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Another nod for Brick.

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The sound wasn't very good, and it's difficult to follow along with the dialog; (most of which really isn't essential to the story anyway, it just sets the tone). But It's a fun little flick.

 

"Hey, was there a fight"???

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I saw Disappearances over the weekend at the Brattle Theatre in Cambridge. Kris Kristofferson and Genevive (sp) Bujold are heads of a family in Prohibition-era Vermont, raising a strong-headed boy who may join his father in the bootlegging business. Mystical, odd, funny, violent - kinda reminded me of Dylan and The Band's basement tapes.

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My wife and I met at the Brattle Theater (seeing Casablanca).

That's awesome.

 

I don't even want to get into how dreadful The Break-Up was. It's remarkable how an awful film can irk my sensibilities and make me obsessed with pointing out the millions of things that made me hate it. I watched it last night, and can't stop thinking about what a humorless, cynical, dull POS it was.

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I rented two DVDs today, Running With Scissors and Leonard Cohen: I'm Your Man. Which should I watch first? (Assuming I'll probably get around to watching only one of them anyway.)

 

I also saw (courtesy of HBO on demand) Spike Lee's When the Levees Broke. Really excellent documentary.

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Would you recommend it to a sometimes Almodovar fan? I loved Live Flesh, All About My Mother and Talk to Her, but nothing else I've seen by him.

Definitely. It's pretty close in spirit to All About My Mother and Talk To Her. (I thought I was the only one who rates Live Flesh so highly!)

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6774poster.jpg

 

Live Action Short Film nominees in order of preference:

The Saviour / Peter Templeman and Stuart Parkyn

Binta & the Great Idea / Javier Fesser & Luis Manso / Spain

West Bank Story / Ari Sandel / USA

Helmer & Son / Soren Pilmark and Kim Magnusson / Denmark

Eranos Pocos / Borja Cobeaga / Spain

 

Animated Short Film nominees in order of preference:

The Little Matchgirl / Roger Allers and Don Hahn / USA

The Danish Poet / Torill Kove / Norway

No Time For Nuts / Chris Renaud and Michael Thurmier / USA

Lifted / Gary Rydstrom / USA

Maestro / Geza M. Toth / Hungary

 

Overall, the animated roster was much stronger than the live-action; any one of the animated nominees is deserving of the prize. The Little Matchgirl had half the auditorium weeping--including my wife--and No Time For Nuts is absurd, surreal nonsense in the vein of Buster Keaton, especially the scene-shifting sequence in Sherlock, Jr. Lifted is great Pixar... but it also felt like typical Pixar.

 

Among the live-action shorts, I preferred The Saviour by a wide margin. It concerns a door-to-door Mormon evangelist who is carrying on an affair with a married woman. What's remarkable about it, though, is how his action leads, in an unexpected way, to a kind of miracle that suggests his moral violation might have been a necessary part of a divine plan.

 

The screening also included several other short-listed animation submissions. In order of preference:

One Rat Short / Alex Weil / USA

The Wraith of Cobble Hill / Adam Parrish King / USA

The Passenger / Chris Jones / Australia

A Gentleman's Duel / Francisco Ruiz Velasco and Scott McNally / USA

Guide Dog / Bill Plympton / USA

 

The first two had gripping visions of their setting--a research lab and Brooklyn, respectively--while the last two were insufferably obnoxious. I've never been a fan of Plympton's style or sense of humor, and this sequel to Guard Dog was more of the same.

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We watched The Departed last night. Really good, I thought, but I don't think it quite measured up to Infernal Affairs. Nicholson was superb -- my favorite role of his in several years -- and I was even impressed by DiCaprio, with whom I usually can't get past the fact that he still looks like he's twelve years old.

 

One element where I feel it fell short of the original was in the relationship between the Sheen and DiCaprio characters -- it was much more of a mentor/father figure relationship in Infernal Affairs, which just didn't come through in this version. Consequently, the dynamic between those characters is lost in Scorsese's film, and that's unfortunate. I did like the idea of intermingling the police psychiatrist with both the Damon and DiCaprio characters, but they made that choice and then didn't really go far enough to justify it. There never seemed to be much risk there, so why bother?

 

Even so, this had to be one of the best American remakes of a foreign film that I've seen.

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We watched The Departed last night.

One element where I feel it fell short of the original was in the relationship between the Sheen and DiCaprio characters -- it was much more of a mentor/father figure relationship in Infernal Affairs, which just didn't come through in this version.

Same here, that was the only real disappointment of the film for me.

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Justine Bateman's not Australian, is she?

 

that was Mallory from Family Ties... if its the same girl, she aint australian

 

 

i'm struggling through this - dont see what the fuss is and why everyone seems to love it. pretty slow and becomes predictable after a while. lucky i borrowed it off a friend and didnt buy it :lol apparently its better than the american version even

 

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Justine's australian accent in Look Both Ways sounded remarkably life-like to my american ears, which is why I asked. If you ever happen to see it showing on tv, listen and tell me if I'm crazy.

 

I should also mention that she is utterly un-Mallory like in this film, both in appearance and demeanor. I had a hard time believing it was her.

 

I'm so sorry you don't like The Office, because it has brought an enormous amount of mirth to my own life. :)

 

HILARIOUS EDIT, ESPECIALLY IN LIGHT OF MY SECOND PARAGRAPH: The reason she doesn't look like Justine Bateman and has a great australian accent is because she's an australian actress named Justine Clark. Comcast has it wrong in their credits. HAHAHA!

 

It's a great movie, regardless. :D

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