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Everything posted by Beltmann
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“Silence” never slips into sensationalism, which might be why its violence is fairly easy to stomach--it proves to be a searching, rewarding riposte to the kind of suffer-porn found in “Unbroken” or, um, any movie directed by Mel Gibson. I especially admired the way the film re-examines what it means to follow Jesus’ example. Rodrigues, like many modern evangelicals, believes his faith is defined by purism and pedantry, but I think Scorsese wants viewers to consider how that definition has limitations and, by reducing something complex to something like a checklist, perhaps damages real faith.
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Good call on Dazed, Winston. That's one of my favorite music-in-film moments, too. I remember watching that in the theater and being instantly mesmerized by Linklater's rhythm.
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https://www.youtube.com/watch?v=IAH-0GKvIrM The Mama & the Papas' "California Dreamin'" in Chungking Express (1994).
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https://www.youtube.com/watch?v=-EswVqcgc5M Tommy Roe's "Sweet Pea" in Jesus' Son (1999).
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https://www.youtube.com/watch?v=PNVPJGehzfk The Velvet Undergound's "Pale Blue Eyes" in The Vertical Ray of the Sun (2000). Gorgeous.
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Those two tunes are the first things by Jay in years that I really dig. Super promising.
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Unreleased Uncle Tupelo demos? New interview with Jay at Garden and Gun
Beltmann replied to pathfire's topic in Just A Fan
Not cool, A-man. Not cool. -
https://www.youtube.com/watch?v=skXXFgvzaK8 My wife said the boos reminded her of a famous movie. Indeed.
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So far the only person I've been able to shock with the gum is, uh, me.
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Sorry, Yaz. I was annoyed (okay, more than annoyed) when my CD/T-shirt didn't arrive until Monday. (Tracking had a similar "in transit" freeze for me, too.) You are still waiting? Sheesh.
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Thank you for this. Artworks can, of course, become important facts in our lives, and you have, in short order, explained the how and why. Hang in there!
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I very much enjoyed the regionalism and unique tone of the first episode of Atlanta. Strong stuff. Now I just need to find the time to stay caught up with the rest.
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Still waiting for my pre-ordered CD / T-shirt to arrive. The mail was already delivered today, so now I guess I'm waiting until Monday.
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I love how the guitar tones on "Cry All Day" at 2:51 and 2:55 sound a little like the band took the tiny boing in "Far Far Away (2:39) and amplified it by 20. (Not to suggest that was intentional. I'm just choosing to hear the song the way I want to, dammit.)
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Wilco — 7 September 2016, San Francisco, CA (The Fillmore) [Night 2 of 5]
Beltmann replied to bböp's topic in After The Show
Thanks, Sandy! Loved it. What a great addition to what's already been a great Wilco week! That's one of my favorite things ever posted here. Both my wife and I were rolling. (She was concerned, too, when we didn't see Paul at our last Wilco show.) Paul, next time time I'm getting your autograph. -
I very much hear "IATTBYH" in the drums of "Quarters"--the note sequence, sure, but also because it sounds like they are being played across the room in a closet. Love it.
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Yikes. Sorry to hear that. In my small town, the party was better attended than expected--there were four of us. Originally I had a work meeting in direct conflict, but the presenter ended up canceling at the last minute so the meeting was cut short. (At that point I literally ran to my car.) I was still about 15 minutes late to the listening party, but the store manager offered to play the album a second time just for me. Very cool. Afterwards he told me to take all of the remaining stash, so I have quite a few stickers and posters. They must have been selling the vinyl well all day, becaus
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Transformative Cover: I Am Trying to Break Your Heart
Beltmann replied to Beltmann's topic in Just A Fan
Yep. I submitted the original write-up, and then the editor sent an enthusiastic email about the song, so I replied with the tidbit about Solid Sound. I didn't expect that to be added to the post, but I guess it's nice! -
The Atlantic has a regular feature called "The Most Transformative Cover Songs," which offers short write-ups of covers that don't stick close to the original. Today's selection is "I Am Trying to Break Your Heart," by JC Brooks and the Uptown Sound.
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Unfortunately, I expect the same here. I was ecstatic yet astonished to learn that a party had been scheduled for my small Wisconsin city with rich farm history. (It's a nice place to live, but if I want arts and culture, I need to drive 45 minutes to Milwaukee.) When I mentioned the party to a knowledgeable local music fan, he had no idea it was happening--which worried me, since he works at the same music store. Worse, I learned today that my work schedule is going to directly conflict with the listening party (damn you, late meetings), so the party's attendance just got cut in half.
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Just chiming in to say that I loved reading that post. Thank you!
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I wish I could say the same--I want to listen now!--but I can wait. I'll enjoy the listening party (and my pre-ordered CD) more if I resist, resist, resist...
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While reading that yesterday (courtesy of the Shot FB page), I became increasingly convinced that the author was only vaguely aware of Wilco. Terrible.
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There are a lot of kids who have no idea what "B&P" might mean, and never will.