calvino

Thanks, all. Might as start with the new live one, since the first is OOP. Thanks A-Man for the below bit of info:

I don't know much about Moby Grape. I am thinking of ordering next week's Moby Grape Live release. Any thoughts if this would be a good starting point with the Moby Grape catalog? Thanks.

Man, when you find your niche or "audience" you can really haul in the cash: ABC link I like that they put a picture of her with the writing on her hand.

I wouldn't mind seeing one of the Chicago dates. Kinda wish the Chicago dates were a bit later in the tour, though. There may be a few "kinks" to work out.

Thanks for the great review Augustus Westerberg.

The Final Cut was mine.

Here is a rather long article from The Times-Picayune regarding Chilton's life in New Orleans.

I just noticed that you posted this link in the beginning of the thread. I always thought this release was great. I guess they were not playing in the best conditions (weather wise), perhaps that may have attributed to the loose/ragged feel to the playing.

The version from the Atlanta International Pop Festival disc is great, Oakley plays great little solo on this version.

Yeah, thanks for the link - it does sound great. If I had to pick a favorite Allman's song it would be Dreams.

I don't listen to Nick Cave nearly enough as I should.

My six month old has just starting teething and I have been going around the loft singing "the teether is in the freezer".

Just so everyone can follow the fabulous Palin's career, her new show will be on the Learning Channel. Sarah Palin's Alaska link (A-Man, I know you must just be part of the socialist conspiracy by giving that deliberately false information.)

According to the Taper book: "Dan Healy officially opened a legitimate tapers' section on 10.27.84 at the Berkeley Community Theatre in Berkeley, CA."

I noticed this is seeding at Lossless Legs: link

Definitely looking forward to the Ladies and Gentleman release. I only saw clips before. I think they are going to be showing it at theaters, too, which will be great. I guess it only makes sense that the Stones are finally releasing this and the Exile stuff, there is plenty of unreleased stuff and I think it will sell rather well. For some reason, I hope the put out another new record some day. I have no desire to see them live again, but hearing new songs is always fun.

Perhaps the answer is over at the thread going on at disc discussion over Dead.net. I know Blair Jackson and David Gans chimes in every now and than. I know "technically" tapers were not allow to tape back then, so perhaps Rhino felt they didn't need to give Weinberg any credit. I am assuming that this was a Rhino decision and not the Dead's decision, though I could be wrong.

Since we are discussing Dead's late night show appearances, Here is a clip from the May 7, 1981 from Tom Snyder Show. 3 acoustic songs. Great stuff, esp. the Deep Elm Blues. Wish they had bit more shots of Brent playing the piano, though.

I remember reading about (in the Trib?) a while back. A new club (of any kind) in this city is always welcomed. It appears Ernest Dawkins has a weekly gig (Monday nights). 5 Bucks and at 7:30pm (an early show ) . Club Blujazz homepage

Yeah, I don't think they are remixing the original album, either - just remastering.

Dead Set has always been a favorite of mine of their releases. It was sort of my intro to the Dead, so perhaps some of it is for sentimental reasons. Always loved the FOTD on that release.

Thanks for the info. I never saw the 89 show footage, I liked the . Esp. Weir and Garcia trading of verses. Another fine interview, too. I wonder what happen to the Moscow plans?

Paul's organ on Masterpiece sounded great. I'm curious to know what songs the band played going into and out of the breaks. Thanks for the links, I don't remember seeing the footage before.

Same here. Do you (or anyone) know their reasoning?