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Just got through reading an interesting piece by New Yorker pop music critic Sasha Frere-Jones in this week's issue about why indie rock has become so "white." He makes some interesting points, including a brief mention of Wilco toward the end. He likes Being There, apparently, but not YHF so much. Too much so-called "noise" for him. He also seems to make the, to me, absurd point that mainstream country is more "soulful" than Wilco (in the accompanying audio interview on the New Yorker's Web site). Anyway, I agree with him on some points he makes in the piece--though far from all of them. Th

Happy brithday, Wendy. Try not to go to too many shows, will you?... You're making me look bad!

I think Nels was involved with this film as well. Probably as a session player on the score, if I had to guess. (Wonder if he'll get credited by name?) Anyway, I'm pretty sure I remember him saying before a New York show earlier this year that he had spent the day recording stuff with Lee Ranaldo and others for the Dylan movie.

I wasn't at the show, but this review came up on a Google News alert and I had to post this snippet. It's a favorable review, but I gotta say that this is the worst butchering of Glenn's name that I think I've ever read: There was the lighthearted alliteration of "I am Trying to Break Your Heart," the country flavor of "Forget the Flowers," Geoff Koch's jarring drum outbursts in "Via Chicago," the sloppy solos that make "I'm the Man Who Loves You," except on electric guitar - which didn't really appeal to me - and the overwhelming positive energy of "The Late Greats." But there was also the

Me too! Glad you guys had a lovely, if slightly chilly, time (I hope the babies were OK...). And thanks for the shoutouts, Mr. Dowdall and Ms. Silent P. I commend you for excellent notation in my stead!

I know there's obviously pain for Patti and her family, but it sounds like that's about as good a way to go as there could have been. Give P our love, Mart...

A few notable points about the show last night: *A shorter-than-usual show, obviously with time for just one encore. The venue was sort of a big, soulless civic auditorium with an apparently strict 11 p.m. curfew. Things seemed a bit rushed, even to the point where the band cut the clapping bit out of Spiders almost completely. *It was a fun show, but kind of had an odd vibe to it. Some *really* enthusiastic fans and then a bunch of people just sort of sitting there taking it all in. Maybe it had something to do with the fact that Wilco had surprisingly never played Little Rock before (tha

Here's the Little Rock setlist, in order: Hell Is Chrome Handshake Drugs Side With The Seeds You Are My Face IATTBYH Muzzle of Bees Impossible Germany Via Chicago Forget The Flowers Too Far Apart Jesus, etc. Hate It Here Walken I'm The Man Who Loves You Poor Places> Spiders (Kidsmoke) ---------------------------------- A Shot in the Arm Heavy Metal Drummer Casino Queen Outtasite (Outta Mind)

While John sounded really good--he did sing the song on a fairly regular basis at Autumn Defense shows--the oddest part was seeing Jeff on bass (just like back in the Uncle Tupelo days). John even made the comment after the show that Jeff looked good with a Jazzmaster in his hands. As for Jeff, he was definitely smiling to himself and the crowd during the song. He sort of looked like he wasn't sure what to do with himself at first. He turned his back at one point and sort of drifted in Pat's direction before getting his feet back under him. Hopefully somebody snapped a good picture.

As far as I could see, Glenn took a well-deserved break and left that one to Mr. Stephens.

Jody being Jody Stephens of Big Star/Golden Smog fame, of course. A Memphis legend. That was the biggest highlight of the night for me. He also played a tambourine on California Stars, prior to taking over the drums for Box Full of Letters. Jeff kind of struggled with the lyrics a couple of times, but Jody sounded excellent throughout. It was a good song for him to do. Also, Jeff mentioned in passing how Jody and Glenn sort of looked alike and Glenn did a brief pose over Jody's shoulder before relinquishing the kit to him. Definitely an endearing moment.

Here's your complete setlist: You Are My Face IATTBYH Pot Kettle Black War on War Handshake Drugs Side With The Seeds A Shot in the Arm Impossible Germany Via Chicago Jesus, etc. Too Far Apart Walken I'm The Man Who Loves You Hummingbird On and On and On ----------------------------- Misunderstood Cars Can't Escape> Spiders (Kidsmoke) ----------------------------- Hate It Here Box Full of Letters California Stars Heavy Metal Drummer Red-Eyed and Blue> I Got You (At The End of the Century) Casino Queen Outtasite (Outtamind)

Sorry for the brief dereliction in setlist duty, Kevin and other Madison show attendees, but I was otherwise occupied last night! Wonderstruck, you might say. Glad people had fun at the show...

Hope you had the happiest of birthdays, Dunja! I still have some pictures I need to send you!

Happy happy Sam! I will buy you a tasty bev tonight!

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Just so people don't freak out any more than they already have, reliable sources tell me that Wilco is NOT going to be performing at this Woody benefit on Oct. 17 despite what the NYT reported. They apparently got some erroneous information and decided to run with it. But no, Wilco will indeed be in Detroit that evening.

Here's hoping you have a spectacular day!

Here's the setlist, in correct order, for Night 2 at the Fillmore in Denver: Sunken Treasure (Jeff on acoustic) Side With The Seeds You Are My Face IATTBYH (traditional-w/intro "noise") Forget the Flowers Handshake Drugs Impossible Germany Sky Blue Sky Company In My Back A Shot in the Arm Jesus, etc. Too Far Apart Theologians Walken I'm The Man Who Loves You --------------------------------- What Light Hesitating Beauty California Stars (w/Richard Swift on keyboards and Casey Foubert on elec. guitar) Poor Places> Reservations --------------------------------- The Late Greats Red-Eyed and

Just a few brief comments about the show tonight: -Not sure of the significance, if any, but for the first time that I heard on this tour, IATTBYH was played the "traditional" (album) way, with the electronic "noise" intro. At the other shows I've seen on this leg, the song just started with Jeff quietly strumming on his acoustic and no electro-effects whatsoever. -On and On and On really is turning into a terrific live number. I know more than a few people, myself included, were a little skeptical of the song in its early incarnation(s), but I really love the arrangement the band is using

For what it's worth, a belated thanks to everyone who posted in this thread. I meant to respond earlier, but I was too busy eating fried squash blossoms, avocado and tangy frozen yogurt with some of my favorite people ever. Oh, and rolling down hills.

Here was your setlist for Santa Barbara: Either Way You Are My Face IATTBYH Handshake Drugs Pot Kettle Black War on War Side With The Seeds A Shot in the Arm Impossible Germany Sky Blue Sky Too Far Apart Jesus, etc. Theologians Walken I'm The Man Who Loves You Hummingbird On and On and On ---------------------------------- Via Chicago> Spiders (Kidsmoke) ----------------------------------- California Stars Hate It Here The Late Greats The Lonely 1

I put it in the other thread! Thanks again for the cured meats, bud.

Here's a complete setlist for the Marymoor Park show: Sunken Treasure You Are My Face IATTBYH Handshake Drugs Pot Kettle Black War on War Side With The Seeds A Shot in the Arm Impossible Germany Sky Blue Sky Too Far Apart Via Chicago Jesus, etc. Hate It Here Walken I'm The Man Who Loves You --------------------------------- What Light Airline to Heaven Hesitating Beauty (w/Bill Frisell on elec. guitar) California Stars (w/Bill Frisell on elec. guitar) Hummingbird --------------------------------- Misunderstood Spiders (Kidsmoke)

His collaborations with Clifford Brown produced some wonderful music. RIP indeed.