lost highway

Someone on here with a better memory could offer the references. They had instagram stuff showing them working in the loft and Jeff mentioned some things in interviews.

They haven't said enough (from the gossip mill/interviews I've seen at least) to know. If it is done then we're waiting for graphic design, mastering, pressing etc but we might all be jumping the gun. Only time will tell.

Nicely done.

I can't get over the combination of facts: - We know they've recorded a bunch of new stuff at the Loft already - They're playing Austin City Limits in the fall - Glenn already has replaced his Schmilco kick drum head Does this mean a new record is going to surprise us sooner than later? I know it's just a bass drum head but why would he change it already, unless it's not album related and it's just a goof. What is Adam West with a bomb trying to tell us? Oh, and also. I'm predicting LP11 will rock harder than Schmilco, but not as hard as Star Wars.

High Heat, Blasting Fonda, Message From Mid-Bar, Kicking Television?

Yeah, I wouldn't be surprised to see another cheeky, non-serious album design from them.

Yeah, I feel the same. I think Pelosi is pretty sharp in steadying congressional hands on that trigger. They would need to gamble that the process would unearth information that would thoroughly (further) disgust the majority of Americans, and that might actually get some GOP senators to feel like they need to turn their backs on their boss to earn cred with voters. Pretty high bar. Then again, knowing what we know they might have a moral obligation to go for it.

Also, debating SY records is fun cause it's such an abstract critical game. To my ears their best stuff always bridges the gap between chaos/abstraction and pop precision. This kept me very satisfied with their output the last 5-10 years they existed. Goo is so much tighter and more direct, but still like nothing no one else could even try and make. It's like Daydream Nation stripped for export.

Well, I guess I'm with you cause my favorite album of theirs isn't an album "Superfuzz Bigmuff plus" is largely built of those singles.

They cornered the market on literate, poetic punk rock. Musically they started out as pretty straight forward punk, and became more expansive over the years. They were one of the crew of bands that got accused of inventing emo and didn't really know what to do with the term. It's rough around the edges in a way that might need teenage ears to be initiated, but you never know, I've met 40-something converts. https://youtu.be/2em3Lm-ssDs

Maybe it's cause I was only 7 this year, so my formative years music wasn't kicking into gear yet, and the stuff I look back at fondly came before this, but this is a year of things waiting to happen in my eyes (as well as dying off), more than things happening. The coolest record of 1989 has to be Pixies Doolittle. Honorable mention to Soundgarden Louder Than Love In other news Jawbreaker and Fugazi were getting going. Mudhoney put out their debut (with better things to come). REM was regrouping as was Bruce Springsteen. Sonic Youth was just about to get amazing with Goo, but not yet. Pub

Nice. I forgot how much I like this image.

Yeah, that's where the conventional wisdom falls apart. I think the reason folks suggest this is because of the rise in his approval ratings in general over the year, but approval ratings aren't elections.

Apparently while I got busy the Rockies swept the Diamondbacks and took their place in the NL West standings. Maybe I should always be busy and forget to check in.

The conventional wisdom is that an impeachment attempt on Clinton energized his base and the same might be true of Trump.

Red Eyed and Blue comes to mind. The green, green grass in The Family Gardener.... um I bet there's tons more I'm not thinking of yet. * Oh, the gold lame in The Lonely One.

I scoured the internet for a picture of Beck on a bicycle for at least two minutes, and I'm very sorry I came up empty handed. But just picture it for me.

Oh weak, I didn't even read that, sorry. Well, great minds think alike, except for me missing the original Rust was already live.

That's a cool record, but it's more bootleg than regular release in a sense. Maybe the best analogy for this idea would be Neil Young's Live Rust, if he never released Rust Never Sleeps.

Finally hearing this. It seems closer to disc 2 of Sukierae to me in that it unhurriedly kind of drifts with a lot of dreamy tunes. Not as tight or breezy as Warm, but I think each one has its place. All said, I love what he's done here with these 20+ songs, and at the same time I hope he uses the Wilco revitalization to do nothing like this.

Oh my feeble memory. I remember there was a small world connection there but have since forgotten who it was. Oh wait, you live up North East, by Mike and Morgan if I recall.

Englewood up to no good here. But I work for the Denver school district .... sorry Englewood.

Truth! I've said it before, Star Wars is the coolest Wilco record. Not best, but coolest which is fine by me.

I combed through the B-sides for a compilation. It's pretty magnificent when you pick and choose what they never put on albums.

I imagine they might have a single Warmer LP, or a deluxe double album package. Seems pretty doable.