heffer

Consider me stunned, shocked and amazed. I'm just off to write a letter home about the whole ordeal

right, so number of shows attended is directly proportionate to being interesting is it? seriously, this is like trainspotting with songs or something.

There is literally nothing interesting about that.

doesnt mean theres anything impressive about it.

Get lost. both of them aren't guitarists, just boring fretw***ers. that isnt guitar playing.

nels is just more of an effort player. he's insanely brilliant. pat is ace too, but nels is so unconventional in his phrasing, thats why he's so good

no bootlegs turned up at all yet?

i think the tonality of the song is more based in C minor, not Eb major. The intro is mostly just c notes played in octaves, and then alternates between playing a Bb and an Eb over the C, like this: intro ---- -13- ---- -10- ---- ---- verse ---- -11- ---- -10- ---- ---- then -11- ---- ---- -10- ---- ---- it moves between those two, its pretty obvious when it changes. not sure about the arpeggio chords behind them though. the "this cant be undone" bit is surely G - F instead of F# - F and the riff after it goes ----------- ----------- 5-5-5-3-7-5 ----------- 3-3-3-1-5-3 --

luck of the irish or what!! i was praying for poor places in london, but you got reservations aswell?!?! bloody hell, thats just not fair

as for regulars, i was shocked at how many american voices i heard down the front. they play lots of american shows, right?

i honestly cant fault them for playing it. Spiders is an amazing song, and the tension they build through it is incredible. you can see how much they love playing it too, Glenn bashing seven shades out of his kit in the riff sections is worth the entrance fee!

Thats because they are unbelieveable live songs!!! i dont know how the band could get tired of playing them and people could get tired of seeing them!! theyre amazing songs!!!

This was my first time seeing Wilco, and before the gig i spent ages talking about how i wanted this song or that song, but the truth is, it really doesnt matter what they play. The intensity they put into EVERY song is incredible! Nels was on fire last night, throwing his guitar around and pulling screaming feedback out of his pedals. His lead playing on Forget the Flowers had Jeff grinning his face off!! There were so many highlights - Radio Cure was a nice surprise, and Nels laid his magic all over that too - BBN was immense, the duel on Handshake was insane!!! Here's the printed setlist

its not small, its got a 2500 capacity!!! hoping for a few surprises in the set, but its my first time seeing them after the last tour got cancelled so im just thrilled to get to see them.

opening with bull black nova???? holy crap, if that happens tomorrow night in london i may burst with joy

i didnt even know this was happening!!! sounds ace

dont be silly, hell isn't real.

Poor Places Muzzle Of Bees Remember The Mountain Bed Please Be Patient With Me Ashes Of American Flags Gun Not For the Season Via Chicago Spiders Bob Dylans 49th Beard Bull Black Nova On and On and On One Wing Passenger Side New Madrid Hell Is Chrome Pieholden Suite Side With The Seeds Sunken Treasure Summerteeth

ive gone for ".... lies are always wishes" before

Thanks man - this sheet music proves in the full solo just how fucking nuts Nels' playing is. You've copied th same sheet twice though - any chance you can post the page showing the first time through the nontuplet (!) part and the first harmony section with Jeff??? Also, I'm not sure if he's using delay on that part - to me, when the picking flows at the right speed it sounds identical to what he's doing

That would be awesome. The key to it is to get into the down-down-up picking pattern and keep it going. took me a while but thats the key. has that sheet music got the full solo??

what about us unlucky folk without dime accounts???

im not finding this on bt.etree - all thats there are two versions of night 1!!!!

are you kidding? nels' phrasing is one of the best things about his playing!!! yeah, he might do the insane tremolo picking a lot but his sense of space elsewhere really is something

no one have any clue??????