never had the opportunity to see UT live and the only time I got to see Son Volt was an arena show in which they opened for John Mellencamp...Unfortunatetly I was so high that night I had absolutely no recollection of Son Volt's set. By the time I came down from my high Mellencamp was rocking out to Jack and Diane... But I digress...That solo show in circa 2001 was probably one of the top 2 or 3 concert experiences of my life...Tears rushed down my face when he broke into Still Be Around...It was surreal... Jay came back to town the next year with Spencer right after Sebastapol (very good first solo effort) was released and played a very similar type set (no surprise) but this time he floored me with the Trace classic Too Early and an absoluelty gorgeous cover of Merle Haggard's Sing Me Back Home... As much as I love seeing Tweedy solo, I have never been moved in such a way as I did at those two Jay shows.

     

    But then Terroir Blues came out and I coulndt beleive what I was hearing...I gave it a couple of listens and with the exception of Dent County, couldnt stand to take any more of it... A short time after that Jay toured with Canyon and I thought to myself "what the hell is he doing." I remember telling a friend how bad they were. Horrible musicians... The lone exception being the drummer, who would later join Son Volt full time...A couple years passed along and Jay released more crap. Third shift Grotto slack and that Live album with Canyon... I was about ready to give up on Jay.

     

    Then in early 2004 (i think), a friend called to say that Son Volt was getting back together as the original line-up. They were going to be recording a song for a tribute album for Alejandro Escovedo and then get back in the studio to start recording... WOW!!!!! I was shocked... I thought that maybe Jay had finally woken up and realized that his career was not going down the path that he had intended...Hey we all make mistakes, right? Man I couldnt have been happier.

     

    A few week later I find out that the Boquists are considering legal action against Jay and that the comeback is no more...WTF!!! The new Son Volt would now be comprised of Jay, two Canyon band member, Andrew Duplantis (the one bright spot) and I believe Brad Rice on lead guitar... I was so pissed that Jay had the audacity to call this make-shift line-up Son Volt... The only band member I was familar with was Duplanits, and I had personally known Brad Rice from his time with Ryan Adams and I knew that he was a solid player but he was strictly a session player...He wouldnt be a permanent member of this outfit (sure enough Brad would later leave Jay to join Keith Urban).

     

    I made the trip down to Austin for SXSW for the new Son Volt's debut show... Enough time had passed that I was at least willing to give Jay another chance... They certianly didnt dissapoint... Granted there was no fiddle, dobro, or pedal steel this show, but it still rocked out like Son Volt nonetheless. Hell Wilco certianly had their fair share of cast member changes, and I still loved them just the same... It certianly beat the hell out of Jay and Canyon thats for damn sure.

     

    So a little bit later Okema and the Melody of Riot comes out...While my first reaction was not nearly that of Terrior Blues, I still was dissapointed... Songs like Jet Pilot, Ipecac, Endless War, Chaos Streams and Medication quickly found the fast forward button on my cd changer... Not the first effort I had expecte... However when Son Volt toured behind this album they put up some of the best setlists money could buy... Back Into Your World, Loose String, Drown, Carraytid Easy, Picking up the Signal, Route, and the show closer Chickamauga was certianly worth the price of admission. Yes it wasnt Mike Heidorn and the Boqusits behind him but it rocked out nonetheless.

     

    Jay would later go thru guitarists during that tour like most people change their socks. It was almost embarrasing to hear that certain players couldnt perform due to "prior obligations". Your playing with Son Volt for chist sakes, their should not be prior obligations. Finally Jay found Chirs Masterson, and with that he found an absolute gem. Though he didnt play on the Search (better than Okema but still a dust gatherer in my collection) he made some of the Search songs that were unbearable to listen to on the ablum, with their backword guitar loops (Brad Rice's going away present to Jay was to shit on his album production) shine live. Outside of Dave Boquist, he couldnt have found a better guitar player to work with.

     

    Jay finally dumped the keyboard player (though Derry will tell you that he left on his own to play with Jason Isbell). Either way that was a huge plus in my book. Jay brought on Mark Spencer and apparently has him playing pedal steel on the new album.... There are two absolute gems on this new record called Dynamite and Dust of Daylight... The latter of which will probably go down as being just as good as anything he has ever recorded.... I hear there is filddle on the record as well.... Steel guitar, fiddle, what the fuck more could you ask for... Maybe a few Trace like rockers and we might have the best new alubm since, dare I day it the second time in the same sentence, Trace!

     

    Anyway, needless to say I am stoked to hear this new record. I have really come to enjoy the new Son Volt and unlike Wilco (dare I say it) if the pattern holds, each album looks to be better than the previous... As a music fan. what more can you ask for?

     

    nice post here. i've been hot and cold with jay over the years, but as i said in an earlier post, jay has emerged as one of my top 3. it really did take jay a few years to get son volt back together. okemah and the search are excellent, but different. i loved terroir blues, but hated the tour with canyon. jesus, that band sucked ass. keyboards were terrible and i'm glad that dude left son volt. now he's cheesing up jason isbell's sets. i really want to warm up to stone steel at some point thought.

  2. I have seen almost every incarnation of Uncle Tupelo and Son Volt. Although I strongly prefer the Boquist version, the latest version got after it pretty good. That said, I prefer Jay solo these days (or w/Mark Spencer, Anders and the like). Jay has found a nice stride to my ears and it really comes out when he is solo. I think he struggles with pulling in the larger crowds without "Son Volt". However, I would think it more lucrative so tour solo and play the smaller venues.

     

    Oh, and Brent, no Chaos Streams? I love that tune.

     

    saw him solo in 04 with spencer. stood up the whole time and didn't even care. the show was amazing! i hope he tours solo again at some point. not many artists solo are as compelling as tweed and farrar. maybe neil young. incidently, i went to see mark kozelek a few weeks later at the same venue and it was terrible.

     

    also, i hope jay gets to some more of his new folk stuff a la gob iron. that would make for a good solo outing.

  3. Funny how Neil's stream of conscious behavior can get in one's head....he probably will present a masterpiece next. Or perhaps just bring eggs to the farmer's market in link volt :pirate

     

    i think he's got maybe 1 or 2 masterpieces left. however, i don't think we're gonna get those until neil is well into his 70s. when all he can do is sit, play his acoustic, and sing low...we'll get some classic neil.

     

    interestingly since prairie wind it's basically been every other album being pretty good.

  4. Worse that Landing on Water? Bad album or not, I've seen upwards of 20 Neil shows and have yet to see a bad one. The dude brings it live.

     

    i actually like the 'songs' on LOW, but the production is terrible. the song drifter would make an awesome acoustic powerhouse in the vein of hitchhiker i think.

  5. Neil's set from last night.

     

     

    Mr. Soul / When You Dance, I Can Really Love / Are You Ready For The Country? / Everybody Knows This Is Nowhere / Spirit Road / Barstool Blues / Words / Cinnamon Girl / Mother Earth / Change Your Mind / The Needle And The Damage Done / Lost In Space / The Ways Of Love / Goin' Back / Heart Of Gold / Old Man / Speakin' Out / Tonight's The Night / Albuquerque / World On A String / Hit The Road / Get Behind The Wheel / Just Singing A Song // Love And Only Love

     

     

    true to form, the dude put's out probably his worst album and then plays a set like this! gonna have to get a copy of this show. lost in space, ways of love, goin' back, change your mind...awesome! :worship

  6. I get most of my stuff off eMusic. Tracks cost roughly a quarter, making an album cost about $3. The quality is pretty good. Plus, with the lack of record stores here in Fort Worth, I prefer the instant gratification to waiting for albums to ship. It also enables me to try out artists that I wouldn't otherwise be willing to spend 9-12 bucks on for a CD.

     

     

    personally, my problem with emusic is that i download 30 songs in half an hour on a whim only to delete it all later. my $10 is better spent on a new cd that i really really want. the next one being the new wilco:)

  7. I still for the life of me don't understand how somebody could spend 9 - 12 bucks on a digital download. the quality is poor and you don't get any of the artwork (meaning booklet). You can spend the same amount on the CD and you'll have all the extras AND you'll be able to transfer the album at any mp3 rate to your itunes library. I transfer my CD's at 320 rate mp3 to my library.

     

    I buy vinyl (on occasion) and i buy CD's...but i'll never spend my cash on itunes or any other mp3 site.

     

     

    true, downloads are way overpriced. $5 for an album would solve a lot of problems with pirating and bring in so much more revenue. the ease of downloading at itunes or amazon is so great. if albums were only $5, i would never torrent again. seriously!

  8. as someone who is on a indie label i'd say the CD is dying quick.

    labels are going towards wanting to only release albums digitally unless they know they can make their money back for sure.

     

    the average person just doesnt buy cds anymore.

    i played spaceland the other night with the great lake swimmers and numerous people said oh i'll buy your album on itunes or emusic. im sure their getting it off a blog/torrent site though.

     

    the people that want it and that want to support you will get the music legitimately. others may get it 'free' but only listen to it a few times only to delete it. consumers finally have the power to review music before they buy it. i used to buy lots of music, only to get totally screwed by how bad it was. now, i 'review' music and buy what a really like and by artists who really have something to say and aren't just some 'other indie band' clogging up the already saturated pipes.

  9. I'm half-joking. But must I always have to pull out a dictionary or encyclopedia when I read his newest record title?

     

     

     

    What IS a Thrid shift grotto slack?

     

    Do people get blues about geographical terrain?

     

    What big event happened in the little-known Ukraine city?

     

    Is he referencing the Oklahoma city or the Indian chief the city was named for? Did you know the word means "things up high"? Interesting.

     

    Anyone want to explain what Amercian Central Dust might mean?

     

     

    I mean, who the hell knows why Pavement named an album "Brighten the Corners", but I'm OK with it. The Eels named a record "Daisies of the Galaxies". Wierd, sure. But I can get a feeling or images in my head.....I understand the words.

     

    Many of Farrar's titles just make me scratch my head.

     

    his titles make me say, 'fuck yeah!'...so much to sink your teeth into both lyrically and musically. btw, really digging the search, but am glad the new one is gonna be back to basics.

     

    I HATE the backwards tracking stuff "space noise" or whatever he calls it between songs on that album.

     

    I mean....WTF IS that anyways? Was that his arty response to YHF or something?

     

    Makes it tough to throw it on the player. Otherwise, its an ok album.

     

    space junk, to be precise. i love that shit!

  10. nice post rider. :)

     

     

     

    I'm also looking forward to hearing this. Glad the title is revealed ... "American Central Dust"

     

     

     

    Now we just need Wilco's new album title!

     

     

     

    What exciting new releases await us fans! :music

    thanks for the kudos Wendy. the next few months are gonna be great with son volt and wilco releases. i think the title of the new son volt album is classic farrar.

  11. He's the poster child (at least recently) for the opposite impact of the whole "artistic freedom" issue between record companies and artists. I think Reprise is so scared to stand up for what they may believe due to past issues with Neil and bad press from the whole Wilco issue. I've yet to listen to this entire album, but after trying to listen to Chrome Dreams II, Living w/War I can only imagine how awful this is. It makes me think less of Neil and I consider myself a pretty hardcore fan. Crap is crap and record companies do not have to appease him just because he is Neil Young. And whoever drew a link between Tonights the Night and its initial critical response vs. Fork In The Road, cmon!

     

     

    well said. i'm beginning to re-read shakey and i'm convinced neil is an asshole and everyone just gives into him. i'm beginning to think geffen was right in suing neil. reprise needs to do the same. they should have shit on cdII and said put the archives out now or we're dropping you. 'nuff said.

  12. Another one to add to this year's list...

     

     

    farrar never disappoints. this sounds like it's going to be another classic. i've been doing a lot of soul searching musically as of late and tweedy and farrar are really all i need. two of the greatest song writers of the last 2 decades.

  13. I'm hoping places like Best Buy and Walmart will continue to decline in CD sales and give the independent stores a shot. Appears to be happening already. One of the most enjoyable things to do is walk around in a good indy music store. I know that sucks for the people in small towns that don't have those stores but really, with amazon you do have access to anything anyways. I still buy quite a few CD's.

     

     

    yeah, nothing better than a good local cd shop with a nice staff. it's impossible for big box stores and big book stores to sell cds anymore. that leaves room for good indie stores and for USED stores. that's where the business is gonna be these days. used cds.

  14. Just MO:

     

    CDs are certainly dying / soon to be dead.

     

    the Good: MP3s provide a very portable way to transfer music (itunes / ipod). This ability of transfer allows many musicians and bands to distribute their music to a broad audience with very low cost. Distribution channels are now open to the small guy that were never there before. As an independent / semi-professional musician, I find this to be phenomenal.

     

    MP3s are easily shared. Anyone who has been in a cover band and learned a song knows the merit of emailing a mp3 to all the band mates.

     

    No longer is the consumer forced to purchase an entire album for one song.

     

    iPods are awesome. Carrying that 50lb book of CDs in my car was a joke.

     

     

    the Bad: MP3s sound lousy compared to CDs. Uncompressed audio has far more "texture" and depth than an MP3 does. This could spark a whole different debate, but anyone who has worked with / manipulated (digital) music recordings can vouch that this is a large drawback for the mp3. However, I think this is a moot point, as 99% of music listeners have no idea there is any difference.

     

    Illegally downloading music is sickeningly easy. I see no end in sight for this.

     

    People stop buying CDs. Record stores aren't necessary. Record store employees lose jobs. The flip side of this is that somewhere, someone is saving money by not sinking capital into physical inventory.

     

    _______

     

    In ten years, I think most disk-based media will be a thing of the past. We've seen it happen with music. Movies will be next...or are almost there. I see blu-ray technology becoming antiquated before being mass-adopted.

     

    Anyway...IMO.

     

     

    good points. as for record stores, i'm not lamenting the assholes who lose jobs. yes, blueray is really not catching on. at some point, everything will be stored in the 'cloud' with no need for physical media...however, vinyl will never go away and there will still be a market for deluxe sets in the future.

    as far as fidelity goes, tests have been done where people cannot tell the difference between lossless and 192kbs. everything we buy now is at least 256kbs which sounds just like a cd. only audiophiles can tell the difference because or their ridiculous audio systems. compression is no big deal any more. not to mention the fact that we've been listening to shitty bootlegs for decades. if you like the song, you'll listen to it no matter what and not care about 'fidelity'.

    i do miss getting cds, but i've had to make friends with the fact that it's a real pain in the ass to buy a cd and only like a few songs and have to sell it on ebay or something. the other issue for me is having 30g of music in my hands at one time. it's utterly overwhelming!

  15. I was one of those people in the crowd, cough up the bucks is freaking awful

     

     

    after a few listens, i'm having a hard time getting all the way through. i like the music of cough, but he lyrics and the rap is just unlistenable. i love light a candle. just singing a song is okay too as is the other slow one. the rest is really bad.

  16. I'm not sure you and I, both HUGE Neil fans, could disagree more about him. I guess that's what makes Neil Neil.

     

     

    well, i am so hot and cold with neil. but, i like neil. i like his guitar sound and his voice. so, i just decided to listen to this album that way. on a quick first listen though, it is junk. and, if somebody had put this out as a second album, the would be immediately dropped upon release:)

×
×
  • Create New...