PopTodd

Yeah Yeah Yeahs - Fever To Tell Grant Hart - Intolerance Matthew Sweet - Altered Beast Jimmy Cliff - The Harder They Come (soundtrack) Trakan - Opening Soon Under New Management

I'm surprised that there hasn't been more talk about this one as the end of the year approaches. Anyone have this? Comments? I have yet to pick it up; I need to remember to do so.

My first real intro was Electro-Shock Blues. Some might say that it's too depressing an intro and that may be true, but if you wanna get into the band, you'd better get used to depressing. And I still think that it's their best album. Period.

This morning: Sam Cooke - "A Change Is Gonna Come"

Not long, as you can see.

In bed. With wife.

I'm in a West suburb of Chicago. I was the first in line at 6:00 this morning, so I didn't wait long.

Just picked this up: Beto Villares - Beto Villares On first listen, it's pretty good. Some tunes are a little too Esquivel/lite rock for me, but there is enough variety on there that the effect of that cheesiness is minimized. I like it. Not enough to displace my Happy Ashtray pick, but enough for it to most-likely place Top 5.

Beto Villares - Beto Villares Nick Cave & The Bad Seeds - Dig!!! Lazarus!!! Dig!!! Latin Playboys - Latin Playboys Tom Z

I just came upon another one. I don't think that I miss the entire album, so much as a couple of really exceptional tracks that were on it. Still, I wanna hear it again:

"Not Yet Three" and "You're the One For Me" do it for me.

Stevie Wonder - "Sir Duke" Apples In Stereo - "Seems So" Kinks - "Hairy Rag"

The New Pornographers - Electric Version Gilberto Gil - Frevo Rasgado The Clean - Anthology (disc 2) Nick Lowe - The Convincer

I was listening to the "De-emphasized Black Triangle" version of Abbey Road this morning. I think that's some sort of remaster job. At any rate it sounds pretty amazing.

Several GA shows, I've been AT the stage. In fact, when I met Louie and Wendy (and found out about this place), it was at an invite-only Steve Earle show and we were all leaning on the center of the front of the stage.

Oh, and, if the Sex Pistols reunion of the 1990's didn't generate the freaking out that you would expect, I don't know how an NMH reunion would.

Okay... Hop On Pop - As Drawn By Ethan, Age 2

Anything by Andrew Bird.

Bob Elliott - Simple Machines

"Elanor Rigby" "Paris, 1919" - John Cale

I believe it's only for public performance, i.e. for customers. Personal play has already been payed for when you buy the CD/mp3/whatever.

I think it depends upon the contract. But, of course, I am not an expert on such things. This is just all what I have come to believe, as a BMI affiliated artist. Also, obviously, these companies are not capable of monitoring every such business; this particular cafe simply happened to get unlucky.

Performance royalties are a viable revenue stream for artists. It's generally not very much, but nonetheless, if you are a struggling artist and you sell a chunk of records, most of that $ goes to the label, but if the songs are played on the radio, or in a business, that $ goes directly to you. Most artists you would think are making serious cash with their music are probably working some sort of day job or freelance gig to help pay their bills, too. (Unless they tour constantly and draw serious crowds every night.) As an artist, it's kinda nice to have something/someone else looking out