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I also saw it yesterday and enjoyed it.

I saw it yesterday and really liked it.  My expectations were low (particularly after my local paper (The Boston Globe) panned it) but I was thoroughly entertained.     

Throughout The Zone of Interest a woman sitting near me eagerly chomped through a bucket of popcorn, and I wanted to lean over and ask, "You were making out during Schindler's List?"   My 15-ye

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I recently noticed that Tubi has a ton of British shows - some I have never seen before. But - right off - Vicar of Dibley - which I have not seen in many years. And to my surprise - the complete run of Prime Suspect. And an interesting series about the London Underground. 

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25 minutes ago, Analogman said:

I will have to look it up. Finally got to see last episode of Detectorists - had to pay to watch it on Amazon. 

You mean the Christmas Special Holy Grail one - really good watch.

 

Meanwhile

 

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Despite their stylistic differences, both Edward Berger's Conclave and Clint Eastwood's Juror #2 feel like distressed responses to the same five-alarm fire. At a time when ideological divides in the Western world have led leading democracies to empower strongmen, Berger contemplates what it means to be a good leader and Eastwood goes even further, pondering whether "truth" and "justice" have been made so malleable that their utility has been vaporized. Both of these movies put on a good show, but it's hard to watch without trembling, too.

 

The closing shots of Juror #2 have been widely read as a demand for accountability, but I'm not so sure. I'll avoid spoilers and simply observe that while we witness a convicted conscience, what happens next is less knowable. Might that final scene be about the acceptance of duty? Or might it be about kindred spirits bonded by parallel sins and a fraught desire for mutual understanding and pardon? That Eastwood refuses to clarify is entirely to his credit, because Juror #2 is at its best when reverberating with the dangers of abandoning core values, whether it is an individual, a justice system or an entire nation.

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Maybe too British/Welsh for you lot. Not the greatest and the premise is just an excuse for a Life On Mars style then versus now culture clash comedy, but quite funny all the same and (a) I'm a sucker for anything filmed around my old hometown (b) I really did have P.E. teachers like that.

 

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P.S. Also a nice touch that king of the 70s theme tunes Mike Post did the Mammoth theme tune.

 

P.P.S. As a result of binging those 3 episodes (new series coming in 2025) I then got into The Socially Distanced Sportsbar podcast (it started during the Covid period) featuring Mike Bubbins (see above). Very good indeed - sport and laughs. Again, helps if you are Welsh, but Bubbins is an American Football fan so there's often something in it for you lot. 

https://nation.cymru/culture/three-men-and-their-baby-the-unstoppable-rise-of-distant-pod/

 

EDIT: Who would have thought that the first few episodes of this podcast would now have me up to speed on such a Chicago luminary as Dick Buskus. 

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I've seen All of Us Strangers three times now (this viewing: Criterion's 4K disc) and it just keeps getting better. It's the kind of film that asks you to scoot forward and lean in before it whispers its secrets to you. I love this movie.

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17 hours ago, calvino said:

Saw A Complete Unknown with my kid this morning. I thought it was great. 

I’m pretty sure this is my favorite film of 2024, and I’ve seen over 40 films this year.

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On 12/28/2024 at 2:58 PM, calvino said:

Saw A Complete Unknown with my kid this morning. I thought it was great. 

I saw it yesterday and really liked it.  My expectations were low (particularly after my local paper (The Boston Globe) panned it) but I was thoroughly entertained.     

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1 hour ago, Oil Can Boyd said:

I saw it yesterday and really liked it.  My expectations were low (particularly after my local paper (The Boston Globe) panned it) but I was thoroughly entertained.     

 

I also saw it yesterday and enjoyed it.

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