Brian F.

Thank you. I knew this sounded familiar but couldn't place it. I was worried they had plagiarized somebody.

I was just having some fun trying to imagine a jaunty, Sesame Street-style version of "Soldier Child." (For some reason, the sound of "Outta Mind (Outta Sight)" always makes me think of the theme song from Sesame Street.)

Maybe "Soldier Child" and "Child Soldier" will end up like "Outtasite (Outta Mind)" and "Outta Mind (Outta Sight)."

The comparison to Star Wars and the description of "A Bowl and a Pudding" have me thinking that song might be this album's "You Satellite." I don't really want another "You Satellite," but I'll keep an open mind. (Or an "Open Mind," anyway.)

This is greatly appreciated. Since I am not on Instagram, I have not seen many episodes of the Tweedy Show. (By the time they showed up on YouTube, the backlog was overwhelming.) This one-stop shop for versions of the new tracks will come in very handy. Thanks!

It just goes to show how subjective it all is. 5hake1tOff is not a fan of Wilco (The Album) or The Whole Love, but I'm a huge fan of the former and Tatlock is a big fan of the latter. (And I've never felt let down by a Pearl Jam or U2 album, but obviously I'm in the minority on that. There are clunker songs, for me, but not clunker albums by those artists.) Ironically, Wilco, as much as I love them, might be an exception to my strongly held theory that listeners' tendency to lose interest as an artist's career progresses is more about the listeners than it is about the artists. Whe

Hear, hear re: Western Stars. I've really enjoyed almost all of Bruce's 21st-century output, but that album is a real standout. Did you see the film he did featuring a live performance of the full album in a barn on his property in New Jersey? It was outstanding. I hope I didn't come across as flaming anyone. I'm just trying to lay out a long-gestating theory as to why a lot of people have a tendency to give new music short shrift: that it often has less to do with the quality of the music and more to do with the diminishing time people have to devote to it as they get older (altho

This is something that kind of fascinates me-- how even an artist's biggest fans can often have decreasing interest in the artist's music as they move deeper into their career-- and you hit on something in your last sentence that I think is really significant. Namely, that your time for music is limited. This has come up a lot in the context of Pearl Jam (the only band I've seen more than Wilco), where many of the dues-paying members of their fan club seem to have very little interest in anything the band has done since 1998 (basically, everything after their first five albums), but it's very

I hear this with respect to Schmilco and Ode to Joy, but I don"t feel like it describes most of Cruel Country.

It kind of sounds like he's using one on "Unlikely Japan," but maybe it's just tape manipulation.

Wilco: Now with Saxophone! (Per the credits.)

If you want to stream it, why do you need a download? I thought that the way streaming worked was that you can listen to it on demand. If you bought the CD, you'd have the physical release and you could also rip the individual tracks to listen to on your phone or wherever, no? Incidentally, we live in a strange world where I'm old-fashioned because I favor the late 20th-century technology of the CD over the late 19th-century technology of the LP.

Can't you just buy it elsewhere? Order it from the band or via a different retailer? I usually order the CD directly from the band, but they have been a little unreliable when it comes to shipping it so that you receive it by release day. With tickets to see several shows starting five days after release date, it's really important that this arrives on time so I will have had a chance to listen to it before the shows.

I was told by someone today that she produced the whole album.

No, it's up on the west coast. That's where I am. If a page is active on YouTube, it's active everywhere. I wasn't meaning to sound pedantic. I was just trying to let people who might not have realized it know that they don't have to wait until midnight to see it if they're not on the east coast.

Individual tracks are listed for $1.29 on Amazon, but only "Evicted" is actually available for purchase now. Other tracks say "not yet available." I didn't check them all, but I assume it's the same set of tracks as leaked out before.

There's only one YouTube, so I think that means it's available worldwide. It has been up for 16 hours and only has 52 views, so word has definitely not gotten out. (I commented on YouTube that the cover looks kind of like Toomgis from the AMPM ads, for those who are familiar. Hopefully, this is because the album contains Too Much Good Stuff.)

They just said they're going to play it next just after 1 p.m. CDT.

How big is Brooklyn Made compared to Largo (which is, officially, 284 seats)? I was wondering about this while marveling at these sets and the lack of repeats. From a strictly selfish personal perspective, this is what I hope to see during the Largo runs as an attendee of the entire run, but I recognize that most of the people at any given show are there for that show and that show only. At Largo this past January, Jeff had not repeated a song through Night 1 and the main set of Night 2. When he came out for the Night 2 encore, I gave him the "Little Lies" 45 (which he had played on Night 1),

Don't forget the third option: release the CD. Don't hold the CD hostage to the vinyl.

By the way, I know you mean you have an Android phone, but I enjoy imagining that you have an actual android.

I'm looking on a PC. (They'll have to pry the smartphone I don't have and never will have from my cold, dead hands!) If you scroll the cursor over the little green dots, the seat numbers pop up. If it doesn't work for you, just email me your seat number and I'll tell you where it is.

Scribex6, you're my hero! I looked at that map this morning and never thought to hover over the seats. Now that I see that it has seat numbers when you do that, it turns out that all of my Ace seats are either right on the aisle or two seats off the aisle.

Yeah, I had the same problem. I couldn't find any numbered seating map anywhere on the internet. The only thing I was able to find out is that the rows get longer as they go back (i.e., some of the front rows are only partial rows). For a couple of shows, we got seats 31-32 and I'm assuming they're also on the outer edge whereas there's a show where we got 13-14 which are probably closer to center.

Assuming this is Pasadena Julie, I'm glad to hear that good people got Center. For the Santa Barbara show, I was only getting a single, which means that, although it's Row E, it's the odd seat all the way at the end of the row. It's more like Orchestra Far Left. Like, so far left that Marx and Engels might have the two seats to my right...