nodep5

The Wilco Being There Tour did exsist. I was there in the front row, watching Tweedy trip and fall into the crowd, threaten to throw his guitar, scare me with his stares. I know we all put our own crap on perception, but there was an intensity in that band that did exsist. Hey I'm not had wringing, I'll be their fan till I leave this earth (most likely). I'm just saying the live act seems a little tired.

Oh that reminds me of my favorite Dovonan song "Turqouise" Also the Greatest Hits original vinyl version had re-recorded versions of Colors and Catch the Wind. They have full band and are exceptional. Not necessarily better than the original's just awesome

I for one, probably should go read a book, but deciding to discuss the greater implications of Wilco's next move came over me. I could go read the Wilco Book. Perfect!

Donovan Songs To Love 1. Season of Farewell (Open Road) 2. Wear Your Love Like Heaven (Wear Your Love Like Heaven) 3. Catch The Wind (Original Vinyl Greatest Hits Version) 4. Car Car Song (Cover of Woody on Catch the Wind album) that is my start

I can get behind this. Even though Wilco (the album) is my least favorite, I think of it as the Let It Be (Beatles not Mats) of the Wilco catalouge. As far as the songs go, these are well crafted spot on songs. As far as a full album statement, I think it comes off as a collection of songs that represent the varying facets of Wilco. This isn't bad, It just isnt what Wilco has been for the majority of their career (album artists). But I will stand an defend their ability to write songs any day of the week. I would like to see them hunker down again though and challenge themselves. Hey I

yeah, some of it is fluffy and downright weird, but don't go into thinking of dylan or anybody else. Donovan is his own thing and it is pretty enjoyable on a basic level.

I think Donovan comes off as a respectful fan in that scene, and Bob comes off as a pompous ass. I guess Dylan could have felt that around that time Donovan was ripping him off, but still, that is a compliment isn't it?

Yes it probably does. I mean when you see The Rolling Stones here recently selling out stadiums, having the highest grossing tour and all of that, a portion of those crowds are made up of 60 year olds who have been there from the golden days who probably still go by their records that may have one or two decent tracks. Yeah that will be me with Wilco in 20 years. So yeah, I think we do justify mediocrity due to being huge fanboys or not wanting to let go, or because they deserve it. To call anything Wilco has ever released as mediocre is not quite fair though. Wilco (the album) may be med

your avatar disturbs me and your post confuses me. If it is a top 5, and you only have two in there, then why are shutting Mr. Rogers out?

Well since Donovan came up in the "Is It Wrong To Not Like The Beatles" thread, via Bob Dylan? Mountain Bed stated his love for Donovan's output from 65-70. All I can say, is start with Donovan's Greatest Hits and go from there. This kept my record collecting in full swing for about a year back in 2001. A true lost Donovan gem is 1970 "Open Road" record. I believe this to be the last good Donovan album, and I love it. It needs to be reissued on CD. Anyway, let the Donovan fans rise and discuss.

I think you hit the nail on the head with this. I agree 100% with the idea that we all have our own attachment and that a certain era or incarnation of Wilco may be our favorite, but as a whole it is all a true gift. It is hard though to not have increasing expectations of wanting to me moved with every new release. For example, my wife was really disapointed in the new record because it didn't do anything for her and she use to listen to Being There for a month straight before giving it a rest. She, including I, use to flat out know that there was no one close to Wilco live in terms of emo

If anyone here has not heard his debut self titled album, go to your used record store and hope for the best, or pick up the new cd compilation that I believe includes his first album and most of his second and third records (which aren't near as good).

Well the world is screwed up enough for me to learn that my favorite band ever is breaking up via Craig's List. Somehow though (excuse my apprehension) I'm going to say that this is about rooted in as much reality as my beloved Cubs winning a world series anytime soon.

OK, I'm going to try to say what people are not saying (since I am willing to be a judgemental opinionated jerk). I sometimes like to be a contrarian (you know, hate it if others like it and love it if others hate it). I WAS this way with the Beatles and actually made a public comment once about Pink Floyd doing everything the Beatles were doing, but better. (That keeps me up at night) Bottom line, would I call Beatles my favorite band. No. They don't hold that kind of connection with me. Is there anyone ever that can hold a torch to them. No freaking way. People are throwing around Dy

I'll concede that arguement for a lot of bands. I love raw, in the moment stuff. Neil Young "Everybody Knows This Is Nowhere". Black Crowes "Southern Harmony", Uncle Tupelo "Anodyne" I love that live in the studio, let's rehearse our butts off and record in one take. So don't get me wrong. I just don't think that suits Wilco and Wilco for me seemed to really hit their stride when they got a little pretenious and overthought in the studio. I love "March 16th -20th" I really love that record. Jay Farrar is a good example of being really good at in the moment recording vs. studio wanker

Well, of course I don't know. And I don't like DMB, but I never said I didn't like the latest Wilco album material. I enjoy Wilco (the album). It is my least favorite Wilco record but I enjoy it. As far as my perception. Yes my perception is that if you tour 9months out of the year and check into a sweet studio in New Zealand for two weeks to record an album, your priorities seem obvious. This is where the fact checkers will come in and say that Wilco use to play 200 shows a year and they only took 1 1/2 weeks to record AM. And the facts are cool i guess, but it just seems skewed to

My point exactly. I know DMB is still putting out albums. I think I heard a new single a few months back that was actually listenable. But overall it is just about putting something out every few years to justify the endless tour. As far as the setlists and that proving that they are not predictable. I agree on the surface they mix it up musically. I'm speaking of the whole vibe. It seems like paint by numbers Wilco show. The songs may change, but the show itself is the same. Even more, as much as I love the guitar work and feel of "impossible germany" and a few other newer songs live

I mean if we are being honest, don't we worry a little about Wilco becoming DMB, where it is all tour and little else? Maybe I'm alone here? I know it pays the bills, but it is unsustainable anyway, unless you are the Rolling Stones (Wilco is not the Rolling Stones, and who wants that 20 years from now?) I'm not suggesting recreate YHF, because I get tired of that thought and I am one who loves SBS. I'm just voicing concern with the priorities of the band at this point. Not that that is my issue to care about. It is all just getting a little comfortable and expected. I'm glad that their

I watched Farm Aid last weekend and then read the reviews of the Memphis show and it seems Jeff may be getting tired of some of the absurdities of the road (whether it is following Gretchen Wilson or dealing with drunk/annoying fans). My dream scenario is that the entire band becomes disenchanted with the never ending tour, shuts it down, and labors in the studio for a few years. I mean cmon, I imagine the majority of us on here have seen wilco live close to 10 times. I think I've seen them on every tour except the current one. I will always go see Wilco if given the chance, but we all kno

Just came across a copy of Ruminant Band a few days ago and I'm suprised not much has been said here. I own all the Fruit Bats stuff, and I'm not sure where this fits "Mouthfuls" will likely always be my fav, but I'm really enjoying the new one. The guitar work on this record is really far out. Anyway, once saw Eric Johnson perfrom solo acoustic opening for Iron and Wine. He did an amazing version of Pink Floyd's "Fat Old Sun"

Just was listening to this on Tues night. I really think this is a strong album, but I felt it dragged a little in the middle. The first few songs floored me and "Rolling Home Alone" is outstanding. This is a good headphones listen, a lot of little quirks here and there. One thing for sure, Jason has a unique sound.

I think this is an interesting issue. I grew up within 9 miles of Pocahantas Il and within 35 miles of Belleville. So I think I know what is typical for that area and I think we all know that Mrs. Wilson is likely marketing an image to a certain degree. She is a Nashville recording artist afterall. Hell though, maybe Mr. Tweedy markets an image also (who am I to judge). My original point earlier in the thread about being disappointed with Tweedy picking at her was not about whether he was speaking some truth and more about whether it was needed to be said at all. Tweedy carries more weig

Not having luck finding it, but the picture of the band on the back cover of AM is my favorite. I always will have a soft spot for the long haired version of Tweedy. That picture makes me smile.

Matthew Ryan vs. The Silver State.............................again.

do you have the years on Homegrown and Chrome Dreams switched?