NoJ Posted February 5, 2016 Share Posted February 5, 2016 heh....I laughed Link to post Share on other sites
jw harding Posted February 5, 2016 Share Posted February 5, 2016 My son: "Can you put on Benjamin's Tower?"Me: "You mean Franklin's Tower?"Son: "Yeah, Benjamin Franklin's Tower." Nice! My first grader learned about the Liberty Bell last week, which lead to a discussion of Franklin's. Link to post Share on other sites
Winston Legthigh Posted February 7, 2016 Share Posted February 7, 2016 After several listens to Dave's 17, I really love it. Great show. That June 9 '77 show has such a great They Love Each Other. I really love that song from that era. Definitely my favorite 1st set song from then. Link to post Share on other sites
Vacant Horizon Posted February 7, 2016 Share Posted February 7, 2016 After several listens to Dave's 17, I really love it. Great show. That June 9 '77 show has such a great They Love Each Other. I really love that song from that era. Definitely my favorite 1st set song from then. I love the slow TLEO too. I'm trying to get my Dead cover band to do it that way. They always want to play the fast version. Link to post Share on other sites
worldrecordplayer Posted February 8, 2016 Share Posted February 8, 2016 I love the slow TLEO too. I'm trying to get my Dead cover band to do it that way. They always want to play the fast version.I much prefer the uptempo '73 style. Link to post Share on other sites
Shug Posted February 8, 2016 Share Posted February 8, 2016 I like that 74 Dijon show a lot. Great first set, gets started with a rare UJB opener that is real rubbery. A fast version of FOTD, which makes me understand why they started it playing it slow. Worked better slow with electric instruments. Not as sprawling as most 74 shows could be, but I think that is a good thing. Show has more of an arc to it, as opposed to many 74 shows, that were all over the place with pacing, song choices. Funny aside, I have a buddy who is the only French Deadhead in all of Dijon, maybe all of France. He is a few years too young to have attended this show, doesn't know anyone who did. Must've been quite a scene in that small city.Also a really good To Lay Me Down from Dijon '74 except they kinda blow the ending. Black Throated Wind and Row Jimmy from this show are also good, I think. I liked it when Keith played that classic 70s electric piano tone (Fender Rhodes?) like on the Row Jimmy. Really nice early stand alone Scarlet Begonias from Fresno '74, too. Link to post Share on other sites
mountain bed Posted February 8, 2016 Share Posted February 8, 2016 The only one of those I acquired was the Fillmore West 1969 boxset. I believe people also ask hundreds of dollars for that boxset. I recall seeing $1500. And that was a few years ago.Also a really good To Lay Me Down from Dijon '74 except they kinda blow the ending. Black Throated Wind and Row Jimmy from this show are also good, I think. I liked it when Keith played that classic 70s electric piano tone (Fender Rhodes?) like on the Row Jimmy. Really nice early stand alone Scarlet Begonias from Fresno '74, too.The mix on that 9/18/74 is just incredible. It might the best-sounding tape from the Wall Era. Link to post Share on other sites
worldrecordplayer Posted February 10, 2016 Share Posted February 10, 2016 Did everyone see this about The National curated GD tribute album? http://viachicago.org/topic/51508-the-nationals-grateful-dead-tribute-lp-includes-wilcoweir-live-collaboration/ Holy crap, that looks great. Link to post Share on other sites
calvino Posted February 11, 2016 Share Posted February 11, 2016 Listening to 2.11.86 -- crazy intro into Truckin. https://archive.org/details/gd1986-02-11.mtx.seamons.117798.flac24 Link to post Share on other sites
Lammycat Posted February 11, 2016 Share Posted February 11, 2016 Listening to 2.11.86 -- crazy intro into Truckin. https://archive.org/details/gd1986-02-11.mtx.seamons.117798.flac24Neville Bros sitting in for a few tunes. I've had this tape for years but don't listen to it much. That "Truckin'" intro has Healy fucking with/distorting the guitars.... Link to post Share on other sites
calvino Posted February 11, 2016 Share Posted February 11, 2016 Usually Healy bugs me with that stuff - but I thought it sounded pretty cool in this show.The show is a bit of a mess, but fun. The Bird Song-> The Music Never Stopped-> Might As Well was pretty decent, too -- but Jerry's voice was pretty much gone by Might as Well. I don't think I ever listened to the show before. 86 is one of those years that I don't visit often. Link to post Share on other sites
Lammycat Posted February 11, 2016 Share Posted February 11, 2016 I, generally, get a kick out of Healy's messing with the vocals/sounds (though it's likely a key contributor to his dismissal from the band, or so II've heard/read). Yeah, it is a sloppy show, particularly that 1st set. Garcia's voice being shot is odd because it's only 2-3 shows into the first ones of the year, though it was the year he fell into the coma 4 months later.... Link to post Share on other sites
The Inside of Outside Posted February 12, 2016 Share Posted February 12, 2016 I saw a pre-coma show in April '86. Not good. Link to post Share on other sites
Lammycat Posted February 12, 2016 Share Posted February 12, 2016 I saw a pre-coma show in April '86. Not good.I saw the Hampton shows and they were pretty good, actually ("Box" bust out, iirc) and was at the RFK shows that were, save for a few bright spots, tepid. Link to post Share on other sites
jw harding Posted February 12, 2016 Share Posted February 12, 2016 Listening to the 5/16/81 show from 30 trips. Brent's keyboard sounds are less jarring than the 79 show, more assimilated into the band. Pretty nice friend of the devil, in which Brent, then Bob, then Jerry each takes a solo. Not sure if there are any tunes, other than the transition from China Cat into Rider, in which Bob and Jerry trade solos? Later in the show during the Nobody's Fault Jam, they're both playing the melody, with Bob on the slide. Cool, but it doesn't quite mesh, they sound like they're in two different bands, Jerry's sounds so clean, Bob's so dirty. Worth a listen. Link to post Share on other sites
Lammycat Posted February 12, 2016 Share Posted February 12, 2016 Listening to the 5/16/81 show from 30 trips. Brent's keyboard sounds are less jarring than the 79 show, more assimilated into the band. Pretty nice friend of the devil, in which Brent, then Bob, then Jerry each takes a solo. Not sure if there are any tunes, other than the transition from China Cat into Rider, in which Bob and Jerry trade solos? Later in the show during the Nobody's Fault Jam, they're both playing the melody, with Bob on the slide. Cool, but it doesn't quite mesh, they sound like they're in two different bands, Jerry's sounds so clean, Bob's so dirty. Worth a listen.The Shakedown second set opener is smmmmmmmokin' (not to mentioned it's followed up with a tight Bertha). Link to post Share on other sites
jw harding Posted February 12, 2016 Share Posted February 12, 2016 The Shakedown second set opener is smmmmmmmokin' (not to mentioned it's followed up with a tight Bertha).That Shakedown is a good one. Is that the song that gets the MVP for the 80's, best fit for their sound during the era? Link to post Share on other sites
Lammycat Posted February 12, 2016 Share Posted February 12, 2016 There are quite a few from '79 that really stand out, too..... Link to post Share on other sites
Shug Posted February 12, 2016 Share Posted February 12, 2016 I agree, Shakedown for me peaked in 1979 because it was so funky. This is my fave Shakedown of all time, New Haven 10-25-79. It was just in 1979 that Brent was using that particularly aggressive late 70s jazz-funk organ tone. Not sure what keyboard produced it, but I frickin' love it! (I'm not talking about the electric piano sound he starts the song with) Starts at about 11 minutes into the Shakedown as they are heading into the jam. https://archive.org/details/gd1979-10-25.aud-set1.sbd-set2.miller.22311.shnf You can also hear it in the massive transition jam between Scarlet and Fire on 11-1-79 Nassau Coliseum starting about 15 minutes into the Scarlet https://archive.org/details/gd1979-11-01.sbd.miller.23445.shnf I gotta relisten to the 5-16-81 Shakedown. Its a fave tune of mine, and there were good ones even into the 90s, I think. I dig the one from Merriweather Post on 6-30-85, too.https://archive.org/details/gd1985-06-30.sbd.miller.89192.sbeok.flac16 Link to post Share on other sites
jw harding Posted February 12, 2016 Share Posted February 12, 2016 Guess I meant "Brent era" rather than 80's. Doobie Dead. Link to post Share on other sites
jw harding Posted February 13, 2016 Share Posted February 13, 2016 Forgot to mention about that 81 show, the sound quality is terrible. A problem that plagued the Brent era. Sounds like a crappy audience tape at points, not an official release. Link to post Share on other sites
calvino Posted February 13, 2016 Share Posted February 13, 2016 I don't think I ever heard the 10/25/79 2nd set, before tonight -- at least it wasn't on my hard drive nor do I have the tape. Downloaded it off of entree - Up to Estimated --- very, very great stuff. It's kinda amazing how fast Brent fit in. Stella Blue is pretty perfect, too - same with Passenger. Link to post Share on other sites
mountain bed Posted February 13, 2016 Share Posted February 13, 2016 Forgot to mention about that 81 show, the sound quality is terrible. A problem that plagued the Brent era. Sounds like a crappy audience tape at points, not an official release. They actually did patch an AUD tape deep in set 2 (post-Truckin-on) to complete the show. There are a few anomalies like that in a few 30 Trips shows, although usually not for more than a minute. Link to post Share on other sites
Shug Posted February 15, 2016 Share Posted February 15, 2016 Not sure if there are any tunes, other than the transition from China Cat into Rider, in which Bob and Jerry trade solos?I'm not totally sure what you mean by trading solos, but maybe you are talking about this kind of stuff? There are not a lot of times, to my ears, when Bobby plays what I'd call lead guitar or takes a solo, other than the at-times horrendously off-key slide solos he'd take in the blues tunes (Minglewood, Rooster, Walkin' Blues, etc). But when he did play a lead or solo or just a picked counter phrase (as opposed to his rhythm strumming) it could be really good. He had a prominent lead part in China Cat, as you mentioned, that could really make or break the version, IMO, that was clear and strong in the early years but got increasingly lazy and sloppily played later on. I think the best China Cats were in '72 - '74. He also did some pretty strong guitar leads in Here Comes Sunshine, my faves being 12/19/73 and 3/23/74 http://headyversion.com/song/118/grateful-dead/here-comes-sunshine/ But take a listen to Bob's guitar in hot versions of Easy Wind in 1970, he usually took the first solo after Pig's harmonica solo and then Jerry took the second solo. This one is my fave https://www.youtube.com/watch?v=2ozp2P_ENBoAnother good one is https://archive.org/details/gd70-09-20.aud.remaster.sirmick.27583.sbeok.shnf Link to post Share on other sites
Vacant Horizon Posted February 15, 2016 Share Posted February 15, 2016 I'm not totally sure what you mean by trading solos, but maybe you are talking about this kind of stuff? There are not a lot of times, to my ears, when Bobby plays what I'd call lead guitar or takes a solo, other than the at-times horrendously off-key slide solos he'd take in the blues tunes (Minglewood, Rooster, Walkin' Blues, etc). But when he did play a lead or solo or just a picked counter phrase (as opposed to his rhythm strumming) it could be really good. He had a prominent lead part in China Cat, as you mentioned, that could really make or break the version, IMO, that was clear and strong in the early years but got increasingly lazy and sloppily played later on. I think the best China Cats were in '72 - '74. He also did some pretty strong guitar leads in Here Comes Sunshine, my faves being 12/19/73 and 3/23/74 http://headyversion.com/song/118/grateful-dead/here-comes-sunshine/ But take a listen to Bob's guitar in hot versions of Easy Wind in 1970, he usually took the first solo after Pig's harmonica solo and then Jerry took the second solo. This one is my fave https://www.youtube.com/watch?v=2ozp2P_ENBoAnother good one is https://archive.org/details/gd70-09-20.aud.remaster.sirmick.27583.sbeok.shnf Yeah, he plays the first part of the Casey solo on that album as well. So great. He does a little solo on the slow FOTD too. I never found the blues solos off key. Some of the rhythm slide stuff through out the years was horrible. Sugaree comes to mind. Link to post Share on other sites
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