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Oh come on. You didn't even enjoy the ending where you know who did you know what to you know who? That was the best part of the movie for me. I love seeing smug dicks get theirs.

 

i'll admit i really enjoyed that scorsese threw that in there. it was a great twist.

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I am going to watch Le Cercle Rouge later.

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I am going to watch Le Cercle Rouge later.

That's a classic--I think you'll like it a lot.

 

Just finished:

 

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No great shakes, but quite amusing.

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Speaking of Murnau, the Criterion forum was recently talking about the possible discovery of a lost Murnau film. It's a pretty good read.

That would be great if that's the case. Oddly enough the DVD I have of Sunrise has the lost film as one of it's extras (or at least what's left of it.) Hopefully it's true that there's a full version of it out there and it's close to release. I hope that someone finds a lost copy of the complete "Greed" someday too, though it seems unlikely.

 

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Speaking of "all-time favorites," I was just revisiting Stan Brakhage's The Dante Quartet (1987). It's my favorite film of his--it's as pure and beautiful and evocative a vision of Hell as I've seen. Over the years, I have probably seen this ethereal, scary, breathtaking masterpiece 30 times, but I never tire of it. I wish I could have it on perpetual loop in my living room as if it were installation art.

 

And I think "Spiders" would make a perfect musical accompaniment!

Brakhage is fantastic. I was so happy when Criterion released that 2-disc edition of his work. That film would make for a nice art installation, as would quite a few others of his.

 

Anyhow, NP:

 

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Kenneth Anger Volume I

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I saw parts of Field Of Dreams twice over the last 24 hours. Yes it's hokey. Yes I cried twice.

I'll admit that I love Field of Dreams. Yes, it's totally hokey--but in the best possible sense.

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Shit, this was almost as fun as the e-buzz and the ad campaign. Now I kinda wish I went to see it when it came out.

Yeah...I actually really enjoyed this, too. I saw it in the theater at a late night screening with a hilariously vocal crowd. It was fun.

 

dante_quartet.jpg

 

Speaking of "all-time favorites," I was just revisiting Stan Brakhage's The Dante Quartet (1987). It's my favorite film of his--it's as pure and beautiful and evocative a vision of Hell as I've seen. Over the years, I have probably seen this ethereal, scary, breathtaking masterpiece 30 times, but I never tire of it. I wish I could have it on perpetual loop in my living room as if it were installation art.

 

And I think "Spiders" would make a perfect musical accompaniment!

Yeah, good stuff. I just watched the 2-disc Criterion Collection DVD of his stuff a couple of weeks ago. Really impressive.

 

Saw this last weekend as well:

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Clooney was excellent. This is definitely one of my favorite films of the year to date.

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I'll admit that I love Field of Dreams. Yes, it's totally hokey--but in the best possible sense.

 

The interesting thing is that while it is about baseball, it could just have easily been a guy that builds an orchestra pit and then a conductor and composers etc appear and bring up the beautiful meaning of music to us and our families, or about dance/dancers or whatever. Baseball feels somewhat incidental to the real meaning.

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Watched The Machinist last night. I had been putting it off because I had heard how horrible Christian Bale looked and he did. It was very frightening to watch but he was amazing in the movie.

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Le Cercle Rouge was pretty damned good. An example of how you don't need crazy plot twists, gimmicks and lots of explosions to make a crime movie.

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It deserves the reputation. And really, with Raymond Chandler and Hitchcock, how could you go wrong? Farley Granger is wonderful. Man, I wish I could watch this again for the first time. A real pleasure.

 

 

great movie!!!!

 

*except for the ridiculous runaway carousel at the end that was just laughable......that bummed me out.

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I thought it was going to be groan-inducing after seeing Murray sitting perfectly centered on his couch for a little too long. I suspected Jarmusch saw Murray in "Lost in Translation" and any Wes Anderson movie and thought he'd make something similar. There are Anderson-like bird's eye views and centered persons/objects and even tracksuits, but I suppose Wes doesn't hold copyright on any of that. Don Johnston could be a more apathetic or withdrawn Bob Harris, and the mood and dialogue sometimes mirrored LiT's realism, though the plot and other characters (their backstories, names, and preference for the color pink) are absurd. The film works though, and I found myself scrutinizing Don's old flames along with him, picking up the clues he must be seeing from the obvious basketball hoops to the ex's more subtle reactions. It gets a little too neatly packaged and obvious at times, like "hey, Don sees his younger self in that guy on the bus who gets into another white rental car at the same time as him!..could it be?" but while everything around him is a little too convenient for reality, Bill Murray makes Don a completely believable and complex character who I was glad to roadtrip with.

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Le Cercle Rouge was pretty damned good. An example of how you don't need crazy plot twists, gimmicks and lots of explosions to make a crime movie.

I do love that film and most of Melville's other crime films for that matter. My favorite is probably Le Samoura

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Finally managed to get hold of a (low quality) .avi-file. One of the best movies I've seen this year though.

 

I watched this recently on the little portable dvd thingie they give you on Alaska Air. I was startled at how emotional I became with most every song, even with those tinny earphones -- I was blinking back tears the whole flight. It's a wonderful movie.

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